Rachel Wingate
Documents
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document fileCV
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2012 |
Designer
Theatre |
Knowledge of Angels Popelei Theatre |
Shoreditch Church |
2012 |
Designer
Theatre |
Freefall Invertigo |
|
2012 |
Associate Designer
Theatre |
Aladdin Lyric Theatre Hammersmith |
|
2012 |
Associate Designer
Theatre |
Mogadisdhu Lyric Theatre Hammersmith |
UK National Tour |
2011 |
Designer
Theatre |
Flaming Bodies Roar |
|
2011 |
Associate Designer
Theatre |
A Midsummer Night's Dream Headlong |
National Tour |
2010 |
Consultant Designer
Theatre |
The Crucible Yellow Bird Theatre |
|
2010 |
Set and Costume Designer
Theatre |
Savitri, The Waiter's Revenge and Hin und Zuruck Minotaur Music Theatre |
The Rosemary Branch Theatre |
2010 |
Designer
Theatre |
Forrest Sale Deloitte Ignite 2010/Sarah Dowling Paul Hamlyn Hall, Royal Opera House |
|
2010 |
Consultant Designer
Theatre |
The Fastest Clock in the Universe BAC |
|
2010 |
Set Designer
Theatre |
The Ballet Russes A Stage Kindly |
The Rosemary Branch |
2010 |
Design Assistant
Theatre |
Mogadishu Tom Scutt |
The Royal Exchange |
2010 |
Design Assistant
Theatre |
Dick Whittington Tom Scutt |
The Lyric, Hammersmith |
2010 |
Design Assistant
Theatre |
Hamlet Tom Scutt |
Sheffield Crucible |
2010 |
Set and Costume Designer
Theatre |
The Bear Minotaur Music Theatre |
The Rosemary Branch |
2010 |
Set and Costume Designer
Theatre |
Riders to the Sea Minotaur Music Theatre |
The Rosemary Branch |
2010 |
Design Assistant
Theatre |
Through A Glass Darkly Tom Scutt |
Almeida |
2010 |
Design Assistant
Theatre |
High House People's Opera Rhys Jarman C/O ROH |
|
2010 |
Design Assistant
Theatre |
Pressure Drop Tom Scutt |
Wellcome Collection |
2010 |
Design Assistant
Theatre |
Taming of the Shrew Lucy Osborne C/O Chicago Shakespeare Theatre |
|
2009 |
Design Assistant
Theatre |
Various Francis O'Connor |
|
2009 |
Design Assistant
Theatre |
Pinocchio Torch Theatre |
Torch Theatre, Milford Haven |
2009 |
Design Assistant
Theatre |
The Government Inspector Gravel Theatre Company |
Tabard Theatre |
Education
Year | Qualification | Where |
---|---|---|
2009 | 3yr B.A. Hons Theatre Design | Royal Welsh College of Music and Drama |
Equipment
My Equipment/Kit:
I can use:
About me
I am an enthusiastic and reliable worker, constantly pushing myself to achieve the best I can. Working on a range of productions in various roles has given me experience of operating within a budget and managing spending, as well as organising and leading a team. I enjoy meeting new people and working with others as well as tackling new challenges that come my way. Art and theatre are a lifelong passion of mine which I am eager to pursue as a career.Additional skills:
* model figures and model making
* soldering
* casting and mould making
* scenic painting
* prop making
* basic carpentry
* poly-carving
* upholstery
* tiling
* dyeing and distressing
* domestic sewing machine
* basic pattern cutting
* millinery
* knitting
* puppetry construction and manipulation
* photography
* technical drawing
* Autosketch
* Google Sketch-up
* Adobe Photoshop
Additional information:
Please check out my website for examples of my work; www.rachelwingate.co.uk
Skills
Secondary Job Title | Costume Designer |
---|---|
Job Titles | Costume Designer, Prop Maker, Set Artist / Designer |
Years in industry | 1 to 3 years |
Highlights
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Ali Anderson-Dyer (Director)
I worked with Rachel during my production of The Fastest Clock in the Universe at the BAC and I am very happy to thoroughly recommend her to anyone looking for a talented, imaginative, hard-working, dedicated and trustworthy designer.
Due to a variety of other productions and commitments, Rachel was unable to accept the role of set and costume designer on the production. However, I felt so strongly about her work I managed to convince her to assist the designer we later employed so that the show still benefited from her talent. This was one of the best decisions I made during the entire process as she worked tirelessly and was a constant support to everyone on the design team. Her ideas are always intelligent and creative and working with her is pure joy.
I am currently working with Rachel on two other productions and look forward to many more in the future.
Ali Anderson-Dyer
Director