Pavan J Singh
Overview
- Ethnicity
- Asian, Middle Eastern, South Asian / Indian
- Age Range
- 37 - 48
- Height
- 5' 9" (1m 75cm)
- Weight
- 198lbs (90kg)
- Hair Colour
- Black
- Eye Colour
- Brown
- Build
- Medium
Images
Video
-
video fileShowreel ('23) of Pavan J Singh
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video fileShowreel ('19) of Pavan J Singh
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video fileMonologue Competition
Documents
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document filePavan Actor CV
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2023 |
Jit
Theatre |
Pompeii by Edith Podesta Edith Podesta and K Rajagopal / The Public Space |
Singapore |
2023 |
Ensemble
Theatre |
No Particular Order by Joel Tan Sim Yan Ying / Esplanade Studios |
Singapore |
2023 |
Braham
Theatre |
Refuge Self / Independent |
Singapore and Los Angeles Fringe Festival |
2023 |
Clarence Lewis
Television |
Sunny Side Up Ian Seymour / Mediacorp |
Singapore |
2022 |
Andrew Pillai
Film |
Charcoal Muhammad Bin Abdul Rashid / NTU ADM |
Singapore |
2022 |
Sunny
Comedy & Improv |
B.TOgether (TikTok Sitcom) Jonathan Lim / Brandcore |
Singapore |
2020 |
Kenneth Mesinger
Film |
Code of Law: Season 5 (TV Series) Jan Ho / Weiyu Films |
Singapore |
2020 |
Main Ensemble
Theatre |
Fat Kids Are Harder To Kidnap Melissa Sim / How Drama |
Singapore, Oslo Fringe Festival, DC Fringe Festival, Paris Fringe Festival, Sydney Fringe Festival, Melbourne Fringe Festival |
2020 |
Core Member
Theatre |
Improvanopolis: Comedy Improv Troupe William Landsman / Eclectic Bison Productions |
Singapore |
2019 |
Al Cooper
Theatre |
A Disappearing Number Edith Podesta / NUS Stage |
Singapore |
2018 |
Kunalan
Theatre |
Chinatown Crossings Koh Hui Ling / Dramabox |
Singapore |
2018 |
Charles, Mr. Denjer, Psychiatrist
Theatre |
The Reunification of the Two Koreas by Joel Pommerat Jacques Vincey / TheatreWorks (Singapore) and Centre Dramatique régional de Tours (France) |
Singapore and Tours, France |
Education
Year | Qualification | Where |
---|---|---|
2009 | BA (Hons) Acting | LASALLE College of the Arts. School of Dance and Theatre - I achieved a First Class honours and graduated top of my class. |
About me
I am an actor and theatre artist with over 20 years of experience. I am currently based in Singapore, and have worked with some of the most prominent theatre and film production companies in the country. I am looking for opportunities to work overseas as I love the challenge of international projects.I am also a comedy improvisor, and have performed regularly with various troupes. Outside of performing, I direct and produce works for the theatre. I am also a part-time lecturer and director of student productions, working mostly with LASALLE College of the Arts since 2011, I have taught subjects such as Comedy, Improvisation or Acting to students in the Diploma and BA programmes.
Acting Experience:
Screen credits include roles in various TV series such as B.TOgether (Brandcore 2022), Code of Law: Season 5 (Weiyu Films 2020), Verdict (ENFilms, 2015), On the Red Dot (Vertigo Pictures, 2015), Unbroken (Mediacorp, 2015), Mata-Mata: Season 2 (Mediacorp, 2014), What do Men Want (BananaMana Films, 2014), a lead role in Super4orce (Monochromatic Pictures, 2012); in features The Granplan (PlayActing Prdns 2014) and Nine Lives (GPS films 2008); and cameo appearances on Asia's Next Top Model (Refinery Media, 2017) and on The MTV Show (MTV 2012); Indie short films such as Charcoal (NTU ADM 2022), The Last Bus (Ngee Ann Poly 2018), (NTU ADM 2018), How Convenient (English Muffin Films, 2017).
Theatre credits include being a member of Improvanopolis- a comedy improv troupe (Eclectic Bison, since 2018); acting roles in Zenda Tan's Eat Duck (Checkpoint Theatre 2019), Fat Kids Are Harder to Kidnap (How Drama- Sydney Fringe 2019, Paris Fringe 2017, Washington DC Fringe 2016), Jean Tay’s Chinatown Crossings (Dramabox 2018-19), Complicité's A Disappearing Number (NUS Stage 2019), Joël Pommerat’s The Reunification of the Two Koreas (TheatreWorks 2018), Haresh Sharma’s This Chord and Others (Esplanade Studios 2017), Shakespeare’s Hamlet (Theatre of Others 2017), his original work Refuge (Skinned Knee Productions 2016), The Man Who by Peter Brook and Marie Helene Estienne (Hot Chocolate Theatre 2016), Dark Room by Edith Podesta (Esplanade Studio Series 2016), The Good, The Bad and The Sholay by Shiv Tandan (Checkpoint Theatre 2015) Discord of Discourse by Khairul Kamsani (Cherry Orchard 2016), 2 Houses by Lim Yu-beng (Sin-Pen Colony 2014), Wong Souk Yee's Square Moon (ind. 2013), Debbie Issit's The Woman Who Cooked Her Husband (Skinned Knee Productions 2013), The Kanjoos: an adaptation of Moliere’s The Miser (HuM Theatre 2012), Rub My Antenna: Skits by Durang & Ives (Complete Comunicators 2012), Jose Rivera’s Sonnet’s for an Old Century (Quinta Productions 2012), Tan Tarn How’s Fear of Writing (TheatreWorks 2011), Decimal Points 0.01 (Cake Theatre 2011), John Cariani’s Almost, Maine (The Mechanicals 2011), Edward Albee’s The Zoo Story (Skinned Knee Productions 2011) and Shakespeare’s Othello (Masakini Theatre 2011).
Training:
BA (1st Class Hons) Acting: LASALLE College of the Arts, Singapore.
Additional skills:
Comedy, Comedy Improvisation, Scuba-diving, Motorcycle-riding (basic, all classes), Swimming, Basketball, Field Hockey, Martial Arts
Industry awards:
Singapore Life Theatre Awards: Best Ensemble 2015 for play entitled "Dark Room" by Edith Podesta
License & Passport
Passport: | Yes |
Driver's License: | Yes |
Skills
Languages Spoken | English, Malay |
---|---|
Accents/Dialects | Bangladesh, India (Bengali), English - General, Indian, Malay, Pakistani |
Additional Skills | Acting, Hosting/Presenting, Public Speaking |
Athletics | Billiards, Boxing, Jet Skiing, Motorcycling, Scuba Diving, Soccer, Stage Combat, Swimming |