Dylan Henning
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2022 |
Sound Utility
Film |
Knock At The Cabin M. Night Shyamalan/Blinding Edge Pictures |
Philadelphia, PA |
| 2022 |
Sound Utility
Film |
The Union Netflix |
New Jersey |
| 2022 |
Sound Utility
Television |
Servant (Seasons 2, 3, 4) M. Night Shyamalan/Blinding Edge Pictures |
Philadelphia, PA |
| 2022 |
Production Sound Mixer
Film |
Faedra Scott McElroy |
Crestline, CA |
| 2022 |
Sound Utility
Film |
Man In The Long Black Coat |
Santa Clarita, CA |
| 2021 |
Sound Utility
Television |
Bel Air Peacock |
Philadelphia, PA |
| 2021 |
Boom Operator
Film |
Hustle Happy Madison/Netflix |
Philadelphia, PA |
| 2021 |
Boom Operator
Film |
Mr. Harrigan's Phone Netflix |
Connecticut |
| 2018 |
Production Sound Mixer, Audio Post-Production
Film |
Catching Up Bill Crossland / Get a Dog, LLC |
Education
| Year | Qualification | Where |
|---|---|---|
| 2014 | Audio Production | Art Institute of Philadelphia |
Equipment
My Equipment/Kit:
I can use:
About me
With years of experience in location sound mixing/boom operation/utility and audio post production, my portfolio covers everything from big budget narrative to documentary-from comedy to horrorLicense & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Sound Editor |
|---|---|
| Job Titles | Dubbing Editor / Mixer, Sound Designer, Sound Editor, Sound Mixer / Recordist, Sound Operator / Engineer, Boom Operator, Production Support |
| Years in industry | 6+ years |
| Organisations / Memberships | IATSE |
| Musical Skills | Bass Guitar, Drums/Percussion, Guitar, Percussion, Synthesiser |
| Musical Style | Acoustic, Bubblegum pop, Cabaret, Classic rock, Dance music, Indie, Metal, Pop, Rock, Ska |