Paul Caton
Documents
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document filePaul Caton CV 2020
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2019 |
Boom Operator
Film |
G-Loc Tom Paton / Goldfinch Studios |
|
2019 |
Production Sound Mixer
Film |
Ria Richard Colton / Amarich Productions |
|
2019 |
Boom Operator
Film |
Break Micheal Elkin / Beak Films Ltd |
|
2019 |
Boom Operator
Film |
Stairs Tom Paton / Mosley Productions |
|
2019 |
Production Sound Mixer
Film |
Paparazza Aurora Fearnley / Hidden Art Films |
|
2019 |
Production Sound Mixer
Film |
The Seven Richard Colton / Newton Films Ltd. |
|
2018 |
Sound Recordist
Film |
An Admin Worker at the End of the World Yaz Al-Shaater / Brother Brother |
|
2018 |
Boom Operator
Film |
Girl Alone Keith Farrell / Old Hall Films Ltd |
|
2018 |
Sound Recordsit
Film |
Not the way Benjamin did it Charlotte Euzenat / Alleuz Productions |
|
2018 |
Production Sound Mixer (Dailies)
Film |
If It Were Done Will Poole / Falconbrook Films |
|
2018 |
Sound Recordist
Film |
WT- Dactyly Yoni Weisberg / Cheif Productions |
|
2018 |
Sound Recordist
Film |
iDog Josh Williams / Josh Williams Film |
|
2018 |
Boom Operator
Film |
The Secret Ben Wicks / Shoreditch Pictures |
|
2018 |
Production Sound Mixer
Television |
Avani Trylife |
|
2018 |
Sound Recordist
Film |
Right Place, Wrong Tim Eros Vlahos / Up & Daisy Chain Productions |
|
2018 |
Sound Recordist
Film |
Cheat Chris Tolly / Sand Dog |
|
2018 |
Boom Operator
Television |
Summerlake Nick Pilton / PQA TV |
|
2018 |
Sound Recordist
Film |
Hero Freddie Fox / FFAME Films Limited |
|
2018 |
Production Sound Mixer
Film |
Dead Ringer Richard Colton / Team Works Films LTD |
|
2018 |
Sound Recordist
Film |
Game Over Ben Kent / Game Over Film Ltd |
|
2017 |
Sound Recordist
Film |
Linear Matt Wards / Frivis Films |
|
2017 |
Production Sound Mixer
Film |
To Know Him Ted Evans / Pencil Trick Productions |
|
2017 |
Sound Recordist
Film |
Grace Aleksandra Czenczek / AKA Film Production Ltd |
|
2017 |
Sound Recordist
Film |
A Modern Tale Krishna Dubasiya / Arts Educational Schools |
|
2017 |
Sound Recordist
Commercials & Industrials |
Audiology Campaign Ben Jacobson / Specsavers |
|
2017 |
Sound Recordist
Film |
In My Mind Hayden Munt / Pentire street productions |
|
2017 |
Sound Recordist
Film |
Suicide Club Maximilian von Vier / Proportion Productions |
|
2017 |
Sound Recordist (1 week of pickups)
Film |
Harbour Raine McCormack / Reel King Media |
|
2017 |
Boom Operator
Film |
The Wynters Men Ben Wicks / Shoreditch Pictures |
|
2017 |
Sound Recordist
Film |
The Card Room Chronicles (Episode 1 The Last Hand) Denis Crampton / Three in one Pictures |
|
2017 |
Sound Recordist
Film |
90 Minutes Simon Baker / Sound Recordist |
|
2017 |
Sound Recordist
Film |
Sycamore Marco Brunelli / Hermit Films |
|
2017 |
Sound Recordist
Film |
Dangerous Game Richard Cloton / Best Wishes Films |
|
2017 |
Sound Mixer
Film |
Its All About The Manners Ben Owusu / Pixelex Aspect |
|
2016 |
Sound Recordist
Film |
Up In Arms Teunkie Van Der Sluijs / Studio Double Agent |
|
2016 |
Sound Recordist
Film |
Conscript Brian Franklin / Guild Hall Pictures |
|
2016 |
Sound Recordist
Film |
The Bongs Again Anjan Dutt / Eskay Movies |
|
2016 |
Sound Mixer
Film |
Distance Roberto Oliveri / Visualfare.Ltd |
|
2016 |
Production Sound Mixer
Film |
The Waiting Room Anna Cardus / Mighty Limey Productions |
|
2015 |
Production Sound Mixer, Sound Designer
Film |
Children of War Elizabeth O'Shaughnessy-Brown / Liz Brown Films |
