Jessica Romagnoli
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Post-production Runner annd Receptionist
Event |
Molinare Molinare |
|
| 2017 |
Screenwriter
Film |
Children of Solomon Amber Entertainment |
|
| 2015 |
Script Editor
Film |
THE VEIL Monica De Santis / The London Film School |
|
| 2015 |
Script Editor
Film |
SUBJECT 23 Norbert Strehle / The London Film School |
|
| 2014 |
Script Editor
Film |
THE DRESSMAKER Toshiyuki Ichihara / The London Film School |
Education
| Year | Qualification | Where |
|---|---|---|
| 2018 | DEVELOPMENT INTERNSHIP | Wildgaze Films |
| 2017 | MANAGEMENT AND PRODUCTION INTERNSHIP | 42 Management and Production |
| 2017 | DEVELOPMENT INTERNSHIP | The Bureau |
| 2016 | DEVELOPMENT INTERNSHIP SCHEME | Amber Entertainment |
| 2016 | EFFECTIVE SCRIPT READING | Industrial Scripts |
| 2015 | SCREENWRITING MA | The London Film School |
| 2015 | CONTINUING AND SERIAL TV DRAMA: HOW IT WORKS AND HOW TO WRITE IT | The London Film School |
| 2014 | BA in Liberal Arts and Humanities | Alma Mater Studiorum University of Bologna |
Equipment
My Equipment/Kit:
I can use:
About me
I have been training and working in the film and television industry for almost four years after graduating from THE LONDON FILM SCHOOL's MA Screenwriting course in 2015.The final script I produced on the MA course ('Queenside') later went on to reach the final ten shortlist of the 2019 SCREENCRAFT SCREENWRITING FELLOWSHIP in Los Angeles, the finalist round on the 2019 WESCREENPLAY TV PILOT Competition, and won the 'Best TV Show Idea' at SCRIPT PIPELINE's 2016 Competition.
My experience in Production and Development dates back to 2016, when I was selected for a nine-month training scheme at AMBER ENTERTAINMENT, working under BAFTA-nominated producer Ileen Maisel (Ripley's Game, The Golden Compass, Romeo & Juliet) in her Development team. Afterwards, I had the opportunity to train as a Production intern at companies such as THE BUREAU (Daphne, 45 Years, A Little Chaos) and WILDGAZE FILMS (Brooklyn, Their Finest, Our Souls At Night).
In 2017 I was hired by CASAROTTO & RAMSAY ASSOCIATES to temporarily replace one of their receptionists at the front desk. My skills in reception, personal assistance and other office-based duties, were also enhanced by the following month-long internship at the prestigious 42 MANAGEMENT & PRODUCTION.
From June 2018 to the end of November 2019, I worked as Runner-Receptionist at one of the UK's leading post-production facilities, MOLINARE. On a daily basis I was required to handle petty cash, draft expenses sheets on Excel, file and scan confidential documents, keep track of deliveries, receipts and bookings, manage the online and offline schedules, answer and redirect incoming calls, and interact with some of the top talent working in the industry today.
During my time at Molinare, we worked with a number of incredible artists on projects such as Good Omens, Doctor Who, Killing Eve, The Crown, The Bodyguard, Mission: Impossible Fallout, A Discovery Of Witches and The Last Kingdom.
As a result of this, I have acquired key skills when it comes to computer and social media knowledge, office administration, and working within a client-facing team; as well as a broad knowledge of the post-production process on high-end film and television content.
Referees:
Kieran Nicholas, VFX Editor and client at Molinare: removed
Carlo Rossetti, Client Services Coordinator at Molinare: removed
Valentina Brazzini, Producer at The Bureau Films: available upon request
Hannah Duncan, Production Exec. at Wildgaze Films: available upon request
Additional information:
AWARDS:
WESCREENPLAY TELEVISION PILOT CONTEST
#FINALIST
September 2019
SCREENRCAFT SCREENWRITING FELLOWSHIP
#TOP 10 SHORTLISTED
July 2019
SCRIPT PIPELINE GREAT TV SHOW IDEA CONTEST
#1st PLACE WINNER
July 2016
Skills
| Secondary Job Title | Development Researcher |
|---|---|
| Job Titles | Script Writer, Writer, Script Editor, Script Reader, Production Assistant (PA), Script Supervisor / Coordinator, Production Support, Researcher, Translator |
| Years in industry | 1 to 3 years |