Yannick Budd
Overview
- Ethnicity
- Ethnically Ambiguous / Multiracial
- Age Range
- 24 - 36
- Height
- 6' 2" (1m 88cm)
- Weight
- 13st. 3lb. (84kg)
- Hair Colour
- Brown
- Eye Colour
- Brown
- Build
- Medium
Images
Audio
-
audio fileVoice Reel 2019
Video
-
video fileShowreel
-
video fileMusic Video
-
video fileCommercial reel 2024
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2024 |
Tony
Theatre |
Coming Clean Andrew Beckett |
Turbine Theatre |
2022 |
Dauphin
Theatre |
Henry V Rachel Pedley/ Avant Cymru |
|
2022 |
Macbeth
Theatre |
Macbeth Matthew Boole/ Avant Cymru |
|
2022 |
Malcolm
Film |
Testament Syrstad/ Roarlight |
|
2022 |
Football Dad
Commercials & Industrials |
Honda Motor Europe Will CLark Smith/ Unsigned Films |
|
2022 |
Dog owner
Commercials & Industrials |
Pedigree Dentastix EmmaDebany/ Nice Shirt Films |
|
2022 |
Soldier
Commercials & Industrials |
Royal opera House's Aida trailer Tom Turner/ Royal Opera House |
|
2021 |
Lewis
Film |
Red Flag Imoje Aikhoje/ Goldsmiths |
|
2021 |
Sparky
Commercials & Industrials |
What3Words Trevor Melvin / So Focused Productions |
|
2020 |
Young Man
Commercials & Industrials |
Ericsson corporate film Harleys Creative Agency |
|
2020 |
Lee
Commercials & Industrials |
Management Training Video (Professional services client) Brands at Work |
|
2020 |
Soldier
Online & Multimedia |
Promotional shoot Royal Opera House |
|
2020 |
Malcolm
Film |
The Talents Paul Syrstad / Roarlight |
|
2020 |
Performer 3 (multiple roles)
Theatre |
The Gravity (R&D) Madeline Shann / Bristol Old Vic |
Bristol Old Vic |
2019 |
Kaleb
Video |
Dotan / Letting Go Christy Tattershall / Paint Studios |
|
2019 |
Lee
Film |
STN: The Haunting of Nanny Murphy Harry Chadwick / Adrift Pictures |
|
2019 |
DI Phillips
Film |
Clearing Janet Marrett / Mediathirsty Productions |
|
2019 |
Mario
Commercials & Industrials |
Management training video (professional services client) Brands at Work |
|
2018 |
Yousef El Fayoumi
Theatre |
The Last Days of Judas Iscariot Alec Fellows Bennett / Elf In A Man Suit Theatre Company |
Redgrave Theatre |
2018 |
Sergeant Harper
Theatre |
Forget Me Not Rachel Pedley / Avant Cyrmu |
Pontypridd Museum |
2018 |
Alex Law
Theatre |
Rhondda Road Peter Shane Anderson / Avant Cymru |
Park and Dare Theatre |
2017 |
Trevelyn, Man, Da Vere, Boy, Quinn
Theatre |
Love Play Chloe Masterton / Cheers Drive Theatre Company |
Hamilton House |
2017 |
Tim
Theatre |
Lost June Trask / Moondog Productions |
Alma Tavern |
2017 |
Jamie
Theatre |
Killers Cells Rachel Pedley / Avant Cymru |
Sherman Theatre |
2016 |
Big Claus
Theatre |
Dark Tales Toby Hulse / Cheers Drive |
the Hamilton House |
2016 |
Caesus
Theatre |
Love Labours Won Katie Harris / Avant Cymru |
|
2016 |
Mother
Theatre |
The Government Inspector Toby Hulse / The Bristol Acting Academy |
the Alma Tavern |
2016 |
Caesus
Theatre |
Love Labour's Won Katie Harris / Avant Productions |
|
2016 |
Nurse/ Ben
Theatre |
Killer Cells Peter Scott / Avant Productions |
Edinburgh Fringe Festival |
2015 |
Robert
Theatre |
The Engineers Corset Janet Goddard / Louise Matthews Productions |
Redgrave Theatre |
Education
Year | Qualification | Where |
---|---|---|
2022 | Part time professional acting training | Identity School of Acting |
2016 | 2 yr. Acting | Bristol Acting Academy |
2015 | Screen Acting | Bristol Acting Academy |
2015 | Stage Combat | Bristol Acting Academy |
2013 | Modern Acting Short Course | Bristol Old Vic Theatre School |
2005 | Youth Theatre School ( 5 yrs) | Bristol Old Vic Theatre |
About me
Review comments from Coming Clean at the Turbine Theatre:‘Yannick Budd makes for a wonderful Tony who truly comes into his own when wrapping his tongue around Elyot’s acerbic one-liners, he excels with witty repartee which makes it all the more upsetting when he’s confronted with the gravitas of Greg’s latest infidelity showcasing the beautiful rawness of Budd’s emotional vulnerability.’ West End Best Friend
‘However, the biggest praise (or worship, if he’s into that… towards me, that is) is earned by Yannick Budd in the lead part of Tony, for his electrifying and infectious interpretation which supplies his personage with charm and flair.’
First Night magazine
‘The performances are all solid, in particular Yannick Budd as Tony shows great sharpness in terms of the way in which he delivers his lines – a combination of vulnerability and sharpness as he responds to Alexander Hulme’s Greg’s indifference and pompousness.’
Love London Love Culture
License & Passport
Driver's License: | Yes |
Skills
Languages Spoken | English |
---|---|
Accents/Dialects | American - General, Arabic, Australian, English - Cockney, English - General, English - London, English - Northern England, English - Received Pronunciation, English - Southwest England, French (Standard International), German, Irish, Italian (Standard International), Middle Eastern, Midwest American, New Zealand/Kiwi, North African (Moroccan, Magreb), Polish, Russian, Scottish, Scottish (Aberdeen, Dundee), Scottish (Glaswegian), Scottish (Lowland, Broad Scots), South African, Turkish, US South (Deep South, Dixie, Delta), US West Coast (California, Portland), Yiddish |
Dance Styles | Ballet, Contemporary, Hip Hop, Jazz, Swing Dance |
Additional Skills | Acrobatics |
Musical Skills | Drums/Percussion, Percussion, Piano/Keyboards |