Alexander Bradley
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2017 |
Composer
Film |
City Mirrors - Random acts Channel 4 Kate Cox / Rumble |
Education
Year | Qualification | Where |
---|---|---|
2011 | History | University of London |
Equipment
My Equipment/Kit:
I can use:
About me
I am a London based, freelance composer (for screen) and sound designer. Along side these services, I also offer edit and mix solutions for short film and increasingly, content and commercial projects too. Currently I work from a boutique studio of my own from which I offer a wide range of services, all of which are deliverable in broadcast spec formats. I also routinely work in some of London’s top facilities, either overseeing or indeed mixing my own work as well as other peoples’. I have a long list of interesting and high profile clients ranging the TV, fashion, film and advertising industries. I am university educated, extremely hard working, highly proficient in my field and highly motivated to learn new skills.Reel:
www.alexanderbradleysound.com
Additional information:
In the audio post-production context, my skills range from comprehensive knowledge of modern digital recording, editing and manipulating techniques all the way to traditional, fully analog tracking and mixing methods. I am fluent in the use of DAWs including AVID Pro Tools HD, Harrison Mix Bus V3, Logic Pro and Adobe AU. I have a detailed functional understanding of the physics and technical methodology used in the treatment of audio using both digital plug-in facsimiles and hardware. I am also aware to a functional degree of the electrical and computational requirements of a modern studio. I also have a good deal of experience working with Masalec transport console based mastering systems. My key skills are as follows:
Audio tracking, editing and clean up including use of iZotope RX 6 noise reduction and repair software
Recording and editing voice over
Creating deliverables to spec / desired formats
Understanding correct and appropriate use of EBU R128 measurement systems and the PPM equivalent.
Skills (Audio)
Skills (Other)
Experience facilitating and directing ADR sessions
Excellent Pro Tools, Logic Pro, Mixbus and AU workflow knowledge
Excellent archiving / back up habits
FCP and Premier workflow knowledge
Excellent understanding of microphone selection and placement by characteristic and type
Extensive experience in tracking multi channel recordings to DAW and tape Use of AVID S3 control surface hardware
Extensive knowledge and use of a vast range of plugins by manufactures including Waves, AVID, Slate, iZotope, Universal Audio and more.
Skills
Secondary Job Title | Sound Designer |
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Job Titles | Sound Designer, Composer |
Years in industry | 3 to 6 years |