Douglas Garside
Documents
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document fileDoug Garside CV
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2014 |
Digital Imaging Technician
Commercials & Industrials |
Honda - The Power of Fun 422 Shoots |
|
2014 |
Technical Director / Colourist
Commercials & Industrials |
Commercial Post Production Edit 19 Ltd. |
|
2014 |
Colourist
Film |
27 Memory Lane Luke Hupton / Lupton Films |
|
2011 |
Post Production Coordinator
Commercials & Industrials |
Commercial Production (in-house post production) The Gate Films |
|
2009 |
Production Assistant
Television |
“Mama Mia! Where did it all go right?” Zig Zag Productions |
|
2009 |
{Production Assistant
Television |
“Girls Aloud! Where did it all go right?” Zig Zag Productions |
|
2009 |
Production Assistant
Television |
“Take That! Where did it all go right?” Zig Zag Productions |
|
2008 |
Production Assistant
Television |
“The Cheryl Cole Factor” Zig Zag Productions |
Education
Year | Qualification | Where |
---|---|---|
2008 | Sonic Arts BA (Hons) | Middlesex University |
Equipment
My Equipment/Kit: Adobe Illustrator CS5-CC, Adobe Photoshop CS5-CC, Adobe Premiere CS5-CC, DaVinci Resolve, Final Cut Pro / X, Final Cut Pro 7
I can use: Final Cut Pro / X, DaVinci Resolve, Canon Cameras, RED Digital Cinema Cameras, Arri Alexa, Arri Amira, RED Epic, Sony F55, Canon C500, Final Cut Pro 7, Adobe Photoshop Cs5-Cc, Adobe Premiere Cs5-Cc, Adobe Illustrator Cs5-Cc
About me
Creative post production specialist with three years experience as Technical Director and Senior Colourist of the rapidly expanding boutique post production facility which I specified, designed and installed; managing the organisation’s growth across a number of key expansion projects.Quantifiable experience in the in the delivery of ultra HD workflows; broadcast standards and quality control, domestic and international broadcast distribution channels; decentralised and remote post production; cloud based media transport solutions and responding to the big data storage requirements of tapeless post production. Committed to finding solutions to dynamically balance time and budget constraints, consistently delivering results which exceed clients’ expectations.
In the last two years I have placed heavy emphasis on crafting compelling imagery in the grading suite and wish to secure a position in which I can continue developing my colour correction and grading portfolio, producing dynamic, emotive and nuanced imagery that enhances story telling and visual communication. Below are some example's of my grading work including a recent showreel.
Good communication and negotiation skills, having had theatre training. Adaptability displayed through living in different countries and integrating in to their societies. Evidence of working unsupervised and within a specific time framework, managing teams and multi-tasking through previous production experience.
Referees:
Please contact me for up-to-date References & Showreel
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | DIT / Data Wrangler |
---|---|
Job Titles | Colorist, DIT / Data Wrangler |
Years in industry | 3 to 6 years |