Daniel Orentlicher
Video
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video fileDaniel Orentlicher Color Reel
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2021 |
Colorist
Commercials & Industrials |
Hisense TV - 'Rob Gronkowski' Ryan Wick / Sparxoo Studios |
|
2021 |
Colorist
Commercials & Industrials |
Rivian - Forever Dan Covert / Dress Code NY |
|
2021 |
Colorist
Film |
BLUE MOON Emily Ruhl |
|
2021 |
Colorist
Television |
Now Is Not The Best Time Jacqueline Dow |
|
2021 |
Colorist
Film |
American Insurrection William Sullivan |
|
2020 |
Colorist
Film |
Sickboy Julian Muller |
|
2020 |
Colorist
Film |
The Brain That Wouldn't Die Derek Carl |
|
2020 |
Colorist
Film |
Asking For It Amanda Lundquist & Rebecca Scott |
|
2019 |
Colorist
Film |
The Honeymoon Phase Phillip G. Carroll Jr. |
|
2019 |
Colorist
Film |
A New Christmas Daniel Tenenbaum |
|
2019 |
Colorist
Film |
Lingua Franca Isabel Sandoval |
|
2019 |
Colorist
Film |
My Good Chinese Countrymen Louyi Tang |
|
2019 |
Colorist
Film |
Treasure Trouble Dan Erickson |
|
2019 |
Colorist
Film |
Hurley Derek Dodge |
|
2018 |
Color Assist
Film |
Gloria Bell Sebastian Lelio / Color Collective |
|
2018 |
Color Assist
Film |
If Beale Street Could Talk Barry Jenkins / Technicolor Postworks |
|
2018 |
Colorist
Film |
In Echo Park Nathaniel Lezra |
|
2017 |
Colorist
Film |
The Ring Thing William Sullivan |
|
2017 |
Colorist
Film |
Traffic Stop Q-Ball Productions |
|
2016 |
Colorist
Film |
The Light of the Moon Jessica Thompson / Stedfast Productions |
|
2016 |
Colorist
Film |
Cold November Karl Jacob / Kjax Films |
|
2016 |
Color Assist
Film |
Moonlight Barry Jenkins / Color Collective |
|
2016 |
Colorist
Television |
Take My Nose, Please! Joan Kron / Nitrous, Ltd. |
|
2016 |
Colorist
Television |
Strangers on the Earth Tristan Cook / Nitrous LTD |
|
2016 |
Colorist
Film |
The Perfect Gram The Dads / AwesomenessTV |
|
2016 |
Color Assist
Film |
The Hero Brett Haley / Color Collective |
|
2016 |
Color Assist
Film |
The Incredible Jessica James James Strouse / Color Collective |
|
2016 |
Color Assist
Film |
Gemini Aaron Katz / Color Collective |
|
2016 |
Conform Artist
Film |
Davyeon Amman Abbasi / Color Collective |
|
2016 |
Colorist
Film |
Landing Up Dani Tenenbaum / Bold Compass |
|
2016 |
Colorist
Film |
Surviving Confession Matthew Tibbenham / Tibbenham Productions |
|
2016 |
Colorist
Film |
Lily Mo Liang |
|
2016 |
Colorist
Film |
Spin the Plate Eric R. Eastman / Pack of Dogs, LLC |
|
2015 |
Colorist
Television |
The Penny Black Alexander Greer / Old City Entertainment |
|
2015 |
Colorist
Film |
Bad Seed Derek Carl / Coalition Studios |
|
2015 |
Colorist
Film |
Enterrado Daniel Sanjur Productions |
|
2015 |
Colorist
Video |
Phoebe Ryan / Dead Jonathan Hoeg |
|
2015 |
Colorist
Video |
Phoebe Ryan / Mine Jonathan Hoeg |
|
2015 |
Colorist
Film |
Chairman Buddha Louyi Tang / Tiger Butterfly Films, LLC |
|
2014 |
Colorist
Commercials & Industrials |
Coach Up - Julian Edelman Atomic Beard Productions |
|
2014 |
Colorist
Film |
Approaching Normal Zack Bernstein / Evil Mustache, LLC. |
Education
Year | Qualification | Where |
---|---|---|
2015 | Editing for Advanced Film and Television Production | Emerson College |
Equipment
My Equipment/Kit: DaVinci Resolve, Panasonic TH-50PF9, Sony PVM A250
I can use: DaVinci Resolve, Sony Pvm A250, Panasonic Th-50Pf9
About me
I fell in love with color early on while earning my BFA in Media Production at Emerson College. I started my color career as an intern at Technicolor Hollywood. Shortly after, I moved back to my hometown of New York, initially working as a freelance colorist. During that time, I was a color assist at Color Collective, where I worked on numerous commercials both national and international, as well as award winning feature films including Moonlight, If Beale Street Could Talk, and Gloria Bell.At the start of 2018, I opened my own color house, Color Nest, in New York City, where I split my time between feature films and commercials. My recent work includes Academy Award Nominee, Traffic Stop, SXSW Audience Award winner, The Light of the Moon, BFI London Best Film Nominee, Lingua Franca, and assorted commercial work including the MoMA, Google, Volkswagen, Johnson & Johnson, Marriott, the NFL, and Estée Lauder.
Skills
Secondary Job Title | Editor (Colourist) |
---|---|
Job Titles | Video Editor, Colorist, DIT / Data Wrangler |
Years in industry | 6+ years |