Catherine Millsom
Overview
- Ethnicity
- White / European Descent
- Age Range
- 35 - 42
- Height
- 5' 4" (1m 63cm)
- Weight
- 15st. 10lb. (100kg)
- Hair Colour
- Strawberry Blonde
- Eye Colour
- Blue
- Build
- Large
Images
Audio
-
audio fileCorporate Narration
-
audio fileNarration (The Mill on the Floss by George Eliot)
-
audio fileChildren's Narration
-
audio fileCommercial Voicereel
-
audio fileThe Guardian & TikTok Ad
- Show All 5 Files
Video
-
video fileShowreel
Agent
-
Squawk VoicesAgent
-
0203 488 2881Contact
- Website
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2022 |
Sister Mary Patrick
Theatre |
Sister Act Bill Buckhurst |
UK and Ireland Tour |
2022 |
Ensemble
Theatre |
Sister Act Bill Buckhurst |
Eventim Apollo |
2022 |
Dancer
Film |
WONKA Paul King / Warner Bros |
Warner Bros Studios, Leavesden |
2021 |
VO
Voiceover |
Whittard Website VO CHS Agency |
|
2021 |
VO
Voiceover |
DIY Tales TikTok & The Guardian |
|
2021 |
Laura (Present)
Film |
No F**king Chicken Juliette Quenin / Brockley Jack Theatre |
Brockley Jack Studio Theatre |
2020 |
VO
Voiceover |
Senokot Havas London Ltd |
|
2019 |
Robin Simpson
Voiceover |
Yes, Prime Minister Guy Unsworth / David Ball Productions |
|
2019 |
Agnes
Theatre |
From Afar Ashleigh Packham / Vault Festival |
Travelling Through Bookshop (Vault Festival) |
2019 |
Pat
Theatre |
Kinky Boots Jerry Mitchell / Playful Productions |
No 1 UK Tour |
2018 |
Fairy Godmother
Theatre |
Cinderella Enchanted Entertainment |
Castle Theatre |
2018 |
Rosie
Theatre |
Mamma Mia Billy Sharpe / Little Star |
Royal Caribbean's Allure of the Seas |
2017 |
Shirley Markowitz
Theatre |
The Producers Catherine Lomax / Gordon Craig Theatre |
Gordon Craig Theatre |
2017 |
Swing
Theatre |
Kinky Boots Jerry Mitchell / Playful Productions |
Adelphi Theatre |
2011 |
Sylvia
Theatre |
Stepping Out David Ball / David Ball Productions |
Union Theatre |
2011 |
Colombina
Theatre |
Scaramouche- The Zany Commedia Musical Stephen Lanigan-O'Keeffe / Elokay Productions |
Hoxton Hall |
2010 |
Lynne
Theatre |
Stepping Out Richard Baron / Stepping Out On Tour Ltd |
UK Tour |
2010 |
Catherine & Senator Martin
Theatre |
Silence! The Musical Christopher Gattelli / ATS Theatre |
Above The Stag Theatre |
2010 |
Twirly
Theatre |
Oh No It Isn't! Sasha Regan / Antenna Productions |
Union Theatre |
2009 |
Patience
Theatre |
facebook: the musical Jason Orbaum / Hartshorn Hook |
C-1 |
2008 |
Fern Britton/ Sister Christina
Theatre |
The Sister Wendy Musical Omar Okai / The Okai Collier Company |
Hackney Empire Studio Theatre |
2008 |
Spicy (Ugly sister)
Theatre |
Cinderella (Olivier Nominated) Kerry Michael / Theatre Royal, Stratford East |
Theatre Royal, Stratford East |
2007 |
Coz
Theatre |
Postcards From God- The Sister Wendy Musical Omar Okai / The Okai Collier Company |
Jermyn Street Theatre |
2006 |
Woman 2
Theatre |
Closer than Ever Juan Miralles / Kent-Mcardle Productions |
Jermyn St Theatre |
2006 |
Alison
Voiceover |
Leisure Island (Radio Soap) Alan Beck / Smoke Radio |
|
2006 |
Fairy Bow Bells
Theatre |
Dick Whittington Sally McCormack / Matrix Theatre |
Leatherhead Theatre |
2005 |
Gammy/ John the Builder
Theatre |
Three Little Pigs Peter Wallder / Wheelhouse Productions |
Colour House Children's Theatre |
2002 |
Mary
Theatre |
The Emperor's New Clothes Elgiva Field / C Theatre |
C |
2002 |
Romeo
Theatre |
Shakespeare For Breakfast Clare Prenton / C Theatre |
C |
Education
Year | Qualification | Where |
---|---|---|
2002 | 3 yr. Acting | Italia Conti Academy of Theatre Arts Ltd. |
About me
Home Voiceover StudioActress, Singer, Voiceover Artist, Host.
