Aston Fearon
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2018 |
Boom Op/Sound Assistant/Location Recordist
Television |
Old People's Home For Four Year Olds CPL Productions/Channel 4 |
Education
Year | Qualification | Where |
---|---|---|
2007 | BNC Music Technology: Double Distinction | NCN: Clarendon College |
Equipment
My Equipment/Kit: I own a variety of my own tools including measurement software such as SMAART, network management software, an iPad Mini with various applications as well as a selection of hand tools.
I can use: I Own A Variety Of My Own Tools Including Measurement Software Such As Smaart, Network Management Software, An Ipad Mini With Various Applications As Well As A Selection Of Hand Tools.
About me
I am familiar with location work on set as well as the demands of live broadcast work. I have undertaken work as a Sound Supervisor, Comms Engineer, Sound Assistant, Location Recordist and Boom Op. Work that I have done includes: an award winning short film, the broadcast of an England under 21 squad selection (for European Championship football) and documentary work broadcast by Channel 4.Additional information:
As well as my technical skills in other areas of sound engineering, I have undertaken training and used TV specific tools such as Sound Devices, Calrec, Lawo, Studer, Riedel, RTS, Zaxcom and Ambient. I am a member of the Institute of Professional Sound.
I am available for any Location Recording, Outside Broadcast and Flyaway work
https://www.astonfearon.co.uk/tv-film
Theatre professional:
You probably know the challenges and possibilities of ever changing technology and the need of professional, communicative engineers to operate your equipment as well as representing you well to your clients and your audience.
My solid foundation as a FOH engineer has led me to be always be efficient, organized and prepared- creating workflows and simplifying systems so that everyone in the room is immersed in what happens on stage
This leads to all musicians or speakers on stage feeling extremely comfortable, crew-members knowing exactly what they need to be doing and clients (mine and yours) happy because the event runs so smoothly despite the unpredictability of live events
Music professional:
With over 10 years of experience in music technology; I undertake a variety of work such as live sound engineering, studio mixing, broadcast mixing and boom operation as well as music production work. I have an ear for musicality, a knowledge of cutting edge technology and a commitment to the clarity of high quality audio.
Artists I have mixed have won Brit awards, NME awards and Mercury awards, had number one songs in the UK charts and had platinum records. Recorded music I have mixed has been distributed to iTunes, Amazon, Spotify and played on BBC Radio. I have also mixed for many local artists and supported the music industry at the grassroots level.
I carry my own public liability insurance (£10 million), have a full clean driving license and my own transport. I also own a variety of my own tools including measurement software such as SMAART, network management software, an iPad Mini with various applications as well as a selection of hand tools.
If you might need a sound engineer for your latest project, please don't hesitate to get in touch.
Additional skills:
Pro Tools 12
Remote Mixing Studio
Referees:
Upon Request
Skills
Secondary Job Title | Sound Recordist |
---|---|
Job Titles | Boom Operator, Sound Operator / Engineer, Sound Mixer / Recordist, Sound Editor, Sound Designer, Sound Assistant, Live Programming / Broadcasting |
Years in industry | 6+ years |
Work Permits | EU |