Lance Penez
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2010 |
2nd Camera Operator
Video |
Alex Craig / Casually Sunshine / Consequence of the Kill Amarillo films |
|
| 2010 |
Camera Operator
Video |
gideon conn / wildfire independent |
|
| 2010 |
D O P / Camera Operator
Film |
Dear John Tommy Edwards / Independent |
|
| 2010 |
Sound Designer / Composer
Film |
Drown Merel Graeve / AUCB |
|
| 2010 |
Camera Operator
Film |
Midnight Picnic Veceslavs Serkins / AUCB |
|
| 2010 |
Camera Operator
Film |
The Clubhouse (Doc) Tommy Edwards / AUCB |
|
| 2009 |
Camera Operator
Film |
Sausages Tommy Edwards / AUCB |
|
| 2009 |
Director / Writer
Film |
Jesus in the House of Martha Lance Penez / AUCB |
|
| 2009 |
Director / Writer
Film |
Death of a Stranger BU |
|
| 2009 |
Script Supervisor
Film |
The Last Hit AUCB |
|
| 2008 |
Camera Operator
Film |
Smile (Doc) Tommy Edwards / AUCB |
Education
| Year | Qualification | Where |
|---|---|---|
| 2010 | Film Production | Arts University College Bournemouth |
| 2007 | Film Summer Course | London College of Communication |
| 2006 | Short Movie Crash Course | Thames Valley University |
Equipment
My Equipment/Kit: Canon 7d w/handheld shoulder mount
I can use: Canon 7D W/Handheld Shoulder Mount
About me
It is within the carnival of the film set that I thrive as a practitioner. My mind and body works at a heighten rate to ensure the swift and creatively considered task is completed. It is within my nature to use my initiative and be observational to contribute to the film set as a team member. Whilst retaining the professional conduct that is required of my role.The responsibilities of the Camera Operator are vast and challenging. My background in documentary cam-oping has developed my understanding of spontaneity: its advantages and disadvantages. The various lessons learnt from documentary were virtuously transmuted to fiction film operating; broadening my skills and awareness. Although they are different disciplines, having both experiences of camera operating has given me a wealth of ability. Having attended 'Camerimage' (the cinematography film festival) regularly, I have been able to gather great wisdom from the leading practitioners of this field. My experience in university has allowed me to explore a great range of cameras and formats from s16 to xdcam.
Script Continuity was a natural choice because of it's relationship with directing, camera and editing. These are private disciplines of my own that come from my ambition to be an auteur. Driven by this ambition I have conjured a strong awareness and skills that are very complimentary to that required of the script supervisor role. My most challenging experience was with the film 'The Last Hit' where there were various locations being cut with sets. An array of costume and make-up changes that had me communicating between departments. There were continuity-problematic visual effects: like car stunts on blue screens and double exposures etc. All of this within a non-linear storyline accumulated an in-depth learning experience.
Please take a look at my website: www.lancepenez.co.uk
Additional information:
rough showreel here!
http://vimeo.com/12775975
Skills
| Secondary Job Title | Continuity Supervisor |
|---|---|
| Job Titles | Writer, Director, Production Assistant (PA), Script Supervisor / Coordinator, Continuity Supervisor, Production Support, Camera Operator, Camera Trainee, 1st Assistant Camera - Focus Puller, Camera Assistant, Spark |
| Years in industry | less than a year |