Devon Campbell

Cell: 647-638-6606

Email: devcampbell@msn.com

My Education:

Completed - Toronto Film School (Film Production Course) - 2 Years

Projects:

Camera Operator for TIFF film festival

- Operated camera for interviews with select stars that attended TIFF.
- Provided professional work and maintained proficiency.
- Helped set up lights and background props for interviews
 

Best Boy Grip/Electric of small production with Replay Entertainment & Production Services Inc named “Blue Bird” (Current)

-Set up rigs for various locations such as vehicles, libraries, households, etc.

-Ran cable neatly

-Came prepared 

-Worked quickly and did more then expected

Gaffer of small production Skyline Productions entitled “Thursday” (March/09)

-Worked on Location

-Distributed power evenly without blowing breakers

-Unpacked and packed equipment quickly between locations

-Worked with rain and wind with high power lights on exteriors

Grip/Electric of small stage for a live performance with Replay Entertainment (March/09)

-Worked with China bulbs to light the set

-Worked quickly and efficiently

-Ran cable so that wires where hidden and made sure that fuses were not over loaded

Camera Operator of small production entitled “m111” (February/09)

-Worked with Sony EX3

-Shot with little lighting

-Did quick pans steady pans through black screen until subject was in frame

-Provided input so that fewer camera changes were made during production

Camera Operator of small production entitled “The Lost Proverbs” (Dec/08)

-Worked with Sony Ex3

-Shot with shoulder mount as well as gorilla style

-Performed dolly movement with camera using reflection of sunglasses

-Worked with second camera giving me control of alternative shots

Camera Operator of small production Marathon Films entitled “The Black Bear” (Nov/08)

-Worked with both Sony EX3 and Arri SR2 16mm camera

-Shot digital on location documentary style

-Various camera positions utilizing shoulder mounts, tripods, and dolly’s

-For film built camera, provided focus pulls where needed

-Camera made excessive noise had to cover it with sound blanket and make it accessible for both operator and self to work camera

Gaffer of small production Marathon Films entitled “The Black Bear” (Nov/08)

-Worked with Arri Lights

-Worked on location using power from the location

-Ran power to exterior from interior

Gaffer of small production Skyline Productions entitled “Forgetting Yesterday” (Sept/08)

-Ran Power through household to light scenes both interior and exterior

-Unpacked and packed equipment quickly between locations

-Provided professional service by voicing flaws with location power hazards