Phil Hartley
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2021 |
2nd Assistant Sound - Splinter Unit
Film |
Pinocchio Disney |
|
2021 |
Playback Operator
Film |
A Christmas Number One Chris Cottam / Sky Original Cinema |
|
2021 |
Playback operator
Film |
The People We Hate At The Wedding Amazon Originals |
|
2021 |
Pro Tools playback operator and on-set music editor
Film |
Red Notice Netflix |
|
2019 |
Sound recordist
Film |
The Neolith Daniel Boocock / Claret and Blue Films |
|
2019 |
Sound recordist
Commercials & Industrials |
Skyscape - Experience the Skies Above Stonehenge English Heritage |
|
2017 |
Sound recordist
Television |
Listen to Britain 2017 Gareth Johnson / BBC Four / Wingspan Productions |
|
2015 |
Series Dialogue Editor / Sound Designer
Television |
Bing Nicky Phelan / BBC / Acamar Films |
|
2012 |
Sound recordist
Film |
It Felt Like Love Eliza Hittman / Bay Bridge Productions Inc. |
|
2012 |
Sound recordist
Television |
The Snowman and the Snowdog promotional films Channel 4 |
|
2011 |
Freelance Sound Engineer
Event |
Various Self Employed |
|
2001 |
Boom operator
Film |
The Children's Midsummer Night's Dream Christine Edzard / Sands Films |
Education
Year | Qualification | Where |
---|---|---|
1990 | Tonmeister | University of Surrey |
Equipment
My Equipment/Kit:
I can use:
About me
I got my first sound recorder at the age of five and began a lifelong passion for sound recording.License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Sound Editor |
---|---|
Job Titles | Sound Operator / Engineer, Sound Mixer / Recordist, Sound Editor, Sound Designer, Sound Assistant |
Years in industry | 6+ years |
Work Permits | EU |