Therese Olson
Overview
- Ethnicity
- Ethnically Ambiguous / Multiracial, Indigenous Peoples
- Age Range
- 28 - 38
- Height
- 5' 7" (1m 70cm)
- Weight
- 130lbs (59kg)
- Hair Colour
- Brown
- Eye Colour
- Brown
- Build
- Curvy
Video
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video fileOffice Boss—LA 48 HR FILM PROJECT
Other
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My Contact Number:
323-540-4771
Links
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
Mother
Television |
Crash (2009) Episode #108 Bobby Moresco |
Lionsgate | |
Ximena
Theatre |
Black Mexican San Diego Repertory Theatre |
Digital | |
Cassandra
Theatre |
Cowboy Elektra Rogue Artists Ensemble |
Getty Villa | |
2010 |
Sasha
Film |
The Dry Land Ryan Piers Williams |
Maya Entertainment |
Abigail
Theatre |
Oysters Rogue Artists Ensemble |
Digital | |
2009 |
Angel
Film |
Love Ranch Taylor Hackford |
Capitol Films |
Multiple
Theatre |
The Art of Facing Fear Company of Angels/Os Saytros |
Digital | |
Lady MacB
Theatre |
Fakespeare Sacred Fools |
Together LA Festival online | |
Thunderbird/Bird Chorus Leader
Theatre |
Aristophanes’ The Birds Sacred Fools Theater Company |
The Broadwater | |
Lady M
Theatre |
Romeo and Juliet in Hell Force of Nature Productions |
Actors Workout Studio | |
2007 |
Lulu
Film |
Perfect Fried Chicken - (short) Portobello Film Festival - Joon Goh |
Joon Goh Productions UK |
Anna
Theatre |
Anna Karenina D. Olson |
Theaterwork/ JAL Theater | |
Eurydice
Theatre |
Eurydice Laurie Thomas |
Fusion Theater Company | |
Marie
Theatre |
The Seven-Notes on Drowning Elizabeth Huffman |
Fusion Theater Company | |
Marta
Theatre |
Company Kristie Karsen |
Santa Fe Rep | |
Daughter
Theatre |
Our Place Dale Wilson |
Santa Fe Rep | |
Chorus
Theatre |
Iphigenia & Other Daughters Ethan Heard |
Umbrella Hat Productions/El Museo | |
Barbara
Theatre |
Morning Time Train Charles Maynard |
Santa Fe Performing Arts | |
Princess Esperanza
Performing Arts |
The Betrayal Lee Quartner |
Medieval Times Toronto CA | |
Chica
Theatre |
Guadalupe D. Olson |
Santa Fe Stages/ Theaterwork | |
Billie H. alt, Maya, Annie
Theatre |
Billie Holiday Story (tour) Stephen Leatherland |
Theatre Productions Ltd UK | |
Mrs Lynge
Theatre |
Pillars of Society Jane Briers |
Tabard Theatre UK | |
Queen Elizabeth
Theatre |
Richard III Adrian James |
Tabard Theatre UK | |
Private Brill
Theatre |
A Room At Camp Pickett Lindy Alexander |
Africa Centre-Covent Garden UK | |
Denise
Theatre |
Land Of Opportunity Catherine Hopkins |
Latchmere Theatre UK | |
Grace, Dragonfly
Theatre |
A Date With Destiny Tim Thomas/Oliver Gray |
Oval House Theater UK | |
Ariel
Theatre |
The Tempest Jennifer Luckraft |
NY Stage & Film | |
Queen Gunhild, Helga
Theatre |
Egil's Saga Kristian Thorggieson |
Dartmouth Mainstage Theater | |
The Witch
Theatre |
Into The Woods Marc Brunni |
Dartmouth Mainstage Theater | |
Amiga Gringa, Beauty
Theatre |
In The Blood Michael Jason "Neigel"Smith |
Black Underground Theater-BUTA | |
Pecols'a Alter Ego
Theatre |
The Bluest Eye Mitsuko Gardner |
Black Underground Theater-BUTA | |
Model
Modeling |
Midnight Models Auction Sean "Puffy" Coombs, Faith Evans |
Angel Orensanz Foundation | |
Pastor/Nanny, var.
