Sam Woodcock
Documents
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document fileSam Woodcock Colourist and Editor 2019
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2021 |
Colourist
Commercials & Industrials |
The Rhtythm Section (bts scene) The Workhouse Picture Company |
|
2019 |
Colourist and Editor
Online & Multimedia |
The Royal Crescent Hotel and Spa Bear Jam Productions |
|
2014 |
Colourist
Film |
One Life Matt Hookings / Camelot Films |
|
2014 |
Colourist
Film |
Perfect Match Kyle and Liam Bashford / Camelot Films |
|
2014 |
Colorist
Commercials & Industrials |
Zenith Windows Greg Hackett / Spindle |
|
2013 |
Online editor and Colorist
Commercials & Industrials |
Exmoor - Dream, Discover, Explore Skylark |
|
2013 |
Colourist
Film |
Love Regardless Yani Paramova |
|
2013 |
Editor and VFX
Commercials & Industrials |
Rodenstock Promotion Rodenstock |
|
2013 |
Online editor and VFX artist
Event |
Exmoor National Park Jo Haywood / Skylark |
|
2012 |
Colourist
Film |
Ruth Kristen Griffin / Griffin and Bower Productions |
|
2012 |
Colourist
Film |
Underwear Ivan Madeira / Hentucky Productions |
|
2012 |
Visual Effects
Film |
Brash Young Turks Ash Mahmood, Naeem Mahmood / Transient Film Exchange |
|
2011 |
Director/Producer/Editor
Film |
Journeys Through School: The Gaps in the Grades Sam Woodcock / Ferol Films |
|
2011 |
Colourist
Film |
Back in the Swing of Things Danae Mikelli / Bristol University |
|
2010 |
Colourist
Video |
DAGT / Whisper Benedict Adams / Freelance |
|
2010 |
Camera Operator
Film |
The Invisible Circus: No Dress Rehearsal Naomi Smyth / Future Artists Ltd |
Education
Year | Qualification | Where |
---|---|---|
2012 | Craft and Tech at the Bottleyard (DIT work with the Arri Alexa, Red Epic and Sony F3)) | NLE |
2012 | RED Epic and RED Scarlet DIT skills | VMI |
2012 | Display Calibration and Emulation | ICA |
2012 | certificate of achievement in Colorist Strategies | ICA |
2006 | Time Based Media | UWE Bristol |
Equipment
My Equipment/Kit: Avid Artist Control MC Colour, Dell U2410 Monitor Calibrated to Rec709, Dell XPS 15 9560, 3.8ghz Intel quad core processor, 32gb Ram, Eizo CG279X Monitor, Macbook Pro Retina quad core intel 2.3ghz, 16gb Ram, Thunderbolt and USB 3 Connections
I can use: Macbook Pro Retina Quad Core Intel 2.3Ghz, 16Gb Ram, Thunderbolt And Usb 3 Connections, Dell U2410 Monitor Calibrated To Rec709, Avid Artist Control Mc Colour, Eizo Cg279X Monitor, Dell Xps 15 9560, 3.8Ghz Intel Quad Core Processor, 32Gb Ram
About me
I work as a freelance colourist and editor for commercials, documentaries, short films, branded content and music videos. I also have experience monitoring in a broadcasting MCR environment.Portfolio - http://colouredbysam.com/
I am available for freelance work based at the grading suite at Lobster Creative or working from my home studio.
A short film I worked on, Then and Now starring Julian Glover (Game of Thrones, Indiana Jones and the Last Crusade, Star Wars Episode V and many others) won 9 awards internationally and features sound design from Academy Award winner Glenn Freemantle.
Then and Now - http://www.imdb.com/title/tt3970368/fullcredits?ref_=tt_ov_st_sm
Specialities: Monitoring operator, QC, Colour Grading, Monitor Calibration, Offline editing, online editing
Formats and Workflows: R3D, Arri Alexa, Canon C300, Canon 5D MK3 and many others.
Software: Davinci Resolve, Adobe After Effects, Avid Media Composer, Adobe Premiere and FCP X.
Training: Colorist Strategies and Display Calibration and Emulation at the International Colorist Academy (ICA).
Completed Avid Assistant Editors Bootcamp for Reality Television.
For further information on available facilities email removed r feel free to contact me on removed or to arrange a consultation.
Referees:
available on request
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Editor |
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Job Titles | Video Editor, Colorist, Motion Graphic Designer, DIT / Data Wrangler |
Years in industry | 6+ years |
Organisations / Memberships | BECTU (UK), Shooting People (UK) |
Highlights
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Kristen Griffin (Director (Self Shooting))
Sam was a great asset to our production: incredibly flexible, and attentive to detail, he has an eye not only for style and colour, but also dramatic mood and tone. It's good to work with someone with such great technical ability, and artistic commitment.
Kristen Griffin (Dir. "Ruth")