Belen Lopez Albert
Other
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My Contact Number:
0034616972578
Links
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2018 |
SOUND DESIGNER
Television |
CANÇO PER A TU ORIOL FERRER / GALÁPAGOS FILMS |
|
| 2018 |
CONTINUITY SUPERVISOR
Film |
I've been worked over than 27 films as continuity supervisor during those years ISABELCOIXET, ALEJANDRO AMENÁBAR, PABLO BERGEL, CLAUDIA LLOSA, KIKE MAILLO, ANTONIO CHAVARRÍAS, ÁLEX DE LA IGLESIA, AGUSTÍ VILLARONGA, DANIEL SANCHEZ AREVALO, VENTURA PONS / OBERON CINEMATOFRAFICA, ARCADIA, FILMAX, VELA FILMS, MASSA D'OR, CANAL +.. |
|
| 2018 |
DIALOGUE EDITOR / SOUND EDITOR
Film |
LET ME NOT LLUIS MIÑARRO / EDDIE SAETA |
|
| 2017 |
EDITOR
Film |
LA VIDA LLIURE MARC RECHA / ANTAVIANA FILMS |
|
| 2017 |
SOUND DESIGNER
Film |
QUATRETONDETA POL RODRIGUEZ / ARCADIA MOTION PICTURES S.L |
|
| 2017 |
SOUND DESIGNER
Film |
NEN AMAGAT POL RODRIGUEZ / IGLOO FILMS |
|
| 2016 |
EDITOR
Film |
UN DIA PERFECTE PER VOLAR MARC RECHA / PARALLAMS |
|
| 2016 |
SOUND EDITOR
Film |
OLIVERR'S DEAL BARNEY ELLIOT / ARCADIA MOTION PICTURES S.L |
|
| 2015 |
SOUND EDITOR
Film |
ALOFT CLAUDIA LLOSA / ARCADIA MOTION PICTURES S.L |
|
| 2014 |
2nd EDITOR
Film |
TODO PARECIA PERFECTO ALEJO LEWIS / ARCADIA MOTION PICTURES, S.L |
|
| 2014 |
EDITOR
Film |
BRIDGES OF SARAJEVO ( ZAN ) MARC RECHA / Produced by Cannes Film Festival |
|
| 2014 |
SOUND EDITOR
Film |
THE RETURNED MANUEL CARBALLO / FILMAX |
|
| 2011 |
EDITOR
Television |
LA CAJA MARTA PAHISSA / LA FABRICA DE LA TELE |
Education
| Year | Qualification | Where |
|---|---|---|
| 2011 | CRAFT EDITING | NFTS (National Film and Televison School, Beaconsfield ENGLAND) |
| 2000 | History | UB (Barcelona University) |
| 1999 | Directing | C.E.C.C (Cinematographic Center of Studies in Catalonia) |
Equipment
My Equipment/Kit:
I can use:
About me
One of my main interests has always been the post-production process. Editing became a new way of telling story. You can not edit what hasn't been shot , but you can change the emotion, and re-write it.Sound came later, and thanks to that, i discovered the emotional component I was missing. Sound, as does music, goes straight to the heart.. no need for thinking, just feeling.
Additional information:
I have worked too as a continuity supervisor for over 15 years, for the most part in shooting.
I have worked with many directors through whose differences I have learned about acting, tone, rhythm, etc. Some of whom have become my friends over the years of filming together.
Skills
| Job Titles | Video Editor, Script Supervisor / Coordinator, Sound Editor, Sound Designer, Dubbing Editor / Mixer |
|---|---|
| Years in industry | 6+ years |