Yik Sau Chung
Overview
- Ethnicity
- Asian
- Age Range
- 22 - 32
- Height
- 5' 3" (1m 60cm)
- Weight
- 7st. 12lb. (50kg)
- Hair Colour
- Black
- Eye Colour
- Brown
- Build
- Slim
Agent
-
HARVEY STEIN ASSOCIATESAgent
-
020 7175 7937Contact
- Website
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Megan
Film |
Higher Grounds Randall Miller / Foam Productions UK |
/ |
| 2019 |
Thalia
Theatre |
Welcome to Thebes Oliver Dimsdale, Ferdy Roberts / Filter Theatre Company |
Embassy Theatre, CSSD |
| 2019 |
Jack London, Ensemble
Theatre |
People of the Abyss Miranda Henderson, Alister O'Loughlin / Prodigal UPG |
Webber Douglas Studio, CSSD |
| 2018 |
Clayton, Brewster, Doris
Theatre |
The American Clock Gretchen Egolf / Royal Central School of Speech and Drama |
Webber Douglas Studio, CSSD |
| 2018 |
Nurse
Theatre |
Romeo and Juliet Yael Shavit / Royal Central School of Speech and Drama |
Royal Central School of Speech and Drama |
| 2018 |
Prudence Saveall
Theatre |
The Sociable Companions, or, The Female Wits Catherine Alexander / Royal Central School of Speech and Drama |
Royal Central School of Speech and Drama |
| 2017 |
Stella Kowalski
Theatre |
A Streetcar Named Desire Gretchen Egolf / Royal Central School of Speech and Drama |
Royal Central School of Speech and Drama |
| 2017 |
Susan Kidwell
Theatre |
In Cold Blood John Wright / Royal Central School of Speech and Drama |
Royal Central School of Speech and Drama |
| 2017 |
Proteus
Theatre |
Two Gentlemen of Verona Daron Oram / Royal Central School of Speech and Drama |
|
| 2017 |
Anya
Theatre |
Cherry Orchard Yael Shavit / Royal Central School of Speech and Drama |
Royal Central School of Speech and Drama |
| 2016 |
Grusha
Theatre |
Caucasian Chalk Circle Sinéad Rushe / Royal Central School of Speech and Drama |
Royal Central School of Speech and Drama |
| 2016 |
Julika
Theatre |
Cassandra, or the World as the End of the Performance Ping-Chiu Chan, Ata Wong / On-and-On Theatre Workshop (HK) |
Cattle Depot Artist Village (HK) |
| 2015 |
Queen Margaret
Theatre |
Richard III Diana Trotter / Whitworth Theatre (US) |
Whitworth Theatre |
| 2015 |
Lavinia
Theatre |
Titus Andronicus Andy Ng / Tang Shu-Wing Theatre Studio |
Kwai Tsing Theatre |
| 2013 |
Tupolski
Theatre |
Pillowman Wan-Ching Liu / NADC, The Chinese University of Hong Kong |
Kwai Tsing Theatre |
Education
| Year | Qualification | Where |
|---|---|---|
| 2019 | 3 yr. Acting | Royal Central School of Speech and Drama |
About me
I'm trained as an actor in Central, with a background of studying Chinese language and literature in Hong Kong. Dancing is a large part of my life as well and I'd love to join these 3 paths together by devising theatre work. Meanwhile would love to open up every possibility in my career - I am always keen to try something new and challenging.Additional skills:
BASSC Rapier and Dagger (Distinction) and Unarmed (Distinction), Clown, Mask, Physical Theatre, Poetry Reading, Verbatim Theatre, Biomechanics, Butoh Dance (Japan), Choreography, Contact Improvisation, Contemporary Dance, Hip Hop Dance, Locking, Calligraphy, DBS (CRB) clearance, Devising, Feldenkrais Method, Michael Chekhov Technique, Voice Over, Translating
Skills
| Languages Spoken | Cantonese, English, Japanese, Mandarin Chinese |
|---|---|
| Accents/Dialects | American - General, Cantonese, Chinese, English - Cockney, English - Received Pronunciation, Japanese, Korean, New York |
| Dance Styles | Asian dance styles, Contemporary, Hip Hop, Jazz |
| Vocal Types | Mezzo Soprano |
| Additional Skills | Acrobatics |
| Organisations / Memberships | Equity (UK) |