Alex Borghello
Documents
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document fileColorist Reel
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
Colorist
Film |
Headshop Kim Bass / Headshop |
|
2020 |
Colorist
Film |
The Orphan Train Brian Presley / Rebel Road |
|
2019 |
Colorist
Film |
Main In Hoodie Collins Avenue Productions |
|
2019 |
Colorist
Film |
Bennett's War Alex Ranarivelo / ERX |
|
2019 |
Colorist
Film |
Mirror Image Linda Shayne / Remember Point |
|
2019 |
Colorist
Film |
Is Someone There? Tim Garrick / Probably Illegal Productions |
|
2019 |
Colorist
Film |
Rogue Warfare The Hunt Action 5150 |
|
2019 |
Colorist
Film |
Rogue Warfare Death of A Nation Action 5150 |
|
2019 |
Colorist
Film |
Rogue Warfare Action 5150 |
|
2019 |
Colorist
Film |
American Fighter ESX |
|
2019 |
Colorist
Television |
Whon F'ed Up the Internet Whon F'ed Up the Internet |
|
2018 |
Colorist
Television |
Eddie Griffin: Undeniable Showtime |
|
2018 |
Colorist
Film |
Ride Alex Ranarivelo / ESX |
|
2018 |
Colorist
Film |
The Great Alaskan Race Brain Presley / Rebel Road |
|
2017 |
Colorist
Film |
Death Race 2050 G.J. Echternkamp / Universal |
|
2017 |
Colorist
Film |
Running Wild Alex Ranarivelo / ESX |
|
2017 |
Colorist | Post Producer
Film |
Open Water 3 Cage Dive Gerald Rascionato / Just One More Productions |
|
2017 |
Colorist
Television |
A Deadly Affair Active Enterntainment |
|
2017 |
Colorist
Film |
Escape Room Escape Productions |
|
2017 |
Colorist
Film |
Pray for Rain Alex Ranarivelo / ESX |
|
2017 |
Colorist
Film |
No Postage Necessary Jeremy Culver / Two Road Picture |
|
2017 |
Colorist
Television |
Enchanted Christmas Terry Cunningham / Hallmark |
|
2017 |
Colorist
Television |
Christmas in Mississippi Emily Moss Wilson / Lifetime |
|
2017 |
Colorist
Film |
Blood Circus Jacob Cooney / DTLA |
|
2016 |
Colorist
Film |
The Dog Lover ESX |
|
2016 |
Colorist
Film |
Speak Marc Saltarelli / Speak |
|
2016 |
Online Editor
Television |
Not Safe with Nikki Glaser Comedy Central |
|
2016 |
Colorist
Film |
Patient Seven Danny Draven / Terror Films |
|
2016 |
Colorist
Film |
Candice & Peter's Smokin' Hot Date Leanne Melissa Bishop, Michael P. Mason / Level 47 Productions |
|
2016 |
Colorist
Television |
Hitting the Brakes Pure Flix |
|
2010 |
Colorist
Film |
Dinoshark Kevin O'Neill / New Horizons |
|
2009 |
Colorist
Film |
Quick Gun Murugun: Misadventures of an Indian Cowboy Fox STAR Studios |
|
2009 |
Colorist
Film |
Running Away with Blackie Woolgathering Productions |
|
2008 |
Colorist
Film |
I Heard the Mermaids Singing indieColor |
|
2008 |
Colorist
Television |
Discussions with Richard Dawkins, Episode 1: The Four Horsemen Josh Timonen / Upper Branch Productions |
|
2007 |
Colorist
Film |
Bagboy Mort Nathan / National Lampoon Productions |
|
2007 |
Colorist
Film |
Supergator Brian Clyde / New Horizons Picture |
Education
Year | Qualification | Where |
---|---|---|
2001 | Art Direction | University of Cinematography (FUC) |
Equipment
My Equipment/Kit:
I can use:
About me
I began my career in post as an online video editor rising fast to full time colorist. My Passion for color began at an early age, “I remember being 9 years old and sitting countless hours in front of the TV adjusting contrast, hue, and saturation trying to get the picture “right.” Once I was introduced to a color bay everything came full circle.I have over 11 years rooted in color grading for, features films, television, commercials, and documentaries. I also have a technical expertise film remastering and restoration spending many years working with physical film elements.
My approach to color grading is simply two-fold. First, the technical understanding of where the image being presented will be seen primarily (theatrical, broadcast, etc.), and second, working with the director and cinematographer to find the emotional impact that can be expressed through color.
“Color grading is a balance of common sense and instincts (the touches that can take a show further).” My countless hours working with Directors and Cinematographer have given me the distinct ability to tune-in to their vision and bring it to reality.
Referees:
Available upon request.
Additional information:
Remote sessions.
I own a professionally color suite, fully geared and calibrated.
Recently I was showcased as a colorist in Sony Japan Xperia 1 commercial .
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Post Production Producer |
---|---|
Job Titles | Video Editor, Post-Production Management / Support, Colorist, Post Production Producer |
Years in industry | 6+ years |