Diego A. Julca
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2020 |
Sound Mixer/ Boom Operator
Film |
The Workshop Elena Burger / Workshop Productions |
|
| 2019 |
Additional Sound Mixer / Boom Operator
Film |
Diwal'oween Shilpa Mankikar / Diwal'oween LLC |
|
| 2019 |
Sound Mixer/ Boom Operator
Film |
Modern witchcraft Kaitlin Carano / Kaitlin Carano Films |
|
| 2019 |
Sound Mixer/ Boom Operator
Commercials & Industrials |
USATCO Corporate Benjamin Myers / Reel Creative Media |
|
| 2019 |
Foley Artist / Sound Supervisor
Film |
Una primera cita André Balbuena / Universidad de Lima Producciones |
|
| 2019 |
Sound Mixer/ Boom Operator
Commercials & Industrials |
Trauma Informed Tutorials Nolan Blair & Julia Babin / Trauma Informed Production |
|
| 2019 |
Additional Boom Operator
Film |
Dryer 6 Krista Cohen / Dryer 6 Production |
|
| 2019 |
Sound Mixer/ Boom Operator
Film |
Follow Me Samtubia Edwards / The Ed Brothers |
|
| 2019 |
Additional Sound Mixer/ Boom Operator
Film |
Akelay Sath Mein Simon Gil / Identity Pictures |
|
| 2019 |
Assistant Editor
Television |
Dulce Guillermo Isa / Jungles in Paris and Conservation International |
|
| 2019 |
Sound Mixer / Boom Operator
Television |
S(H)E Karoline Pelikan / Pelikan Pictures |
|
| 2019 |
Sound Mixer / Boom Operator
Television |
The Footballogist Pelikan Pictures |
|
| 2019 |
Sound Mixer / Boom Operator
Television |
TECHO Perú - Gala Benéfica Saturno FIlms |
|
| 2018 |
Sound Mixer / Boom Operator
Film |
Landing Home Douglas Taurel / Douglas Taurel and Thomas Edison State University |
|
| 2018 |
Sound Mixer
Commercials & Industrials |
End Polio Now J.M. Zervolei / JM Productions |
|
| 2018 |
Sound Mixer/ Boom Operator
Film |
Revenge Cihangir Diman / Revenge Production |
|
| 2018 |
Sound Mixer / Boom Operator
Television |
Kenwood Metajam Allstars Jm / JM Productions |
|
| 2018 |
Additional Sound Mixer / Boom Operator
Film |
Life Changes Percy Malone Productions |
|
| 2018 |
Sound Mixer / Boom Operator
Film |
Accountable Justin Sardis Films |
|
| 2012 |
Sound Utility / 2nd Boom Operator
Film |
Lima 13 Fabricio Aguilar / Lima 13 Production |
|
| 2012 |
Sound Utility / 2nd Boom Operator
Film |
La amante del libertador Rocío Lladó / La Amante Producciones |
Education
| Year | Qualification | Where |
|---|---|---|
| 2017 | Directing Actors - Meisner Technique | EICTV - Escuela Internacional de Cine y Televisión |
| 2016 | Scriptwriting for Film | EICTV - Escuela Internacional de Cine y Televisión |
| 2015 | 2 Year - Film Directing | New York Film Academy |
Equipment
My Equipment/Kit:
I can use:
About me
When I was finishing college I had the chance to start assisting my teacher (a well known and talented Peruvian Sound Mixer) on set as a Sound Utility. During a year I learned first hand the in and outs of sound on set, and I was thrilled.My grown in sound was interrupted when I left to persuit my directing dreams. I studied film Directing for a couple of years, then I worked a couple more towards the "Film Director" goal, taking me to write, produce, edit, direct and even be the DP of a bunch of projects (for clients and personal stuff too).
As fate would have it, my interest for sound grown bigger thanks to my brother, a music producer and post-production sound editor, who helped me change my mind and take a detour towards the "Location Sound Mixer" goal.
Neither to say that the directing dreams are still going. I keep writing, taking photos and directing only personal projects or ones that I'm really interested on.
Additional information:
As a Sound Mixer/Boom Operator I have experience working in narrative (short films and web series), documentary (mainly short format) and corporate. As Sound Utility I worked in feature films and advertising.
Skills
| Secondary Job Title | Boom Operator |
|---|---|
| Job Titles | Video Editor, Director, Videographer, Boom Operator, Sound Mixer / Recordist, Sound Assistant |
| Years in industry | 1 to 3 years |