The voice on the current Senokot advert.
Original West End cast of Kinky Boots.
Additional skills:
Initially classically trained vocally- Grades in singing;
Grades in Ballet, Tap and Modern;
Experienced Fencing Instructor- Grades in Foil and Sabre;
Experience in-Basic Period Dance, Ballroom Dance, Sequence Dance, Salsa, Line Dance and Laban knowledge.
Stage Combat- Rapier, Rapier and Dagger, and Unarmed Combat
Reviews:
"Best of the night though is Catherine Millsom playing both Buffalo Bill's potential next victim and her mother with spot-on vocals and superb comic timing." (Whatsonstage.com review for "Silence! The Musical")
"Catherine Millsom hoovers up the few moments she gets to shine with her powerful voice and fantastic stage presence" (Stourbridge News review of Kinky Boots (tour))
"Catherine Millsom's comedy timing and overall confidence was a dream" (Forth One radio review for "Closer Than Ever")
"The short one-woman play is performed by the excellent Catherine Millsom....the beautiful portrayal by Millsom... make(s) this a heartwarming and incredibly moving piece of theatre." (The Sweet London Life review of From Afar)
"This solo show shines thanks to the warmth and charm of Catherine Millsom, chatting to us like a friend over a cup of tea. Her eyes sparkle as Agnes talks about her love of mail and her guarded excitement about a developing connection with a work colleague." (British Theatre.com review for From Afar)
"A passioned and humorous performance by the talented Catherine Millsom. Millsom evokes the characters sense of fun and quirky character traits and has the audience feeling like we are in her living room in a short space of time. Impressively, within a 25 minute workshop, she portrays her deep sense of loss with sincerity and grace." (West End Wilma review for From Afar)
"Two striking performances come from Helen Jeckell’s snooty but deeply lonely Vera and Catherine Millsom’s brassy Sylvia." (Passion for Theatre's review of Stepping Out)
"Catherine Millsom plays the gutsy barmaid Twirly with complete conviction and graces the role with much pathos and passion." (The Stage review for "Oh No It Isn't")
"Vixen, played by Catherine Millsom, was perfect. Her obvious attention to detail in character development pays off on stage as she delivers a committed, hilarious, and bountiful performance totalling in a great creation of stage presence." (Vada Magazine review of "Santaphrenia")
"The whole ensemble of the piece had some wonderful moments... Catherine Millsom played her many roles with difference, yet precision." (West End Wilma review of The Producers)
"Catherine Millsom also needs a special mention in the role of Fairy Godmother for her belting vocal on Disco Inferno" (NLiveRadio.com's review of Cinderella)
"Catherine Millsom... had a voice that sounded sublime even when singing the most banal words" (FringeGuru review for "Facebook: The Musical")
"Catherine Millsom is superb as Catherine, the kidnapped girl and Senator Martin as her mother. Millsom's stand out moment is the song 'My Daughter is Catherine' which she brings to life with spectacular zeal." (Remote Goat review for "Silence! The Musical" Jan 2010)
"Catherine Millsom (et al)... embrace their supporting roles with comic zeal" (The Stage" review for "Silence! The Musical"
"...Catherine Millsom, gave a spellbinding rendition of All I Want For Christmas Is You." (Sussex Express" review of "Magic of the Musicals")
Member of Italia Conti's Carleton Hobbs Radio Team, March 2002.
Skills
Languages Spoken | English |
---|---|
Accents/Dialects | American - General, Australian, English - Cockney, English - England North West (Liverpool, Manchester, Lancashire, Cheshire), English - General, English - London, English - Received Pronunciation, English - Southwest England, English - Yorkshire & Humber, Scottish, South African, Southern American, Welsh |
Dance Styles | Ballet, Ballroom, Jazz, Tap |
Vocal Types | Mezzo Soprano, Soprano |
Singing Styles | Cabaret, Choral, Gospel, Jazz/Blues, Legit/Classical, Musical Theatre, Pop/Rock, Soul |
Organisations / Memberships | Equity (UK) |