Cassie Adey
Documents
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document fileCV - 2022
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2022 |
Deputy Stage Manager
Theatre |
The Importance of Being Ernest Denzel Westley-Sanderson |
English Touring Theatre - Leeds, Cambridge, Ipswich, Newcastle, Liverpool, Kingston upon Thames |
2022 |
Deputy Stage Manager
Theatre |
Rusalka Michael Boyd |
Garsington Opera Pavillion |
2022 |
Company Stage Manager
Theatre |
Mugabe, My Dad & Me John R Wilkinson / ETT |
Brixton House |
2021 |
Deputy Stage Manager
Music & Singing |
Eugene Onegin Michael Boyd / Garsington Opera |
Garsington Opera Pavillion |
2019 |
Company Stage Manager on book
Theatre |
Wild Goose Dreams Michael Boyd / Theatre Royal, Bath |
Ustinov Studio |
2019 |
Deputy Stage Manager
Theatre |
The King of Hells Palace Michael Boyd / Hampstead Theatre |
Hampstead Theatre |
2019 |
Deputy Stage Manager
Music & Singing |
Don Giovanni Michael Boyd / Garsington Opera |
Garsington Opera |
2019 |
Company Stage Manager on book
Music & Singing |
Turn of the Screw Ella Marchment / Bury Court Opera |
Bury Court |
2019 |
Company Manager
Theatre |
Aurora Aylin Bozok / Bury Court Opera |
Bury Court |
2019 |
Assistant Stage Manager
Theatre |
A Christmas Carol Rachel Kavanagh / Royal Shakespeare Company |
Royal Shakespeare Theatre |
2018 |
Stage Manager on Book
Theatre |
Eastern Star Guy Slater / Tara Arts |
Tara Arts |
2018 |
Deputy Stage Manager
Theatre |
Broken Wings Bronagh Lagan / Broken Wings Muscial |
Theatre Royal Haymarket |
2018 |
Deputy Stage Manager
Theatre |
Monogamy Alistair Whatley / The Original Theatre Company |
Tour / Park Theatre |
2018 |
Stage Manager on Book
Theatre |
The Tempest Simone Coxall / Fourth Monkey Actor Training |
|
2018 |
Assistant Stage Manager - Book Cover
Theatre |
A Christmas Carol Rachel Kavanagh / Royal Shakespeare Company |
Royal Shakespeare Theatre |
2017 |
Deputy Stage Manager
Theatre |
Pelléas et Mélisande Michael Boyd / Garsington Opera |
|
2017 |
Company Stage Manager on Book
Theatre |
Blanc de Blanc Scott Maidment / Strut N Fret |
Hippodrome Casino |
2016 |
Assistant Stage Manager
Theatre |
Eugene Onegin Michael Boyd / Garsington Opera |
Garsington Opera House |
2016 |
Stage Manager
Theatre |
Music Oft Hath Such A Charm Valentina Ceschi / Opera Up Close |
Northwall Theatre |
2016 |
Stage Manager on book
Theatre |
Rosencrantz and Guildenstern are Dead Jo Noble / Oxford Playhouse |
Oxford Playhouse |
2016 |
Stage Manager and LX/Sound Op
Theatre |
TERRA Hubert Essakow / The Print Room |
The Coronet at The Print Room |
2016 |
Stage Manager/Technical Stage Manager/Relighter
Theatre |
Carmen Robin Norton-Hale & Ashley Pearson / Opera Up Close |
Belgrade Theatre, Oxford Playhouse |
2016 |
Assistant Stage Manager
Theatre |
Aladdin Steve Marmion / Oxford Playhouse |
Oxford Playhouse |
2015 |
Deputy Stage Management
Theatre |
First Love Is The Revolution Steve Marmion / Soho Theatre |
Soho Theatre |
2015 |
Touring Stage Manager
Theatre |
La Traviata Robin Norton-Hale / Opera Up Close |
South Hill Park, Bracknell |
2015 |
Stage Manager
Theatre |
Damsel / Wife / Witch Laura Attridge / And So Forth |
The Asylum, Peckham |
2015 |
Touring Stage Manager
Theatre |
The Barber of Seville Robin Norton-Hale / Opera Up Close |
Brewhouse Theatre, Taunton |
2015 |
Cover Stage Manager and Operator
Theatre |
Carmen Robin Norton-Hale / Opera Loki |
|
2015 |
Touring Stage Manager
Theatre |
La Boheme Laura Attridge / Opera Loki |
France and England |
2015 |
Touring Stage Manager
Theatre |
Marriage of Figaro Robin Norton-Hale / Opera Up Close |
Malvern Theatre |
2015 |
Stage Manager and LX/Sound Op
Theatre |
A Third Josh Roche / Fat Git Theatre |
Finborough Theatre |
2015 |
Stage Manager
Music & Singing |
Swept Away Philip Headlam / The Continuuum Ensemble |
Kings Place |
2015 |
Assistant Stage Management (Shadow)
Theatre |
Mark Bell / Mischief Theatre |
Duchess Theatre |
2015 |
Assistant Stage Manager
Theatre |
Tosca Michael McCarthy / Opera Østfold |
Fredriksten Fortress |
2015 |
Stage Manager and Assistant Stage Manager
Theatre |
Troilus and Cressida Robert Price / Royal Academy of Dramatic Art |
George Bernard Shaw Theatre |
2015 |
Assistant Stage Manager
