Katrin Whitehead
Images
Documents
-
document fileartist statement
Other
-
My Contact Number:
514-777-2471
Links
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Set & costume design
Theatre |
Love and Information Laura Vingoe-Cram / Fountain School of Performing Arts; Dalhousie University |
David Mack Murray Studio |
| 2019 |
Set design
Music & Singing |
Brundibár Tessa Mendel / Halifax Theatre for Young People |
Sir James Dunn Theatre |
| 2019 |
Instructor
Event |
Costume in performance I Fountain School of Performing Arts; Dalhousie University |
|
| 2019 |
Set design coach
Event |
L'Étoile David Overton / Fountain School of Performing Arts |
Sir James Dunn Theatre |
| 2018 |
Set designer
Music & Singing |
A Midsummernight's Dream David Mosey / Halifax Summer Opera Festival |
Sir James Dunn Theatre |
| 2018 |
Set & costume design
Theatre |
The Secret in the Wings Samantha Wilson / Fountain School of Performing Arts |
David Mack Murray Studio |
| 2018 |
Set Designer
Theatre |
The Blazing World Ryanne Chisholm / The Villain's Theatre |
Neptune Scotiabank Studio |
| 2018 |
Set Designer
Theatre |
Salt-water Moon Martha Irving / Neptune Theatre |
Neptune Scotiabank Studio |
| 2017 |
Set & Props Designer
Theatre |
Nine Compositions: InterActions with Art Tessa Mendel, Mary-Colin Chisholm, Laura Vingoe-Cram / Halifax Theatre for Young People |
Art Gallery of Nova Scotia |
| 2017 |
Set & Costume Designer
Theatre |
Matthew Thomas Walker / Fountain School of Performing Arts |
David Mack Murray Studio, Dalhousie Arts Centre |
| 2017 |
Set Designer
Theatre |
Lullaby: inside the halifax explosion Koumbie / Neptune Theatre/Eastern Front Theatre co-pro |
Touring |
| 2017 |
Set Designer
Theatre |
The Donahue Sisters Martha Irving / Luna Sea Theatre |
The Waiting Room |
| 2016 |
Set Designer
Theatre |
Time of Trouble Laura Vingoe-Cram / Opera Nova Scotia |
Sir James Dunn Theatre, Halifax, NS |
| 2016 |
Costume Designer
Theatre |
Where Poppies Blow Tessa Mendel / Halifax Theatre for Young People |
Pier 21 Immigration Museum |
| 2016 |
Set & Costume Designer
Theatre |
The Model Apartment Tanja Jacobs / Harold Green Jewish Theatre |
Toronto Centre for the Performing Arts |
| 2016 |
Lecturer & Associate Costume Designer
Theatre |
Fountain School of Performing Arts 2015-16 season Fountain School of the Performing Arts |
Dalhousie University |
| 2015 |
Set Designer
Theatre |
I will fly like a bird/Aunt Helen/La Serva Padrona Roberta Barker/David Overton / Opera Nova Scotia |
Sir James Dunn Theatre, Halifax, NS |
| 2015 |
Set Designer & Props Coach
Theatre |
Daughters of the Revolution Douglas Buchanan / Dawson College Professional Theatre program |
Dome Theatre, Montréal |
| 2014 |
Scenographer
Theatre |
Lear Philip McKee / Philip McKee Performance Projects |
Harbour front Centre (2011 & 2013); Magnetic North Theatre Festival (2014) |
| 2014 |
Creator & Facilitator
Theatre |
space agency: alexander street Rhubarb Festival |
Buddies in Bad Times, Toronto |
| 2014 |
Set Designer
Theatre |
Don Giovanni Ken Schwartz / Opera Nova Scotia |
|
| 2013 |
Set Designer
Theatre |
Luisa Miller Roberta Barker / Opera Nova Scotia |
Sir James Dunn Theatre |
| 2011 |
Art Director
Film |
Tabula Rasa Matthew Rankin |
|
| 2010 |
Set, Props & Projections Designer
Theatre |
The Duck Wife Jenn Doan & Ted Strauss / Inertia Productions |
Fringe tour |
| 2010 |
Costume Designer
Theatre |
Nelligan Normand Chouinard / Atelier-lyrique de l'Opéra de Montréal |
Salle Ludger-Duvernay, Monument-national |
| 2009 |
co-creator & performer
Theatre |
the human voice Pierre-Luc Brunet, Clare Coulter, Philip McKee / ZooFest |
Studio Hydro-Québec, Monument-national |
| 2009 |
Set & Costume designer
Theatre |
(Uncle) Vanya National Theatre School of Canada |
|
| 2009 |
Costume designer
Theatre |
Le Chant de Georges Boivin National Theatre School of Canada |
|
| 2008 |
Set designer
Theatre |
The Importance of Being Earnest National Theatre School of Canada |
Studio Hydro-Québec, Monument-National |
| 2007 |
Costume designer
Event |
Le font des corps Montreal Fringe |
Darling Foundry |
| 2006 |
Costume designer
Event |
Lulu Montreal Fringe |
MAI |
| 2005 |
Costume designer
Event |
Hideous Progeny Hysteria Festival |
Buddies in Bad Times Theatre |
| 2004 |
Costume designer
Film |
Le facteur poulpe Institut national de l'image et du son |
Education
| Year | Qualification | Where |
|---|---|---|
| 2009 | Scenography | National Theatre School of Canada |
Equipment
My Equipment/Kit:
I can use:
About me
Katrin Whitehead is a recent graduate of the scenography program at the National Theatre School of Canada with particular interest in design for devised work. A passion for the visual elements of storytelling also informs Katrin's bookworks, which have been exhibited as part of the Bookmobile/Mobilivre North American tour and Expozine bookarts fair in Montreal.Design experience includes set design for Howard Barker's (Uncle) Vanya (National Theatre School, Ludger Duvernay Theatre), directed by Tanja Jacobs and The Importance of Being Earnest (NTS, Studio Hydro-Quebec), directed by Brendan Healy; costume design for dance: Lulu (Montreal Fringe; Best of the Fringe in the category of dance) and Hideous Progeny (Studio 303); costume design for theatre: Le chant de Georges Boivin (NTS) and (Uncle) Vanya (NTS); costume design for opera: Nelligan (Atelier lyrique de l'opera de Montreal); costume design for film: Le facteur poulpe (L'institut national de l'image et du son); mask design: Le village de bonne esperence (16theâtre, Afriques en mouvements).
Skills
| Job Titles | Costume Designer, Costume / Costume Support, Wardrobe / Wardrobe Support, Prop Maker, Props Assistant / Support, Set Artist / Designer |
|---|---|
| Years in industry | 6+ years |
| Work Permits | Canada |