Andrew Alvarez

Education

Equipment

My Equipment/Kit:

I can use:

About me

Currently I work as the post production coordinator at The Criterion Collection. I assist in all aspects of production from receiving and organizing assets to archiving all final deliverables and masters. One of my daily tasks at Criterion is providing assistance to the freelance editors, the colorist, and the restoration department. I help set up projects to spec and maintain our standards for color, compression, and other related video data. Since my time before Criterion I have done a handful encoding which includes the production and the trafficking of DCPs.
Additional information:
-DCP encoding using Cineasset and easyDCP plugin with Resolve.

-Color monitoring using Blackmagic Scopes, in and out of Resolve.

-Coordinating editors for producers and delivering them materials.

-Assist in tech support for the office and maintaining the server.

-Archiving final deliverables and masters to LTO tape.

-Performing color space transforms and other video transcodes to spec.

-Researching and exploring new programs for more efficient workflows.

-Using Avisynth to restore detail in SD images with powerful deinterlacing.
-Production, rotating as a Gaffer, Assistant Camera, and Camera Operator.
-Coordinate with clients for materials for editors.

-Assist editors with task such as transcoding and media management.

-Receiving finishing materials from editors and creating deliverables for the client.

License & Passport

Skills

Secondary Job Title	Editor (Colourist)
Job Titles	Video Editor, Colorist, Director, Production Assistant (PA), Production Coordinator, Camera Operator, Videographer, DIT / Data Wrangler, Key Grip, Technical Director / Vision Mixer, Post Production Assistant
Years in industry	3 to 6 years