Theatre |
Henry Marshal Prize Fights Alex Clifton / Royal Academy of Dramatic Art |
Vanbrugh Theatre |
2015 |
Deputy Stage Manager
Theatre |
Unprotected Lucy Skilbeck / Royal Academy of Dramatic Art |
George Bernard Shaw Theatre |
2015 |
1st Assistant Director
Film |
IMPACT Ed Hicks / Royal Academy of Dramatic Art |
London |
2015 |
Script Supervisor
Film |
LOVE (sic) Ed Hicks / Royal Academy of Dramatic Art |
London |
2014 |
Stage Manager
Theatre |
New Labour Richard Wilson / Royal Academy of Dramatic Art |
Vanbrugh Theatre |
2014 |
Technical Manager
Theatre |
Mrs Warrens Profession Giles Havergil / Royal Academy of Dramatic Art |
Gielgud Theatre |
2014 |
Technical Manager
Theatre |
Women of Twilight Psyche Stott / Royal Academy of Dramatic Art |
George Bernard Shaw Theatre |
2014 |
Stage Manager
Theatre |
The Little Green Swallow Stuart Barker / British Youth Opera |
Peacock Theatre |
2014 |
Deputy Stage Manager
Theatre |
The Other Place Geoff Williams / Royal Academy of Dramatic Art |
George Bernard Shaw Theatre |
2014 |
Follow Spot Operator
Theatre |
Henry Marshal Prize Fights Lucy Skilbeck / Royal Academy of Dramatic Art |
Vanbrugh Theatre |
2014 |
Scenic Artist & Dresser
Theatre |
The Lady From The Sea Iqbal Khan / Royal Academy of Dramatic Art |
Vanbrugh Theatre |
2013 |
Assistant Stage Manager
Theatre |
Betrayal Jonathan Moore / Royal Academy of Dramatic Art |
George Bernard Shaw Theatre |
2013 |
Lighting Programmer & Operator
Theatre |
In The Summerhouse Jonathan Cullen / Royal Academy of Dramatic Art |
George Bernard Shaw Theatre |
2013 |
Stage Management Placement
Theatre |
All's Well That Ends Well Nancy Meckler / Royal Shakespeare Company |
Royal Shakespeare Theatre |
2013 |
Stage Manager/Deputy Stage Manager
Theatre |
Twelfth Night James Ferrell / Northampton University |
Derngate Theatre |
2012 |
Assistant Stage Manager
Theatre |
Pericles James Farrell & Jamie Rocher-Allen / Royal Shakespeare Company |
Royal Shakespeare Theatre |
2012 |
Assistant Stage Management (Shadow)
Theatre |
Julius Caesar Greg Doran / Royal Shakespeare Company |
Royal Shakespeare Theatre |
2012 |
Assistant Stage Management (Shadow)
Theatre |
Richard III Roxana Silbert / Royal Shakespeare Company |
Royal Shakespeare Theatre |
2012 |
Assistant Stage Management (Shadow)
Theatre |
King John Maria Arberg / Royal Shakespeare Company |
Swan Theatre, Stratford |
Education
Year | Qualification | Where |
---|---|---|
2015 | Technical Theatre and Stage Management | Royal Academy of Dramatic Art |
Equipment
My Equipment/Kit:
I can use:
About me
I am passionate about delivering the highest quality theatrical experience to an audience and endeavour to provide the company, creative and technical teams with the most organised, productive and calm conditions in order for them to experience the best working environment. I am a very calm individual who strives for the best results and professionalism within the work place.Additional skills:
Happy to and experienced at driving Large vans (Luton's etc)
First Aid Trained
Defibrillator Trained
Score reading
Lighting Board Operation
Basic Q Lab Operation
Basic Re-lighting
Basic costume maintenance
Basic scenic art
Basic props maintenance
Scenery building
Full Driving License
Referees:
Scott Maidment
Artistic Director of Strut N Fret Production
removed
Emma Mckie
Stage Manager at RSC
removed
Laura Attridge
Artistic Director of And So Forth Productions & Freelance Director
removed
Josh Roche
Artistic Director of Fat Git Theatre
removed
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Stage Manager |
---|---|
Job Titles | Stage Manager |
Years in industry | 6+ years |
Organisations / Memberships | Equity (UK) |
Musical Skills | Clarinet, Percussion, Piano/Keyboards, Recorder, Ukulele |
Highlights
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Anni Butler (Stage Manager)
Cassie is a highly accomplished Stage Manager with a calm, focused and thorough approach to her work. She is a great asset to any theatre company and I know from experience she commits fully to any task required of her. She is very personable and works extremely well with creative and technical teams alike. I would readily recommend her for any Stage Management role.