Perry Moore
Overview
- Ethnicity
- White / European Descent
- Age Range
- 23 - 29
- Height
- 5' 8" (1m 73cm)
- Weight
- 8st. 13lb. (57kg)
- Hair Colour
- Brown
- Eye Colour
- Green
- Build
- Slim
Audio
-
audio fileCommercial Reel
Agent
-
Narrow RoadAgent
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
Jack
Film |
Last Date Richard Penfold / Omni Productions |
|
2019 |
Kit / Fred / Schoolmaster / Quilp
Theatre |
The Old Curiosity Shop Bryn Holding / Cheltenham Everyman |
|
2018 |
Tom Gradgrind
Theatre |
Hard Times Conrad Nelson / Northern Broadsides |
|
2017 |
Stanley Spencer
Theatre |
Stanley at the Beufort War Hospital James Perries / Bristol Old Vic |
|
2017 |
Valvert/Cadet
Theatre |
Cyrano Conrad Nelson / Northern Broadsides |
Tour |
2016 |
John Darling
Theatre |
Peter Pan in Scarlet Theresa Heskins / Oxford Playhouse |
Oxford Playhouse |
2016 |
King John
Theatre |
Robin Hood and Marian Theresa Heskins / New Vic Theatre |
New Vic Theatre |
2016 |
David
Film |
The Resident Tom Martin / Band Films |
|
2015 |
Weasel
Theatre |
Larksong Gemma Fairlie / New Vic Theatre |
New Vic Theatre |
2015 |
Chris
Theatre |
Unearthed Theresa Heskins / New Vic Theatre |
New Vic Theatre |
2015 |
Richard
Theatre |
The Throne Theresa Heskins / New Vic Theatre |
New Vic Theatre |
2014 |
Ensemble Chorus
Film |
London Road Rufus Norris / National Theatre |
|
2014 |
Ned Harris
Television |
Doctors Lee Skelly / BBC |
|
2014 |
Buried Spirit
Film |
Graystone Russell England / Aviary Films |
|
2014 |
Cyril Harris
Voiceover |
Homefront Jessica Dromgoole / BBC Radio 4 |
|
2014 |
Terry
Theatre |
London Road Nicholas Bone / BOVTS |
Bristol Old Vic |
2014 |
Squire Barnaby Cheatall
Theatre |
The Innocent Mistress Jenny Stephens / BOVTS |
Bristol Old Vic |
2013 |
Porter / Maugrim / Rumblebuffin
Theatre |
The Lion, The Witch and The Wardrobe Jenny Stephens / Bristol Old Vic Theatre School |
Redgrave Theatre |
2013 |
John Trenchard
Theatre |
Moonfleet Kim Durham / Bristol Old Vic Theatre School |
West Country Tour |
2013 |
Mercutio / Baltasar
Theatre |
Romeo and Juliet Toby Hulse / Bristol Old Vic Theatre School |
Tour |
2012 |
Joseph
Theatre |
'Starry Night' Nativity Heidi Vaughan / Bristol Old Vic Theatre School |
Tour |
2012 |
Mr Iger / Jerry
Theatre |
Two / Road Andy Burden / Bristol Old Vic Theatre School |
BOVTS |
2012 |
Snake / Sir Peter Teazle
Theatre |
School for Scandal Andrew Hilton / Bristol Old Vic Theatre School |
BOVTS |
2012 |
Iago / king John
Theatre |
Shakespeare Scenes John Hartoch / Bristol Old Vic Theatre School |
BOVTS |
2011 |
Willie Mossop
Theatre |
Hobson's Choice Kath Rogers / Bristol Old Vic Theatre School |
BOVTS |
Education
Year | Qualification | Where |
---|---|---|
2014 | 3 yr. Acting | Bristol Old Vic Theatre School |
2011 | 2 yr. Acting | Matthew Boulton |
About me
Trained at the Bristol Old Vic Theatre School (2011 -2014)Additional skills:
Good Ear for accents.
Plays guitar.
Previous experience of professional Theatre and Television work.
Additional information:
Awards:
The Newton Blich Award for Most Versatile Actor
(Bristol Old Vic Theatre School 2014)
Reviews:
The Old Curiosity Shop (Gloucestershire Echo):
'Perry Moore plays Kit, a servant who is secretly in love with Nell. His ability to switch between characters from a gnarly, morally bankrupt money lender, to the tender self-effacing Schoolmaster, was exceptional.'
Hard Times (Liverpool Echo):
'Perry Moore’s Tom is hard to shake off - vindictive and mean, his carefree face twists bitterly as he reveals a nasty side beneath the jovial young man determined to live a life of excess after his emotionally-Spartan upbringing.'
Robin Hood and Marian (The Guardian):
'There’s a great characterisation of King John by Perry Moore as a petulant milksop tied to the apron strings of Charlotte Palmer’s disapproving Eleanor of Aquitaine.'
Robin Hood and Marian (Bum on a Seat):
'Perry Moore makes a marvellous and credible villain as the unmanly Prince. He strives to assert himself and come out from under his mother’s wing, while being imperious and cruel. His love for Marian redeems him – a little bit, and Moore is in good voice for both his proclamations and his solo number.'
The Innocent Mistress (Bristol Theatre Review):
"Particularly entertaining is Perry Moore as Squire Barnaby Cheatall, capturing his conceited and foolish nature perfectly"
The Lion, The Witch and The Wardrobe
(Bristol Theatre Review):
"Particular stand-out performances came from Nicola Taggart as the brief but hilariously brilliant ‘Mother Christmas’ and Perry Moore, whose gnashing, gnarled, gruesome portrayal of ‘Maugrim’ the evil Head of Secret Police was so effective that your eyes were drawn to him every time he entered the stage."
Moonfleet (The Public Reviews):
"Perry Moore does a great job at projecting John’s youthful innocence, energy and enthusiasm."
Romeo and Juliet (Bristol Theatre Review):
"The death of Mercutio is truly moving, and I was pleased to see that the children in the audience were not being pandered to. Credit must go to Perry Moore for such a believable performance amidst the light-hearted mood of the play."
License & Passport
Driver's License: | Yes |
Skills
Accents/Dialects | American - General, English - Cockney, English - England North West (Liverpool, Manchester, Lancashire, Cheshire), English - Essex, English - General, English - London, English - Northern England, English - Received Pronunciation, English - Southwest England, English - West Midlands (Shropshire, Birmingham, Brummie), Irish, New York, Scottish, South African, US South (Deep South, Dixie, Delta) |
---|---|
Dance Styles | Ballroom, Contemporary, Jazz, Tap |
Vocal Types | Bass |
Musical Skills | Bass Guitar, Drums/Percussion, Guitar, Piano/Keyboards, Ukulele |
Organisations / Memberships | Equity (UK) |