Rose Farbrother
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2017 |
Stage Manager/Board Operator (Sound and LX)
Theatre |
Grey Man Robyn William-Smith / RIFT |
Found Venue, Abandoned Warehouse |
Education
Year | Qualification | Where |
---|---|---|
2011 | Bachelor of Fine Arts (Production) | Victorian College of Arts |
Equipment
My Equipment/Kit:
I can use:
About me
I am a young, enthusiastic Tech theatre Practitioner, who has moved London from Australia, after spending 6 months here in 2014/15. I am looking for work in any shape or form. I enjoy working, and fully dedicate myself to any task. I have a wide array of skills, primarily trained in technical theatre techniques, being fully skilled in Sound, Lighting and Projection. I am also looking to learn and experience new engaging environments and techniques, to further my own skills and creativity as an artist and designer.Additional skills:
• General: Cable Running, Tidying, Rolling, and Basic Technical Skills
• Vision: LED Screens, patching, rigging, programming, projection mapping, key-stoning, focusing, color correction, Playback and Live Feed Integration. Web Broadcasting.
• Audio: Patching, Tuning, Focusing, Live Mixing (Acoustic and Reinforced), EQing, Radio Microphone Tuning + Operation, Recording, Qlab Programming.
• Analogue Audio Desks: Experienced with many Analogue desks, comfortable on most.
• Digital Audio Desks: Midas Pro 6 & 9, Yamaha 01V & 02R, LS9, Mackie DL1608, Behringer X32, SD8, SD11
• Lighting: Rigging, Focusing, Patching
• Lx: Desks: ETC Ion (Basic) Jester 48 (Basic) Jands Vista (Basic) LSC Minim+Maxim.
Industry awards:
-
Referees:
Available on Request
Skills
Secondary Job Title | Sound Dep |
---|---|
Job Titles | Production Support, Sound Operator / Engineer, Sound Designer, Lighting Tech / Operator, Theatre Technician |
Years in industry | 3 to 6 years |
Work Permits | Australia, EU |