Fiona Tong
Overview
- Ethnicity
- White / European Descent
- Age Range
- 47 - 57
- Height
- 5' 7" (1m 70cm)
- Weight
- 12st. 3lb. (78kg)
- Hair Colour
- Brown
- Eye Colour
- Brown
- Build
- Medium
Audio
-
audio fileFiona Tong novel
Agent
-
CDM LtdAgent
-
0203 870 5450Contact
- Website
Other
-
My Contact Number:
+447740784796
Links
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2023 |
Sarah
Theatre |
From This Day Forward Maurice Thorogood |
OSO Arts Centre, Barnes |
2023 |
Gertrude
Theatre |
Hamlet Paul Stebbings/TNT Theatre |
European Tour |
2022 |
Paulette
Television |
EastEnders Jamie Annett |
BBC Elstree |
2022 |
Satyavati
Theatre |
Until the Lions: Echoes from the Mahabharata Shobana Jeyasingh |
Opéra national du Rhin, Strasbourg |
2022 |
Gina/Jen
Theatre |
Misconnections Sarah Lawrie/Pack A Punch |
The White Bear Theatre |
2022 |
Moira
Theatre |
The Silent Woman Alain Goulem |
The White Bear Theatre |
2022 |
Lynne
Online & Multimedia |
Coming Together (audio drama) Emily Bignell/Shooting Fish |
|
2021 |
Helen
Theatre |
Fourplay Mark Lockyer / Golden Goose Theatre |
Golden Goose Theatre |
2021 |
Vicky
Theatre |
A Rat, A Rat Georgia Leanne Harris / Golden Goose Theatre |
Golden Goose Theatre |
2021 |
Egeus
Theatre |
A Midsummer Night's Dream Blioux Kirkby / Sirrah Sisters |
Brockley Max Festival |
2021 |
Friar Laurence
Theatre |
Romeo and Juliet Nat Kennedy / Sirrah Sisters |
Brockley Max Festival |
2020 |
Malvolio
Online & Multimedia |
Twelfth Night Robert Myles/The Show Must Go Online |
|
2019 |
Voice over
Voiceover |
Ordinate infomercial Ben Hambidge/Ordinate |
|
2019 |
Auntie Dolly
Theatre |
Whistle Down the Wind Sasha Regan / Union Theatre |
Union Theatre |
2019 |
Countess of Roussillon
Theatre |
All's Well That Ends Well Rebecca Rogers / Heady Conduct Theatre Company |
Minack Theatre |
2019 |
Margaret (Title Role)
Theatre |
The Murderess Emily Bignell / Shooting Fish Theatre Company |
Trinity Arts Centre |
2019 |
Jojo
Film |
Stalker Marco Sandemar / Broken Films |
|
2018 |
U/S Maggie
Theatre |
The Nightingales Christopher Luscombe / Theatre Royal Bath/Jenny Topper |
Theatre Royal Bath |
2018 |
Senior Manager
Commercials & Industrials |
ExCyb James Evans/Bill Thisdell / FirstCar |
|
2018 |
Sandra Manners
Theatre |
Her First Interview Since Her Dramatic Escape Alex Kendall / Sketchy Nights |
Stour Space |
2018 |
Malvolio
Theatre |
Twelfth Night Collaboration / The Sirrah Sisters |
The Garden Stage, Brockley |
2018 |
Jane
Film |
Human Mariya Lukavska / London Film School |
|
2018 |
Angela
Film |
Bars Danielle Goff / DG Productions |
|
2018 |
Malvolio
Theatre |
Twelfth Night Harry Denford / The London Theatre |
The London Theatre |
2017 |
Duchess of York
Theatre |
Richard III Lawrence Carmichael / Front Foot Theatre |
Cockpit Theatre |
2017 |
Tricia
Film |
The Giant Cheesecake Jordi Estape Montserrat / Ravensbourne University |
|
2017 |
Kim
Film |
Bella in the Wych Elm Grace Blick / Westminster Film School |
|
2017 |
Café customer
Film |
A Glimpse Tom Turner / Turn Style Productions |
|
2017 |
Moderator 2
Film |
A Fine Picture James Carpenter / University of Hertfordshire |
|
2017 |
Marta
Film |
Mantis Robert Green / Portsmouth University |
|
2016 |
Star Trek Delegate
Commercials & Industrials |
Global Futures Forum Chris Sanderson / The Future Laboratory |
Shoreditch Town Hall |
1996 |
W. P. C. Young
Television |
Silent Witness Ben Bolt / BBC |
BBC |
1995 |
Fairy/Understudy Helena
Theatre |
A Midsummer Night's Dream Adrian Noble / Royal Shakespeare Company |
Royal Shakespeare Theatre |
1995 |
Gentlewoman/Citizen
Theatre |
Coriolanus David Thacker / Royal Shakespeare Company |
Swan Theatre |
1995 |
Christalla
Theatre |
The Broken Heart Michael Boyd / Royal Shakespeare Company |
The Swan, Stratford |
1993 |
Mary
Theatre |
It's A Girl! Damian Cruden / Hull Truck |
Hull Truck Theatre |
1993 |
Rosie Metcalfe
Theatre |
My Mother Said I Never Should Damian Cruden / Hull Truck |
Hull Truck Theatre |
1992 |
Chorus (Trojan Woman)
Theatre |
Hecuba Laurence Boswell / Gate Theatre Notting Hill |
Gate Theatre, Notting Hill |
1992 |
Ailsa Catto
Television |
Taggart - The Hit Man Mary McMurray / Scottish Television |
Education
Year | Qualification | Where |
---|---|---|
1991 | 3 yr. Acting | Bristol Old Vic Theatre School |
About me
National Youth Theatre followed by 3 years at the Bristol Old Vic Theatre School. I acted until I started a family. Somehow, 20 years flew by but in Jan 2017 I returned to the acting business. Since then, I have done lots and lots of theatre, short films, one feature film (tiny part), rehearsed readings, radio dramas, online theatre and corporate filming and live corporate events.I'm an excellent singer (I train with Robert Bicknell), I'm highly skilled in sight-reading text and music. I'm passionate, committed and love to work hard.
Additional skills: I play piano to a reasonable standard and also any kind of recorder.
Additional information:
London based. Positive team player.
License & Passport
Driver's License: | Yes |
Skills
Languages Spoken | English, French |
---|---|
Accents/Dialects | American - General, English - Cockney, English - England North West (Liverpool, Manchester, Lancashire, Cheshire), English - General, English - London, English - Northern England, English - Received Pronunciation, English - Southwest England, French (Standard International), Irish, Scottish (Aberdeen, Dundee), Scottish (Edinburgh), Scottish (Glaswegian), Welsh |
Vocal Types | Mezzo Soprano, Soprano |
Musical Skills | Piano/Keyboards, Recorder |
Organisations / Memberships | Equity (UK) |