Harper W. Harris
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2021 |
Foley Artist / Sound Effects Editor
Film |
911 Stalker Bare Knuckles Creative |
|
| 2021 |
Foley Artist / Sound Effects Editor
Television |
Creepshow AMC/Shudder |
|
| 2020 |
Foley Artist
Film |
Electric Jesus Chris White / Bare Knuckles Creative |
|
| 2020 |
Production Sound Mixer / Sound Editor
Film |
Dead by Midnight: Y2Kill You42 |
|
| 2020 |
Foley Artist / Sound Effects Editor
Film |
The Perfect Wedding Match Bare Knuckles Creative |
|
| 2020 |
Foley Artist / Sound Effects Editor
Film |
Stalked by My Doctor 5 Bare Knuckles Creative |
|
| 2019 |
Re-Recording Mixer
Film |
Anney in the City Paul Dechant / Early Grey LLC |
|
| 2019 |
Foley Artist / Sound Effects Editor
Television |
Bigger BET |
|
| 2018 |
Production Sound Mixer / Sound Editor
Film |
Dead by Midnight (11pm Central) You42 |
|
| 2018 |
Re-Recording Mixer
Film |
Nesting Dolls Robbie Snow / Das Haus |
|
| 2018 |
Sound Effects Editor
Film |
Summer '03 Becca Gleason / Moonshine Post |
|
| 2017 |
Sound Editor
Film |
A Midwestern Methamphetamine Fairytale Sean Martinez / Moonshine Post |
|
| 2017 |
Dialogue Editor
Film |
No Sin Unpunished Matt Green / 40LINC |
|
| 2017 |
Boom Operator
Film |
Nightclub Secrets Joe Menendez / Blue Road Films, LLC |
|
| 2015 |
Production Mixer/Boom Operator
Film |
Bottle, Treasure, Tree Stefan Rollins / Naked Mountain Productions |
|
| 2014 |
Sound Editor
Film |
Routine P. Sam Kessie / Spier Films |
|
| 2010 |
Director, Editor, Sound Editor, Composer
Film |
Heroes Harper W. Harris |
Education
| Year | Qualification | Where |
|---|---|---|
| 2012 | Audio Technology Program | SAE Institute of Technology |
| 2009 | Film and Video BA | Georgia State University |
Equipment
My Equipment/Kit: 5.1 Surround Sound Mixing Suite, Izotope RX Advanced, K-Tek Boom Pole, Lectrosonics SMDWB, Lectrosonics SRc, Pro Tools Ultimate, Sanken Cos-11d, Tentacle Sync, Zoom F8
I can use: Zoom F8, Pro Tools Ultimate, Tentacle Sync, K-Tek Boom Pole, Sanken Cos-11D, Lectrosonics SRc, Izotope Rx Advanced, Lectrosonics Smdwb, 5.1 Surround Sound Mixing Suite
About me
I offer both production sound mixing and post-production sound services. I have been working on sets and in post-production since 2010, and have experience working on feature and short films, TV and web series, corporate and commercial video, branded content, and podcasts. I own my own production sound equipment as well as a personal 5.1 surround sound mixing studio and am capable of working on my own or within a full sound department.Referees:
Available on request.
Additional information:
Over the last several years, I've had the chance to work on a wide range of projects, from short and feature films to corporate and industrial pieces, web series to podcasts. I love doing both production and post-production sound, and find that keeping active on both sides has given me a unique perspective on best practices and how sound can have a significant and meaningful impact on a piece of work.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Sound Designer |
|---|---|
| Job Titles | Boom Operator, Sound Operator / Engineer, Sound Mixer / Recordist, Sound Editor, Sound Designer, Sound Assistant, Dubbing Editor / Mixer |
| Years in industry | 6+ years |
| Organisations / Memberships | IATSE |