Performing Arts |
Dark Harbor |
Queen Mary |
Education
Year | Qualification | Where |
---|---|---|
MA Acting | Arts Educational Schools London (ArtsEd) | |
Advanced Method, Film & TV | Actors Centre London | |
Powerhouse Acting Program | Vassar College and NY Stage & Film | |
Acting I, II, III | Dartmouth College | |
Commedia dell’Arte | The Actor’s Gang | |
Marketing, Management, etc. for Actors | AIA | |
Players Academy Acting Program | Equity Showcase Theater | |
On Camera Acting | 505 Studio Works | |
Mask Theater | Teatro Escambray Cuba |
Self-Recording
I have a Snap Studios 180° vocal booth, a Neuman TLM 102 Condenser microphone with shockmount, a Rode lavalier microphone, AKG K 240 Studio Pro Headphones, a Volt 2/76 audio interface, a Shure X2U audio interface, a Pop filter, and a microphone Isolation shield. I can use a Mac Book Air laptop or Gateway laptop, and use Garage Band and Audacity as audio editors. I film using iPhone with HDR, 1080 HD, and 4K, or iPad mini with 1080 HD.License & Passport
Passport: | Yes |
Driver's License: | Yes |
Skills
Accents/Dialects | New York, US South (Deep South, Dixie, Delta) |
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Organisations / Memberships | AEA (US), SAG-AFTRA |
Highlights
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Therese is a dual Canadian-American actor-singer- vocal artist with extensive training and experience in theater, media, and music. She’s worked in the USA, Canada, Cuba, Wales, England, Ireland, Austria, Germany & Italy. She holds an MA Acting from ArtsEd London headed by Andrew Lloyd Weber. Ht: 5'7" Wt: 130.
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REVIEWS & SHOW AWARDS
I. THE ART OF FACING FEAR Company of Angels/Os Saytros:
--WINNER 2021 Younge-Howze Award Collaborative Work of the Year -WINNER 2020 Broadway World Awards: Best Ensemble, Production of a Play of the Decade, Top Streaming Production/Performance -WINNER -2020 Good Theatre Festival, India Best Production, Best Ensemble
“...dedicated to their performance(s), decidedly talented and serve both their director and this project excellently, with special notice in this regard going out to ...the always entertaining, Therese Olson.”—TVolution (Ernest Kearney)
II. ROMEO & JULIET IN HELL
Force of Nature Productions:
--Nominee “Best Ensemble Cast”2020 Valley Theater Awards (VTA) -Winner Better Lemons Best of Shows -Double Sweet Choice Award
“The absolutely wonderful Therese Olson nailed this role…” .—allaboutthestage.com (Mary E Montero)
“Therese Olson’s Lady Macbeth is outlandish and amusing.” —Stage Raw (Dana Martin)
“The cast… offers some gems in the performances, such as...the slightly insane Lady Macbeth as portrayed by Olson.” The TVOLUTION (Ernest Kearney)
“ In an ensemble cast that hits all the right notes, Therese Olson hits them a bit more fortissimo...” —Hollywood Gothique (Steve Biodrowski)
“It’s a performance that requires vast stores of energy throughout, and Olson never seems to run out.” —The Haunting (Erik Blair)
III. ARISTOPHANES THE BIRDS
The Broadwater:
“...select individual performances ruled the roost…. Therese Olson’s deadpan serious commitment”… “created wonderfully weird chorus leader(s)….”—STAGE RAW (Taylor Kass) .
”...starts off strong with Hitchcock’s Melanie, played by Therese Olson...” --THETVOLUTION (Ernest Kearny)
IV. EURYDICE
Fusion Theatre Company:
“In the title role Therese Olson imparts Eurydice's neither/both status with grace and vivacity. Her performance of elation and grief, especially in the play's final moments, pays tribute to the force of Ruhl's modern myth.” -Albuquerque Journal (Marissa Greenberg)
“The FUSION performance…is brought to life by the graceful interpretation of Therese Olson in the title role as a beguiling combination of innocence and seductiveness.” --The Independent East Mountain (Wally Gordon)
V. ANNA KARENINA
James A Little Theatre:
“Olson as Anna....is a superb actor with a searing ability to concentrate on the moment at hand."--The Santa Fe New Mexican (Craig Smith {RIP})