Linked under
Production Managers/Supervisors, Production Services
in
USA New York/New Jersey.
Having interned and worked under some of film's greatest auteurs he is driven by a passion for great storytelling and the idea that great film is a collaboration.
Credits: The LImits of Control (uncredited) (FF), Rachel Getting Married (uncredited) (FF), Night at the Opera (FF).
05/09-PresentCOMMEDIA DELL ARTE, LLC: NIGHT AT THE OPERANew York, NY
Production Manager & Music Supervisor
·Consult with the Producer and the Co-Executive Producer regarding pertinent financial expenditures, goals and requirements
·Coordinate with all technical departments to arrange the rental of equipment and negotiate deals based on the budget requirements for the project
·Prepare quote requests and license agreements for music licensing and negotiate with independent and major record labels and provide daily updates on budget status
·Constantly negotiate with all vendors for equipment, food and locations in an effort to maintain quality relationships and to secure budget friendly agreements
·Maintain an organizational flow to avoid time overages, overtime hours and meal penalties
·Supply the A.D. Department with the necessary legal paperwork: Exhibit G’s, crew deal memos, actor’s and extra’s releases, still photographer releases, and behind the scenes collaborator’s releases
·Create sides for each shooting day
·Meet with potential crew members and conduct interviews
·Reach out to references for various departments and schedule their interviews with the D.P. and the Director
·Create end credit crawl
09/08-05/09EXOSKELETON, INC.; POINTBLANK FILMS, INC.: THE LIMITS OF CONTROLNew York, NY
Office Intern
·Proof billing blocks and artwork for foreign distribution of titles in the catalogue, as well as proof elements from the current project: title cards, end credits and spotting lists
·Transcribe lyrics for songs used in the current movie
·Conduct research; collect articles, biographies, and general production research materials
·Run general errands
·Maintain petty cash and all receipts
·Create a filing database for the deliverables for the current project and assemble materials according to the delivery schedule agreement between the production company and distributor
·Cross reference cast lists with actor’s agreements for artistic name accuracy
·Listen to the source tracks to make sure the correct version of the selected track has been used and indicate their usage on the music cue sheet
·Organize and review music licenses and assemble payment for music usage along with completed cue sheets
·Fill out Form PA’s for copyright registration
·Handle highly sensitive material with extreme discretion
08/08-12/08MICHAEL MAILER FILMSNew York, NY
Script Coverage Intern
·Read feature length scripts andprovide detailed coverage assessing whether or not to proceed with either the writer and/or the submitted project
·Answer phones and relay messages
08/08-09/08RED SMOKE FILMS: MILITIA MANPound Ridge, NY
Grip and Key Production Assistant
·Coordinate shoot with Director and Producer to cover all logistics
·Set up dolly tracks for various shots and operate the dolly
·Set up lighting for various night time shots
·Provide catering for entire cast and crew
·Set up props and sets
·Interact with vendors throughout the tri-state area to procure lighting, rigging, props and sets
·Operate a 14 foot box truck with a lift gate
·Operate gas engine electrical generators
·Escort talent to and from set location
06/08-07/08GLASS EYE PIX; MONSTERPANTS MOVIES: SATAN HATES YOUNew York, NY
Grip & Set Production Assistant
·Report directly to the First Assistant Director and Unit Production Manager to coordinate various tasks for daily shoots
·Work with Grip and Electrical department and Director of Photography to arrange sets by arranging partitions and light rigging
·Organize all Grip and Electrical equipment at the main filming location and secondary locations as well as organizing the equipment when packing it into the truck
·Pick up and drop off camera and lighting equipment from vendors
·Lockdown sets to prevent sound and visual interference by cast, crew and the public
·Escort talent to and from set locations
·Maintain craft services area
·Rearrange props for multiple takes
03/08-06/08CLINICA ESTETICO PRODUCTIONS: RACHEL GETTING MARRIEDNew York, NY
Post-Production Intern
·Assist Post-Production Supervisor, Associate Producers and Producer in the day-to-day operations of Post-Production activities
·Interact with Editors to aide in the final mixing process by handling and transporting highly sensitive video and audio material
·Review film for transcription and edit existing copies of transcripts for foreign language translation
·Proofread main title cards and end credit cards to assure accuracy with the primary cast and crew list
Education:
UNIVERSITY OF TORONTOToronto, Ontario, Canada
Honors Bachelor of Arts; Major: World History; Minors: Political Science and English; June 2004