|
2015 |
Production Sound Mixer
Film |
Broken Glass Chris Green / Chris Green Productions |
|
2015 |
Production Sound Mixer
Film |
Jet 900 Alex Taylor / Alex Taylor Productions |
|
2015 |
Production Sound Mixer
Film |
Who do they think They are? Tim Murray / Little Fella Films |
|
2015 |
Production Sound Mixer
Film |
The Murderers Will Terran / Black Barn Productions |
|
2015 |
Production Sound Mixer
Film |
Tom Ingram Truck Ambition Simon Lovell / ITV |
|
2015 |
Production Sound Mixer
Film |
This Is My Life? Craig Mckenna / Times of 13 |
|
2014 |
Sound Recordist
Film |
Pendulum Scott Wagstaff / Gallivant |
|
2014 |
Sound Recordist & Sound Designer
Film |
All The Ordinary Angels Simon Lovell / The British Youth Film Academy |
|
2013 |
Senior Sound Designer & Sound Editor
Film |
Routes of Reason Various Directors / Double Barrel Films |
|
2012 |
Boom Operator
Television |
Hollyoaks Lime Pictures |
Education
Year | Qualification | Where |
---|---|---|
2012 | Music & Sound Technology for film & Tv | Leeds Metropolitan University |
2009 | Radio Production | Wirral Metropolitan Collage |
Equipment
My Equipment/Kit: DPA SCO60-S Omnidirectional Slim Lavalier Microphone (with mounting Accessories), Panamic 5812 Carbon Fiber Maxi Boom Pole, Rode NTG 3 Shotgun Microphone, Sennheiser 8060 Shotgun Microphone, Sennheiser MKH 50 Cardioid Microphone, Sound Devices 688 12-Input Field Production Mixer with 16-Track Recorder with CL6 Wireless System Attachment, Tentacle Sync Timecode (all cables included for all camera types), Timecode Systems Wave Timecode Generator, x1 DPA SCO60 Slim Lav Microphone (With mounting Accessories), x1 Teradek Serv Pro Transmitter Wireless IOS Video Monitoring, x1 Wisycom Plugon Transmitter (Cable free boom), x2 Lectrosonics IFBT4 Frequency-Agile Compact IFB Transmitters, x2 Wisycom MCR42s Recivers, x4 DPA 4071 Dialogue Presence Boost Lav Microphones (with mounting Accessories), x4 Lectrosonics IFBR1a UHF belt pack receivers (for crew), x4 Wisycom MTP40S Beltpack Transmitters, x5 Sanken Cos 11D Lav Microphones (With mounting Accessories), x6 Sennheiser EW112P G3 Radio Mic's
I can use: Dpa Sco60-S Omnidirectional Slim Lavalier Microphone (With Mounting Accessories), Tentacle Sync Timecode (All Cables Included For All Camera Types), X6 Sennheiser Ew112P G3 Radio Mic'S, X1 Wisycom Plugon Transmitter (Cable Free Boom), Rode Ntg 3 Shotgun Microphone, Panamic 5812 Carbon Fiber Maxi Boom Pole, Sound Devices 688 12-Input Field Production Mixer With 16-Track Recorder With Cl6 Wireless System Attachment, Timecode Systems Wave Timecode Generator, X1 Dpa Sco60 Slim Lav Microphone (With Mounting Accessories), X4 Dpa 4071 Dialogue Presence Boost Lav Microphones (With Mounting Accessories), X1 Teradek Serv Pro Transmitter Wireless Ios Video Monitoring, X2 Wisycom Mcr42S Recivers, X4 Lectrosonics Ifbr1A Uhf Belt Pack Receivers (For Crew), X2 Lectrosonics Ifbt4 Frequency-Agile Compact Ifb Transmitters, X5 Sanken Cos 11D Lav Microphones (With Mounting Accessories), Sennheiser 8060 Shotgun Microphone, Sennheiser Mkh 50 Cardioid Microphone, X4 Wisycom Mtp40S Beltpack Transmitters, Yamaha DM2000, Yamaha Clm7, Crest V12, Allen & Heath Wz16 2Dx, Mackie Cr1604-Vlz, Saffie Pro 40, Tc Electronic Eq Station, X-Frame 88 Audio Proccessor
About me
7 Year experienced Production Sound Mixer with equipment specialising lifestyle shows, soaps, feature films, shorts, commercials & dramas.Highly committed & dedicated, based in the London , willing to work nationwide & abroad.
