Florence Nzenwefi
Overview
- Age Range
- 19 - 30
Video
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video fileFlorence Nzenwefi Showreel
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2015 |
Kuba Man
Film |
The Legend of Tarzan David Yates |
London |
2015 |
Auror
Film |
Fantastic Beasts & Where To Find Them David Yates |
London |
2017 |
Nigerian Sailor
Film |
Farming Adewale Akinnuoye-Agbaje |
London |
2017 |
Nubian Warrior & Guard
Film |
Aladdin Guy Ritchie |
London |
2018 |
Bob
Film |
Demon Days Viktor Josh |
London |
2018 |
Mokonzi
Film |
Savage Denis Dobrovoda |
London |
2019 |
Matthew
Film |
Persephone Victor De Almeida |
London |
Education
Year | Qualification | Where |
---|---|---|
2018 | Movement, Text, Voice and Screen | Identity Drama School For Acting |
Skills
Languages Spoken | English, French, Japanese, Spanish |
---|---|
Accents/Dialects | English - England South East (Oxford, Sussex), English - Northern England, English - Received Pronunciation, South African, South African (Zimbabwean), Southern American, Standard American, West African (Ghanaian), West African (Yoruba) |
Dance Styles | Capoeira |
Vocal Types | Baritone, Bass, Tenor |
Additional Skills | Dance |
Athletics | Baseball, Basketball, Football, Gymnastics, Ice Skating, Parkour, Rollerblading, Skateboarding |
Musical Skills | Bass Guitar, Drums/Percussion, Guitar |
Highlights
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Hello Everyone!
I really appreciate you taking the time to look into this, just looking is still a boost of encouragement for myself and what I am trying to do. I am first and foremost an actor and patron for those who have less. I have always had less, and although that remains vague in an ocean of others, I act for the sake of others being recognised. There are often times I feel identified with a lot of what can only be - less. My goal is that the roles I secure in my acting career raises awareness, opens eyes, opens hearts. As cheesy as that is, it's the truth. I'm a hopeful idiot that's trying to find a way to help others while putting myself on a stage that leaves me vulnerable to critique, sensitivity and more.
Mental health issues - something that I have a particularly strong viewpoint on, is probably the main reason I do what I do. My life of performance will always be something that I nurture as a collective responsibility, never to be exploited for my own gain.
Here's to Starting - the hardest, but best part.
Kind Regards,
Florence