Laura Gingell
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2018 |
Sound No.1
Theatre |
Lieutenant of Inishmore Michael Grandage Company |
Noel Coward Theatre |
2018 |
Sound Operator
Theatre |
Nightfall London Theatre Company |
Bridge Theatre |
2018 |
Sound No.2
Theatre |
Julius Ceaser London Theatre Company |
Bridge Theatre |
2017 |
Sound No. 4
Theatre |
Matilda the Musical RSC |
Cambridge Theatre |
2016 |
Sound No.2
Theatre |
The Trilogy Donmar Warehouse |
|
2016 |
Sound Operator Cover
Theatre |
Richard III Almeida Theatre |
|
2016 |
Sound No.2
Theatre |
Boy Almeida Theatre |
|
2016 |
Sound Dep
Theatre |
Matilda the Musical RSC |
|
2015 |
Sound Dep
Theatre |
Gypsy Savoy Theatre |
Education
Year | Qualification | Where |
---|---|---|
2016 | Theatre Sound | Royal Central School of Speech and Drama |
Equipment
My Equipment/Kit:
I can use:
About me
I'm a recent graduate of the Theatre Sound course at Central school of Speech and Drama, and am interested in all aspects of production sound, especially Sound No. 2 and other backstage roles.Additional skills:
Competent in radio microphone fitting, dressing, preparation and maintenance. Good understanding of Yamaha mixing consoles, and some knowledge of others, including DiGiCo. Competent in programming and operating Qlab.
Referees:
Available on request
Skills
Secondary Job Title | Sound No.2 / A2 |
---|---|
Job Titles | Production Support, Sound Operator / Engineer, Sound Designer |
Years in industry | 1 to 3 years |
Organisations / Memberships | ASD (UK), BECTU (UK) |
Work Permits | EU |