Samuel Aimson
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2019 |
Sound Operator
Theatre |
A Midsummer Nights Dream Eric Loren / The Royal Central School of Speech and Drama |
The Embassy Theatre |
2019 |
Associate Sound Designer
Theatre |
Anatomy of A Suicide Irena Brown / The Royal Central School of Speech and Drama |
The Webber Douglas Studio |
2019 |
Associate Sound Designer
Theatre |
Cuzco Kate O'Connor / Max Pappenhiem |
Theatre 503 |
2018 |
Production Sound Engineer
Theatre |
I'm Afraid of Amerikans Sue Dunderdale / The Royal Central School of Speech and Drama |
The Webber Douglas Studio |
2018 |
Production Sound Engineer
Theatre |
The Sociable Companion or The Female Wit Catherine Alexander / The Royal Central School of Speech and Drama |
The Embassy Theatre |
2018 |
Production Sound Engineer
Theatre |
The Sound and The Fury Sasha Malavic-Davies / The Royal Central School of Speech and Drama |
The Pleasance Theatre |
2017 |
Sound Designer
Theatre |
Present Laughter Angie Langfield / The Royal Central School of Speech and Drama |
The Embassy Theatre |
2017 |
Sound Designer
Theatre |
The Tragedy of King Lear Jonathan O'Boyle / The Royal Central School of Speech and Drama |
St Peters Church Hall |
2016 |
Sound Designer and Sound No. 1
Theatre |
Jekyll and Hyde: The Musical Gareth Morell / Bournemouth and Poole College |
The Jellicoe Theatre |
2016 |
Sound Designer and AV Operator
Theatre |
Preventing The Child Andrew Meur / Bournemouth and Poole College |
The Jellicoe Theatre |
2015 |
Sound Designer
Theatre |
A Clockwork Orange Jonathan Davis / Bournemouth and Poole College |
The Jellicoe Theatre |
2015 |
DSM
Theatre |
Earthquakes in London Chris Tucker / Bournemouth and Poole College |
The Jellicoe Theatre |
2014 |
Sound No.1
Theatre |
Spring Awakening Gareth Morell / Bournemouth and Poole College |
The Jellicoe Theatre |
2014 |
Sound No.1
Theatre |
Always Most Of The Time Amanda Jane-Brooks / Bournemouth and Poole College |
The Jellicoe Theatre |
Education
Year | Qualification | Where |
---|---|---|
2019 | BA (Hons) Theatre Sound | The Royal Central School of Speech and Drama |
Equipment
My Equipment/Kit:
I can use:
About me
I am a Theatre Sound Designer, and have recently completed three years of studies at The Royal Central School of Speech and Drama, London.Additional skills:
Qlab Programming and Operating
Musical Knowledge
Recording and Editing Sound Effects
Referees:
Helen Skiera: Sound Designer Max Pappennhiem: Sound Designer
Telephone: removed Telephone: removed
Email: removed Email: removed
Additional information:
I enjoy using Drones and Underscores in my Sound Design, as well as using music when there is opportunity.
I use my own recoded Sound Effects, to ensure that each Sound Design that I do is unique in it's own way, and to create an organic Sound Design
Skills
Secondary Job Title | Sound Engineer |
---|---|
Job Titles | Sound Operator / Engineer, Sound Designer, Set Artist / Designer |
Years in industry | 1 to 3 years |
Work Permits | EU |