Amy Holley
- Sound Designer
- Sound Engineer
Victoria
Reviews
| Year | Review | Publication |
|---|---|---|
| 2019 | potent, often synth-like sound, the work’s production elements are rich and layered, loading the characters’ world with gravity and diversity. Rhumer Diball | downstagediscernments.wordpress.com |
| 2019 | Amy Holley’s subtle, eerie sound design nails the understated framing the dialogue require Zenobia Frost | dailyreview.com.au |
Credits
| Year | Role / Type | Name of Production / Director |
|---|---|---|
| 2019 | Sound Designer Theatre | Fantastic Plastic Planet Madeleine Boreder |
| 2019 | Associate Sound Designer Theatre | Così Sarah Goodes |
| 2019 | Follow Spot Op Theatre | Beauty and the Beast |
| 2018 | Sound Designer / Stage Manager Theatre | Sometimes it's hot like the summer |
| 2018 | Sound Designer Theatre | The Eisteddfod |
| 2018 | Assistant Stage Manager Theatre | Witches of Eastwick |
| 2018 | Production Manager Theatre | The Vagina Monologues |
| 2018 | Production Manager Theatre | Medea |
| 2018 | Production Manager Theatre | When the Rain Stops Falling |
| 2018 | Production Manager Theatre | Much Ado About Nothing |
| 2017 | Sound Designer / Operator Theatre | Nobody Likes the Winter |
Education
Year Qualification Where 2015 Audio Engineering and Sound Production JMC Academy Additional Skills
I have experience in show calling, stage and production management. I have also been fortunate enough to undertake work as a production photographer - capturing shows located in and outside of traditional theatre spaces.
Referees
Available on request.
About me
I am an incredibly energised and excited theatre technician and sound designer, with a definite bias towards sound. As I am always looking to better my knowledge in design and acoustic properties, I am currently undertaking my Masters in Design Innovation and Technology, between casual theatre work and mentoring.
Skills
- Years in industry
- 3 to 6 years