Referees:
Available on request
Additional information:
I drive a Volkswagen Transporter with lots of space to carry equipment. I can give lifts if needed for other crew and i also have a pool of boom ops and sound assistants if you want me to put together a team.
Theatre professional:
A committed, highly competent sound technician seeking an exciting new role in sound production. A creative self-starter with experience of mixing, mastering and boom operating. Currently a Sound, Lighting & Rigging Engineer for Liverpool Philharmonic Hall. Vast experience producing sound effects and writing musical scores for a full feature length movie entered into the 2013 Europe film festival circuit. Experienced in live theatre performance, controlling and operating PA and digital sound systems. Adept in all aspects of sound production and musical composition, I have worked for clients across a range of digital platforms, including videos, films, games, commercials and radio.
Additional skills:
Proficient in industry standard digital audio working stations with over 8 years of experience, including Cubase 6, Protools 10, Reason5,Logic Pro, Adobe Audition 3.0, Sound forge & Nuendo.
2 Years experience with UDK Unreal & 1 year experience with Cytec gaming engines
Excellent analogue & digital audio equipment skills, including Compressors, EQs, Stereo Imager, Limiters Noise Gates.
Experience with audio editing, including ADR Recording, Dub Mixing and Audio Editing for a feature film to be entered into the 2013 Cannes film festival & other international film festivals.
Excellent knowledge of mixing consoles analogue & digital, tape machines, loud speakers, microphone techniques, preamplifiers, signal processors, music sequences, AD convertors and amplifiers used in live theatre performances.
Performed live at events and gigs –competent on the piano, keyboard &synthesisers.
5 years experience in audio, video postproduction & studio recording.
5 years in mixing & mastering audio & music for TV, film & music.
2 years experience in on set recording in boom operating & sound mixing in a professional film crew environment
Exceptional knowledge in audio synthesis with analogue and digital synths used in sound design & sound FX creation
Exceptional Pianist with 12 years’ experience.
Exceptional DJ with 5 years experience.
Highly competent on both the PC and Mac. Vast experience in the following audio industry software: Native Instruments Kompete 8, Spectorsonics, Arturia V Collection, Melda Production Mixing & Mastering Plugin's & Waves Audio Effects plugin's
Referees:
Acdemic
Paul Ratcliff
PRINCIPAL LECTURER
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116, Caedmon, Headingley Campus
Professional
Simon Lovell
Owner & Director of Double Barrel Studios
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Professional
Richard Curtis
Technical Officer at the Liverpool Philharmonic Hall
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License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Sound Recordist |
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Job Titles | Dubbing Editor / Mixer, Video Editor, Production Support, Boom Operator, Sound Operator / Engineer, Sound Mixer / Recordist, Sound Editor, Sound Designer, Sound Assistant |
Years in industry | 1 to 3 years |
Organisations / Memberships | ASD (UK) |
Work Permits | EU |
Highlights
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Charlie Killick (AD (2nd))
Recently worked with Paul on feature film Suicide Club where he was the Sound Mixer.
Paul and his team were always professional, fun, hardworking and had more than enough kit to do the job.
The sound team had to face issues with bad locations but always pulled through and found solutions.
Hope to work with Paul again and would recommend him to anyone looking for a sound engineer/mixer. -
Giacomo Joshua Brunelli (Production Assistant)
Great guy, super professional with amazing high-end equipment.