Ryan Redebaugh
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Video
Documents
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document fileRyan Redebaugh- Resume 2022
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2022 |
Composer
Film |
Child of Wood Dir. Tyris Lemon |
|
2022 |
Composer
Online & Multimedia |
Pens: Ballad of the Erasers (Videogame) Christopher Robinson |
|
2021 |
Composer
Film |
Olu (Documentary) Dir. Grant Osum |
|
2020 |
Composer
Film |
Intimate Violence (Feature Documentary- Winner Best Social Justice Film Cannes Int'l) Dir. Stephanie Sandberg / Washington and Lee University |
|
2020 |
Composer
Television |
Unmasked: Stories from the Sidelines of the Pandemic Dir. Wheaton Simis |
|
2018 |
Composer
Commercials & Industrials |
Scouts UK Commercial (rebranding campaign) Dir. Danny Baldwin / 3 Angry Men |
|
2018 |
Composer
Film |
Nights of Being Loose Dir. Nickolay Shchetinkin |
|
2017 |
Composer (Additional Music)
Television |
HBO's Vice News Tonight HBO |
|
2017 |
Composer
Film |
Closure Micha Linton / Micha Linton Films |
|
2017 |
Composer (Additional Music)/Music Consultant
Television |
Keeping Olivia Daphne Yeager-Ostendorf / Daphne Yeager-Ostendorf Films |
|
2016 |
Composer
Television |
BRIC TV's BK Stories- "Pretty Damned Fast, Women Who Bike" Dir. Chris Raddatz / BRIC TV (Brooklyn's Television Channel- BRIC Arts & Media) |
|
2016 |
Composer
Film |
The Magician's Assistant Thomas Mendolia / Thomas Mendolia Films |
|
2016 |
Composer
Film |
Then Dir. Sonja Isabella / Millennia Pictures |
|
2016 |
Composer
Film |
Footprints on the Moon Dir. Ed Carvajal / Ed Carvajal Films |
|
2016 |
Composer
Film |
What's Love Got to Do With It? (Feature Documentary- Multiple Festival Awards) Dir. Sofia Wellman / Infinity Multimedia Productions |
|
2015 |
Composer
Commercials & Industrials |
British Sign Language Learning Co Commercial Dir. Danny Baldwin / British-Sign.co.uk |
|
2014 |
Composer
Commercials & Industrials |
"How I Did It" Webby Award Nominated Webseries Dir. Chris Beier (Rickety Boat Media) / Inc. Magazine |
Education
Year | Qualification | Where |
---|---|---|
2021 | MFA Music Composition for the Screen | Columbia College Chicago |
2021 | Internship | Mateo Messina (Composer) |
2017 | Composer Mentorship | Society of Composers and Lyricists (NY) |
2008 | BFA Drama | New York University (Tisch School of the Arts) |
Equipment
My Equipment/Kit: 8Dio Sample Library, East West Sounds Online Library, Heavyocity Sample Library, Kontakt 5, Logic Pro, Piano/Keyboard, Acoustic & Electric Guitars, Spitfire Sample Libraries
I can use: Piano/Keyboard, Acoustic & Electric Guitars, Heavyocity Sample Library, 8Dio Sample Library, East West Sounds Online Library, Spitfire Sample Libraries, Kontakt 5, Logic Pro
About me
Music that immerses. Music producer and composer Ryan Redebaugh creates vibe focused music that transports it’s listener through the use of evolving, electronic sonic textures and emotive, musical colors. Modern and retro vibes from minimal to epic arrangements combine to create a new, unique and engaging soundscape that is ready to bring to life any story in a compelling and inventive way. Ryan’s music can be heard in film/tv, documentary, video games and commercial media. His most recent score for the documentary “Intimate Violence” won “Best Social Justice Film” at Cannes International Film Festival. His music has been placed across dozens of episodic television programs including network, cable and streaming platforms. He also has released three LP's of original singer-songwriter material. Redebaugh received his MFA in Music Composition for the Screen at Columbia College Chicago. He now resides in Los Angeles, CA.For more info visit:
www.ryanredebaugh.com/music-composer
References:
“Ryan looked at our raw footage and instantly understood the emotional flow of the piece. He created a beautiful score that far surpassed my expectations, elevating the story into a visceral experience. I am forever grateful, not only for his beautiful work, but for his wonderful sense of collaboration and professional mentality. It has been a privilege to work with him.”
~Danny Baldwin (Commercial Director)
“Ryan was phenomenal to work with. I worked with him on a short film I had directed called “The Magician’s Assistant.” We had an initial brainstorming/creative session discussing the film, my thoughts and wishes, and his input, bouncing back and forth ideas, really refreshing for someone to come to the table with a strong vision AND an open mind. He sent me a first draft of the music, and I was blown away. Not only did he capture every single thing we had discussed during the meeting, but he gave it life with his own creativity and soul. I’m very excited to follow up on the rest of Ryan’s career.” ~Thomas Mendolia (Filmmaker)
"I worked with Ryan Redebaugh on my newest feature documentary film, "What's Love Got to Do With It." The creative process of collaborating with him on the music score was fun and comfortable. He understood what I wanted quickly, and he was open to any changes. He provided constructive input along the way. Ryan is warm, caring, and supportive. I will use his talent again!" ~Dir. Sofia Wellman (Documentary Filmmaker)
"We screened a number of composers for our short film “then”, but there was something about the spirit of Ryan’s work that caught us from the getgo. Our expectations were high based on his score samples, even though we didn’t know exactly how to articulate what we wanted. He asked great questions in our initial spotting sessions that helped crystallize our thoughts and find a common language between us, which was really helpful. Ryan was quick and reliable, regularly giving us updates on what we could expect to see as the project moved along. He was open and collaborative, and responded quickly to our thoughts on revisions, as minor as they were.
Ryan’s work was pivotal in building the emotional weight we needed. In the end, he managed to catch something so simple, human and fragile in his score for “then”, now that it’s there, we can’t imagine the film without it. We’re really glad for having worked with Ryan, and plan on going straight to him as the composer for our next project."
~Eric Reeve & Sonja Isabella (Filmmakers- Millennia Pictures)
Skills
Secondary Job Title | Music Supervisor |
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Job Titles | Music Production, Composer, Music Producer, Music Director, Sound Designer |
Years in industry | 6+ years |
Organisations / Memberships | ASCAP, SAG-AFTRA |
Musical Skills | Bass Guitar, Drums/Percussion, Guitar, Percussion, Piano/Keyboards, Synthesiser |
Musical Style | Acoustic, Ambient, Chillout, Electronica, Experimental, Folk, Improv, Indie, Rock |