Georgina Pretto
Documents
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document fileGeorgina Pretto - Cinematographer Backstage
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2020 |
Cinematographer, Camera Operator, Colorist
Film |
Escuela de Peluquería Leonora Kievsky |
|
| 2020 |
Cinematographer, Camera Operator, Colorist
Film |
Pasa la Bola Leonora Kievsky |
|
| 2019 |
Cinematographer, Camera Operator, Colorist
Film |
La muerte no existe y el amor tampoco Fernando Salem / Caudillo Films |
|
| 2019 |
Cinematographer, Camera Operator, Colorist
Film |
Número Primo Evangelina Montes |
|
| 2019 |
Cinematographer, Camera Operator
Film |
To Kill the Dragon Jimena Monteoliva / Crudo Films |
|
| 2018 |
Cinematographer, Camera Operator, Colorist
Film |
Caparazones Eduardo Elli |
|
| 2018 |
Cinematographer
Performing Arts |
TEDx Rio de la Plata 2018 Fernando Salem / Caudillo Films |
|
| 2017 |
Cinematographer, Camera Operator, Colorist
Film |
Las personas que recuerdan demasiado Eduardo Elli |
|
| 2017 |
Cinematographer, Camera Operator, Colorist
Film |
Adela Evangelina Montes |
|
| 2017 |
Cinematographer
Performing Arts |
TEDx Rio de la Plata 2017 Fernando Salem / Caudillo Films |
|
| 2015 |
Cinematographer, Camera Operator, Colorist
Film |
Mauro y Olivia Eduardo Elli |
|
| 2015 |
Cinematographer, Camera Operator, Colorist
Film |
How Most Things Work Fernando Salem / Caudillo Films |
|
| 2014 |
Cinematographer, Camera Operator, Colorist
Film |
La olimpíada de Elena Evangelina Montes |
|
| 2013 |
Cinematographer, Camera Operator, Colorist
Film |
Espacio personal Natural Arpajou |
|
| 2011 |
Cinematographer, Camera Operator, Colorist
Film |
Lo que haría Natural Arpajou |
|
| 2009 |
Cinematographer, Camera Operator, Colorist
Television |
Amigos del volante Fernando Salem / El Perro en la Luna |
|
| 2008 |
Cinematographer, Colorist
Film |
Ana y Mateo Natural Arpajou |
|
| 2008 |
Cinematographer, Camera Operator
Television |
BIO.AR III Cecilia Atan / El Perro en la Luna |
|
| 2008 |
Cinematographer, Camera Operator
Television |
Nosotros Fernando Salem / El Perro en la Luna |
|
| 2008 |
Cinematographer, Camera Operator
Television |
Otto Schneider Fernando Salem / El Perro en la Luna |
|
| 2006 |
Cinematographer
Film |
Trillizas Propaganda! Fernando Salem |
|
| 2005 |
Cinematographer, Camera Operator
Film |
Proivido tocar los tomates Natural Arpajou / Nomeolvides Films |
Education
| Year | Qualification | Where |
|---|---|---|
| 2006 | Cinematographer | ENERC |
Equipment
My Equipment/Kit: DaVinci Resolve, Macbook Pro / Laptop, Portable Color Grading Equipment
I can use: DaVinci Resolve, Macbook Pro / Laptop, Assimilate Scratch, Portable Color Grading Equipment, Arri, Red, Sony, Blackmagic Cameras
About me
As a filmmaker specializing in cinematography and color, I've honed my artistic skillset through various studies in Filmmaking, Visual Arts, Dramaturgy, Visual Anthropology, and Photography. My passion for the craft led me to graduate from the renowned Argentinian National Film School (ENERC) with the Cinematography of Propaganda Triplets! short film. It was an honor to see the film screened at Venice & San Sebastian International Film Festivals in 2006.Since then, I've had the privilege of collaborating on a variety of music videos, documentaries, and feature films, such as Jimena Monteoliva’s Welcome to Hell, Plamena Slavcheva’s poetic documentary No way to say goodbye (2023 WIP) and Fernando Salem’s feature film Death Doesn’t Exist, and Love Doesn’t Either (2019). My work as a cinematographer on the latter earned me a Best Cinematography Condor Award 2021 (ACCA) and a nomination for Best Cinematography Sur Awards 2021 (Argentine Film Academy).
My expertise in analog film, digital media, and post-production processes allows me to experiment with various filmmaking techniques. Throughout my career, I've received numerous awards and creative funds for my contributions to various artistic collaborations. I’ve been selected to participate as a Cinematographer Talent at Berlinale Talents, as well as at IDFAcademy 2020, and received the Vilmos Zsigmond ASC Founder Grant for an Expanded Cinematography specialization in Los Angeles. I’m also a member of Argentinian Cinematography Authors (ADF) and of the international collectives The IFCF and Free The Work (FTW).
As a passionate storyteller, I am driven to explore the endless possibilities of cinema through collaborative projects. Let's work together to push the boundaries of cinematic artistry and create impactful and memorable films that resonate with audiences.
License & Passport
| Passport: | Yes |
Skills
| Secondary Job Title | Colorist |
|---|---|
| Job Titles | Colorist, Camera Operator, Cinematographer, Director of Photography (DOP), Videographer |
| Years in industry | 6+ years |