Emma Wilkinson Wright
- Actor
Female / London - Ethnicity
- Caucasian
- Age Range
- 35 - 45
- Height
- 1m 63cm (5' 4")
- Weight
- 53kg (117lb)
- Hair Colour
- Brown
- Eye Colour
- Brown
- Build
- Slim
Images
Files
- video file (mp4)
- sound file (mp3)
Agent
Reviews
| Year | Review | Publication |
|---|---|---|
| 2020 | welcome clarity provided by some of the actors in smaller roles – credit here to Emma Wilkinson Wright (Charmian) Rebecca Crankshaw | thespyinthestalls.com |
| 2020 | The scenes with her faithful servant Charmian (Emma Wilkinson Wright) were among the night's best. Tom Foot | islingtontribune.com |
| 2020 | Emma Wilkinson Wright as Charmain features brilliantly within this production of many. Ryan Van Champion | ayoungertheatre.com |
| 2019 | Clytemnestra - a commanding performance in a difficult role by Emma Wilkinson Wright. Dominica Plummer | thespyinthestalls.com |
Credits
| Year | Role / Type | Name of Production / Director |
|---|---|---|
| 2020 | Helen Reed Theatre | Secret Thoughts Paloma Jacob Duvernet |
| 2020 | Abbey (Mother, Lead) Film (Short) | Square Peg Round Hole B Welby Dellimere |
| 2020 | Charmian Theatre | Antony and Cleopatra Gavin McAlinden |
| 2020 | Dionysus Theatre | The Bacchae Luke McBride |
| 2020 | Jones (Journalist) Film (Short) | Slave Colin Swinfin |
| 2020 | Schleffler Rehearsed Reading | The Ugly One Mack Newton |
| 2020 | Woman (Rise Up) Film (Short) | The Broken Compass Monologues (OFFIE NOMINATED) Emily Collier |
| 2020 | Ruth (Lecturer) Film (Student) | Feedback Ingo Lyle Goodwin |
| 2020 | Mercy Film (Student) | Traces of Suburbia Bautista Botto |
| 2019 | Clytemnestra Theatre | Iphigenia in Aulis Lee Anderson |
| 2019 | Woman Theatre | Moonlight Strangers Sebastian Polka |
| 2019 | Abigail Theatre | I'm Fine/We're fine Dan Sheerer |
| 2019 | Yves (Matriarch) Theatre | The Changeling Gemma Brockis |
| 2019 | Oberon Theatre | A Midsummer Nights Dream Juri Nael |
| 2019 | Abigail (Mother) Theatre | I'm Fine/We're Fine |
| 2019 | Mother Courage Theatre | Mother Courage and Her Children Simona Gonella |
| 2019 | Graziana Theatre | The Revengers Tragedy Peta Lily |
| 2019 | Agave Theatre | The Bacchae Gareth Watkins |
| 2018 - 2019 | Mary Ann Film (Feature) | Colours and Sounds Erdigan Gilgil |
| 2019 | Celia Cain Theatre | Her Naked Skin Petina Hapgood |
| 2018 | Ellida Theatre | Lady from the Sea Robert Fried |
| 2018 | Paulina Theatre | A Winters Tale Petina Hapgood |
| 2018 | Workshop improvisor/deviser Theatre | Balladina Sebastian Polka |
| 2018 | Various Female Voices Theatre | The Vagina Monologues Danny Lu- Carr |
| 2017 | Lady Macbeth/Witch Film | Macbeth (Table Read) Colin Swinfin |
| 2017 | Antonia Theatre | The Tempest Petina Hapgood |
| 2017 | Anne Shankland Theatre | Separate Tables Vernon Thompson |
| 2017 | Voice of the Guard/Inmate number 5 Theatre | Zero for the Young Dudes Sarah Bedi |
| 2017 | Performer Theatre | Undecided Simon Pitman |
| 2016 | Kate (female lead) Film (Short) | A Date With Death Colin Swifin and Jason Fite |
| 2016 | Belinda Theatre | Seasons Greetings Vernon Thompson |
| 2016 | Procne Theatre | Love of a Nightingale Laura Baggaley |
| 2014 | Woman (female lead) Theatre | Angelwise Vivienne Rochester |
Education
Year Qualification Where 2019 Post Graduate Acting Royal Academy of Dramatic Art 2017 Advanced Actor Residency Frantic Assembly 2017 1 Year Acting Diploma RCSSD Additional Skills
Physical theatre (laban, Grotowski, Meyerhold); piano (intermediate); fluent French and Spanish speaker with intermediate Italian;
Additional Information
I've trained at RADA and also at the Royal Central School of Speech and Drama. I've attended RSC Globe studio workshops (Hamlet, with Philip Bird) and Macbeth with Chris Nayak). I've attended intensive Demidov training.
About me
I'm a RADA-trained British actor with nine years experience working across theatre and film in both lead and supporting roles. I’m very excited by the endless possibilities for theatre and film to provoke and prod; to hold an unforgiving mirror up to society in order to make us think, reflect, feel, act and change. I am the artistic director of Oxia Theatre (www.oxiatheatre.com) where we make gritty, raw work that combines text and physicality to ask questions at the more uncomfortable edges of the human experience. Having trained with Frantic Assembly, I'm hugely drawn to physical theatre in all its forms. I am particularly passionate about theatre and film projects that discuss the human condition, that engage audiences in vital issues and that want to shine a light on things that need exploding and discussing. I like real, thought provoking art in all its forms. I want to work across the industry - developing my own work for Oxia, but also working with other companies and casts in those theatres and for those writers and directors who's work I love and admire. You can read more about me, and see more of my work on my website - www.emmawilkinsonwright.com
Acting experience
I have spent the last nine years working across theatre and film in both lead and supporting roles. Please refer to my CV for full details.
Skills
- Skin Colour
- White
- Languages Spoken
- French
- Italian
- Spanish
- Musical Skills
- Clarinet
- Piano
- Accents (North American)
- Midwest Farm & Ranch
- Southern American
- Hair Length
- Shoulder Length
- Perform nude?
- Only Professionally
- Stage Combat Skills
- No
- General Singing Skills
- Chorus
- Native accent
- English
- Character Types
- Athletic
- Professional
- Scruffy
- Tough
- Wholesome
- Accents (International)
- Spanish
- Accents (UK)
- Cockney
- English, standard
- London
- RP
- Southern England
- Welsh, Northern
- Welsh, Southern
- General Dance Skills
- Acrobatic Sports
- Specific Singing Skills
- Alto
- Tenor
- Experienced In
- Film (Professional)
- Film (Student)
- Rehearsed Readings
- Theatre (Fringe)
- Theatre (Professional)
