Avery Stemmler
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2017 |
Composer
Film |
The Session Rick Beck |
|
| 2017 |
Composer
Television |
OHNI Case Files Aimee Galicia Torres / Osborne Head and Neck Institute |
|
| 2016 |
Sound Recordist / Audio Post Production
Film |
3 for the Money John Reign / Polestar Productions |
|
| 2016 |
Composer / Associate Producer
Television |
Dystopia: Capitol City Andrew Bard / Janet Llavina / NeoPhoenix Studios |
|
| 2014 |
Composer (select scenes)
Film |
Gilgamesh Rick Chandler / Boston Film Family |
|
| 2014 |
Composer
Film |
Opalescent Janet Llavina / NeoPhoenix Studios |
|
| 2013 |
Composer
Television |
Boston Massacre Rick Chandler / Boston Film Family |
|
| 2013 |
Composer / Sound Recordist
Film |
Dystopia (promotional short) Andrew Bard / NeoPhoenix Studios |
|
| 2012 |
Composer
Film |
Hypnagogic Andrew Bard / NeoPhoenix Studios |
|
| 2011 |
Composer
Film |
Scrooge in the Hood Rick Chandler / Boston Film Family |
Education
| Year | Qualification | Where |
|---|---|---|
| 2014 | Film Scoring / Acoustics and Electronics | Berklee College of Music |
Equipment
My Equipment/Kit:
I can use:
About me
Audio engineer, composer, and post production specialist, Avery graduated from Berklee College of Music with a degree in Film Scoring and Acoustics and Electronics, and has scored, recorded, and collaborated on a number of independent feature-length films, short films, web series, and video games with filmmakers and developers from around the world. He has a penchant for technology, and has worked as a film composer, audio engineer, boom operator, professional audio/video installer, live sound technician, audio restorer, and file clerk.Best known for his score to the episodic Dystopia: Capitol City, Avery has an evocative yet flexible voice and prides himself on creating tailored, homogeneous products that serve both the artistic and technical needs of a story. With an optimized studio of reliable tools and years of perfected workflow, Avery is able to efficiently provide music with that professional sheen on projects of any size.
For further information, please visit:
www.averystemmler.com
Avery is a member of ASCAP and a number of creative online communities.
Referees:
References available upon request
Music professional:
Audio engineer, composer, and post production specialist, Avery graduated from Berklee College of Music with a degree in Film Scoring and Acoustics and Electronics, and has scored, recorded, and collaborated on a number of independent feature-length films, short films, web series, and video games with filmmakers and developers from around the world. He has a penchant for technology, and has worked as a film composer, audio engineer, boom operator, professional audio/video installer, live sound technician, audio restorer, and file clerk.
Best known for his score to the episodic Dystopia: Capitol City, Avery has an evocative yet flexible voice and prides himself on creating tailored, homogeneous products that serve both the artistic and technical needs of a story. With an optimized studio of reliable tools and years of perfected workflow, Avery is able to efficiently provide music with that professional sheen on projects of any size.
www.averystemmler.com
Avery is a member of ASCAP and a number of creative online communities
Referees:
References available upon request.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Sound Editor |
|---|---|
| Job Titles | Post Production Assistant, Composer, Sound Assistant, Sound Designer, Sound Editor, Sound Mixer / Recordist, Sound Operator / Engineer, Boom Operator, Production Assistant (PA), Post-Production Management / Support |
| Years in industry | 3 to 6 years |
| Musical Skills | Guitar |
| Musical Style | Acoustic, Ambient, Blues, Celtic, Chamber, Classical, Close harmony, Concerto, Electronica, Experimental, Folk, Indie, Industrial |