Ashton Rae
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2021 |
Cinematographer
Video |
Nomi Abadi / Animals Josh Litman / Nomi Abadi llc |
|
| 2020 |
Cinematographer
Film |
Denervation Josh Dawson / Dawson Enterprises |
|
| 2020 |
Cinematographer
Commercials & Industrials |
The First Time Lauren Fields / Hooked |
|
| 2020 |
Cinematographer
Commercials & Industrials |
Martina Lee Llc Martina mossell Lee / Hooked |
|
| 2020 |
Assistant Camera
Film |
Journey to Sundance Delaney Bishop & Sharook Omar / Bishop Takes Queen |
|
| 2020 |
1st AC
Television |
Rough Draft with Reza Aslan Alfredo de abilla / Liam 2004 Films |
|
| 2019 |
1st AC
Film |
Wishy Washy R. Gashtili / J. Lerman / Powderkeg |
|
| 2019 |
B Cam 2nd AC
Television |
Teachers Travis Stevens / Butcherbird Studios |
|
| 2019 |
1st AC
Film |
Healing Hands John Murlowski / Healing Hands, LLC |
|
| 2018 |
DIT
Television |
Strays Kevin Kobori / Little Astronaut |
|
| 2018 |
A Cam 1st AC
Film |
Miss Arizona Autumn McAlpin / Miss Arizona, LLC |
|
| 2018 |
B Cam Operator
Film |
Abby & Tabby Jessica Martin / Abby Tabby Film |
|
| 2018 |
Gaffer
Film |
To The New Girl Ambika Leigh Adriana González-Vega Amanda Lippert / Dragon hunter Productions |
|
| 2018 |
1st AC
Film |
Bridge for Seniors Shirlee Alkosser / Shirlee Alkosser LLC |
|
| 2018 |
Cinematographer
Commercials & Industrials |
Balloon Room Annah Fienberg / Jash Studios |
|
| 2018 |
Gaffer
Film |
The Darkness Within Charles T / Shadownland Films |
|
| 2018 |
B Cam Operator
Television |
Fauk My Life Stephanie Neroes / Pimptress Pictures |
|
| 2017 |
1st AC
Commercials & Industrials |
Guber Nell Teare / Jay Lech Lynas LLC |
|
| 2017 |
1st AC
Film |
Falling Ewen Wright / USC |
|
| 2017 |
2nd AC/DIT
Film |
Lost Fare Bruce Logan / Lost Fare |
|
| 2017 |
Director of Photography
Film |
Caged Jake Gillan / Ari Stidham LLC. |
|
| 2017 |
B Cam Operator
Film |
Come to Katie's Ari Stidham / Ari Stidham LLC. |
|
| 2017 |
1st AC
Television |
Take Back Anthony De Las Alas / Strange World Inc. |
|
| 2017 |
1st AC
Film |
The Bird Who Could Fly Raphael Sbarge / Wishing Well Entertainment |
|
| 2017 |
Key Set PA
Film |
Growing Up Annabelle Frost / Growing Up Short Film |
|
| 2017 |
Director of Photography
Television |
Clarity O'Shea" Myles / A Living Art Productions |
|
| 2017 |
Director of Photography
Video |
Wildling / Anywhere We Are Sophie Webb / Warner Music |
|
| 2017 |
DP
Film |
Shame Kenya Nunley / USC |
|
| 2017 |
Director of Photography
Film |
Homeschooled Eelum Dixit/ Helen Krieger / USC |
|
| 2017 |
Director of Photography
Film |
Hangin' With Genie Genie Deez |
|
| 2017 |
1st AC
Event |
Warigami Eddie Kim / New Form Digital |
|
| 2017 |
1st AC
Film |
The Process Adam Linzey / USC |
|
| 2017 |
2nd Unit Cinematographer
Film |
The Odd Essay Tom Watts |
|
| 2017 |
Director of Photography
Film |
Pills for Pills Kelly Austin Davis / USC |
|
| 2016 |
Videographer
Commercials & Industrials |
Flaunt Magazine Flaunt Magazine |
|
| 2016 |
Director of Photography
Film |
The Last Stop Dwight Hwang / USC |
|
| 2016 |
1st AC
Film |
Lost Angeles UCLA |
|
| 2016 |
1st AC
Film |
Streets of Antioch Zach Ramsey / USC |
|
| 2016 |
1st AC
Film |
The Ace Guillermo Ortiz Pichardo / Her Pictures |
|
| 2016 |
Director of Photography
Film |
Mango Sticky Rice Mallorie Ortega / USC |
Education
| Year | Qualification | Where |
|---|---|---|
| 2016 | Cinematography | University of Southern California |
| 2013 | Film and Television Production | Hollins University |
Equipment
My Equipment/Kit: Adobe Premiere CS6, DaVinci Resolve, Metabones PL to EMount Adapter, SmallHD 703 monitor, Sony Cameras, Tilta Nucleus M
I can use: Smallhd 703 Monitor, Metabones Pl To Emount Adapter, Adobe Premiere Cs6, tilta nucleus m, C300, RED Epic, Arri Alexa, RED Digital Cinema Cameras, Sony Cameras, DaVinci Resolve
About me
Ashton Rae is a cinematographer and camera junkie based in Los Angeles. She is known for her realist approach in lighting a frame to emphasize the human condition. Artwork and nature are components that inform her organized approach to recreate a story's thematic messages and riveting undercurrents. Her body of work consists of scripted narrative films and television, in addition to music videos and commercials.A graduate of USC's School of Cinematic Arts, Ashton has nearly a decade of experience in production as a cinematographer. In that time she has lensed a number of features; shot a myriad of shorts; photographed countless music videos; and captured several commercials and corporate videos. She has an eye for light and composition that she is constantly refocusing in order to maintain a freshness to her imagery and tell each project's unique story in its own way.
Many of her more current pieces can be viewed circulating through a multitude of film festivals.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Camera Assistant |
|---|---|
| Job Titles | Lighting Tech / Operator, Key Grip, Production Assistant (PA), Gaffer / Lighting Director, Camera Assistant, DIT / Data Wrangler, Photographer, Videographer, 2nd Assistant Camera - Clapper / Loader, Director of Photography (DOP), Cinematographer, 1st Assistant Camera - Focus Puller, Camera Operator, Production Support |
| Years in industry | 3 to 6 years |