Jorge Flor
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2013 |
Sound on Set
Film |
White Collar Hooligan 2: England Away Paul Tanter / Press on Features ltd |
|
| 2012 |
Sound on Set & Postproduction
Film |
La Perla de Jorge Pablo Fernandez Vilalta / Manifiesto Films |
|
| 2012 |
Audio PostProduction
Commercials & Industrials |
El tiempo de Plácido Meana Kike Narcea / Narcea FIlms |
|
| 2011 |
Sound on Set & Sync
Film |
El hombre de las mariposas Maxi Valero / Somnia Ars |
|
| 2011 |
ADR, Foley, Edit & Mix in Audio Postproduction
Commercials & Industrials |
Cara de Luna Enrique Diego / Esdip |
|
| 2009 |
Sound on Set & Postproduction
Film |
Ana 27 Lidiana Rodríguez / Turmalina Films |
Education
| Year | Qualification | Where |
|---|---|---|
| 2008 | Audiovisual Comunication | UCH-Ceu, Valencia Spain |
Equipment
My Equipment/Kit: Ambient Recording QX5100, Cinela Piano, Lectrosonics SMDb, RX Lectrosonics UCR411, Schoeps Cmit 5U, Sennheiser Mkh 416, Sound Devices 788t
I can use: Sennheiser Mkh 416, Sound Devices 788t, Schoeps CMIT 5U, Lectrosonics Smdb, Ambient Recording Qx5100, Cinela Piano, Rx Lectrosonics Ucr411
About me
TLM born as an initiative to address the problems in attracting direct sound in independent productions. The direct sound pickup completely determined in post editing work and therefore the quality and outcome.Knowing that in Spain dubbing and foley independent productions are an economic problem, it makes capturing sound in a very important element.
In this sense we consider ourselves a demanding team seeks the best results that allow each situation.
Additional information:
In TLM, know the enormous care must be taken so that the sound from being registered until the viewer gets the results are what you want.
It is therefore a priority for us to improve and constantly update our material to offer the best results.
We have teams backed by the best companies in the industry and continue to expand our material to adapt to different projects.
Likewise, it is also a priority for us, the constant recycling of our technicians to fit the new equipment and the different techniques that are used.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Boom Operator |
|---|---|
| Job Titles | Boom Operator, Sound Operator / Engineer, Sound Mixer / Recordist, Sound Editor |
| Years in industry | 3 to 6 years |
| Organisations / Memberships | Shooting People (UK) |