Matheus Fiuza
Documents
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document fileArtist Statement
Other
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My Contact Number:
5083671447
Links
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2014 |
Set Designer
Theatre |
Three Penny Opera Rowan Department of Theatre and Dance |
Tohil Theatre |
2014 |
Set Designer
Theatre |
Orpheus in the Underworld Rowan Opera Company |
Pfleeger Concert Hall |
2013 |
Set Designer
Event |
Who Will Carry the Word? Rowan Department of Theatre and Dance |
|
2013 |
Set Designer
Event |
Caligari Lab Theatre |
|
2013 |
Set Designer
Event |
Holiday Concert Rowan Department of Music |
Pfleeger Concert Hall |
2012 |
Set Designer
Theatre |
Revelations – “R” Dance Extensions |
|
2012 |
Set Designer
Theatre |
A Dybbuk Ego Po Classic Theatre |
|
2012 |
Set Designer
Theatre |
Sticky Da.Da.Dance |
|
2012 |
Set Designer
Theatre |
BCL Fashion Show Black Cultural League |
|
2012 |
Set Designer
Theatre |
The Bedroom Rowan Original Works |
|
2012 |
Set Designer
Theatre |
Rowan’s Got Opera Rowan Opera Company |
|
2012 |
Set Designer
Theatre |
La Clemenza Di Tito Rowan Opera Company |
|
2012 |
Set Designer
Theatre |
A Night of Opera Rowan Opera Company |
|
2012 |
Set Designer
Event |
Marie Rader Concert Rowan Department of Music |
|
2011 |
Set Designer
Theatre |
Will You Marry Me Pina Bausch? Rowan Department of Theatre and Dance |
|
2010 |
Set Designer
Theatre |
Mr. Marmalade Lab Theatre |
Education
Year | Qualification | Where |
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2014 | Theatre Arts | Rowan university |
Equipment
My Equipment/Kit:
I can use:
About me
In my role as a designer, I must see the world through the eyes of the storyteller. I must understand the psychology and intention of the characters in their situations not just the surface truth.My process starts with research to better understand the nuances of the story being told.
In researching architecture and art, I am cautious. I believe every story and idea must service society today.
I explore textures, materials and techniques, experimenting with various adhesives and compounds including testing textures under stage lights. I develop the textures from found materials or leftovers from previous productions. This sustainable approach came first from dealing with low budgets and I now find this process helps my work to feel complete and honest.
Call me “naive,” but I believe the world can get better. I believe I am part of making it better by creating these believable, but imaginary, worlds.
Sincerely,
Matheus Fiuza
Additional skills:
Proficient in Windows, Macintosh, Microsoft, Dreamweaver, Complete Adobe Suite, Vector Works, Google Sketch-Up and Tricaster. Technical skills include: operating a Fly-by-Foy system, accomplished model maker, and drafting by hand or computer. Experienced in painting and scenic art, drawing and rendering, mold making and sculpture. Fluent in English and Portuguese; proficient in French and Spanish. Perform magic tricks.
Industry awards:
2014 Ann B. Ward Creative Achievement in the Fine and Performing Arts College Medallion
2014 Kennedy Center American College Theatre Festival Region II Merit Award for Scenic Design of “The Three Penny Opera”
2013 TOP 10 Finalist at National Rose Brand Design Competition (1 of 4 undergraduate Students selected)
2013 John Ottiano Scholarship Recipient
2013 Kennedy Center American College Theatre Festival Region II Merit Award for Scenic Design of “Who Will Carry the Word?”
2013 USITT W.Oren Parker Undergraduate Scene Design Nominee
Referees:
Donyale Werle - removed
Paule Turner - removed
Tom Fusco - removed
Bart Healy - removed
Skills
Job Titles | Props Buyer, Theatre Technician, General Staff, Content Producer, Creative Director, Carpenter, Set Builder, Set Artist / Designer, Props Assistant / Support, Prop Maker, Props Master, Costumer Maker, Costume Designer, Make-up Artist, 1st AD (Assistant Director), Production Assistant (PA), Special Effects (SFX) Artist |
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Years in industry | 3 to 6 years |
Organisations / Memberships | USITT (United States Institute for Theatre Technology) |
Work Permits | USA |