Irene Delfanti
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Set, costume and lighting designer
Theatre |
Blood in the Water Tom Wohlfart / RareSalt |
The Place, London |
Education
| Year | Qualification | Where |
|---|---|---|
| 2021 | Design for Change | Edinburgh College of Arts |
| 2019 | Certificate in Indigenous Peoples Rights and Development | University for Peace |
| 2018 | Theatre Design | Wimbledon College of Arts - UAL |
| 2015 | Foundation Diploma in Art and Design | CCW -UAL |
Equipment
My Equipment/Kit:
I can use:
About me
I trained and as a theatre designer but I like to challange my creativity with different medias. Designing allows me to create worlds, which I also like to fill with music (iI trained as a drummer) and enrich of political statements, I like art when it gives back something to the people and create discussion.Additional skills:
Show operator, confident with wood working, audacity.
Industry awards:
Funded opportunity, Tropic N08° -La Wayaka Current, Artist Residency in the Guna indigenous Community
Referees:
Jacqui Gunn
Additional information:
Passion for indigenous people current poitical position
Trained as horse rider for over 10 years
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Costume Designer |
|---|---|
| Job Titles | Costume Designer, Set Artist / Designer, Set Builder, Lighting Designer, Theatre Technician |
| Years in industry | 1 to 3 years |
| Work Permits | EU |