Imogen Mackenzie
Overview
- Ethnicity
- White / European Descent
- Age Range
- 15 - 30
- Height
- 5' 5" (1m 65cm)
- Weight
- 7st. 12lb. (50kg)
- Hair Colour
- Blonde
- Eye Colour
- Blue
- Build
- Slim
Documents
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document fileImogen Mackenzie Acting CV.docx
Agent
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Eadon ManagementAgent
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07872649961Contact
- Website
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2022 |
Cleo
Film |
An Actor Prepares Mihai Feflea |
|
2021 |
Margot Monroe
Online & Multimedia |
The Dark and Margot Monroe David Glass and the David Glass Ensemble |
The Coronet Theatre |
2022 |
Agatha
Theatre |
The Moors Phil Bartlett, The Hope Theatre |
The Hope Theatre |
2020 |
Ensemble
Online & Multimedia |
Goodbye Kristine Landon-Smith |
RADA Studio |
2017 |
Singer, Storyteller
Music & Singing |
A Place to Write The Story Republic |
Cornwall |
2021 |
Mala Zimmetbaum
Theatre |
Kindness: Voices of the Holocaust Cate Hollis, Voices of the Holocaust |
|
2021 |
Alex (Lead)
Film |
Monster 2b13 Productions |
Bath |
2020 |
Margot Monroe
Theatre |
Margot Monroe's Nibelungenlied David Glass and the David Glass Ensemble |
RADA Studio |
2020 |
Not the Girl/Ensemble
Theatre |
It's A Pug's Life Bare Theatre |
Bloomsbury Festival 2020 |
2020 |
Titania
Theatre |
A Midsummer Night's Dream Guillaume Pige |
RADA Studio |
2020 |
Annabella
Theatre |
Tis Pity She's A Whore Peta Lily |
RADA Studio |
2020 |
Polly Peachum
Theatre |
Threepenny Opera Simona Gonella |
RADA Studio |
2019 |
Aunt Julle
Theatre |
Hedda Gabler Linda Millar |
RADA Studio |
2018 |
Kattrin
Theatre |
Mother Courage and All Her Children Guillaume Pige |
RADA Studio |
2017 |
Jo
Theatre |
A Taste of Honey Lucy Pitman Wallace |
RADA Studio |
2016 |
Belle, Greta
Theatre |
Tales of Ice and Snow Jasmine Cole Productions |
Cornwall |
2019 |
Self
Performing Arts |
My Weapon Is Charlotte Cox |
The Gainsborough Arms |
2016 |
Assistant Technical Officer
Theatre |
Peter Pan Scary Little Girls Theatre Company |
Cornwall |
2015 |
Mrs. Flywife
Theatre |
The Innocent Mistress Robert Carson |
UEA Studio, Norwich |
2015 |
Wolf
Theatre |
Animal House Minotaur Theatre Company |
Edinburgh Fringe Festival |
2015 |
Freddie
Theatre |
SWARM Minotaur Theatre Company |
The Garage Theatre, Norwich |
2015 |
Alice
Theatre |
Mnemonic Minotaur Theatre Company |
UEA Studio, Norwich |
2015 |
Crow
Theatre |
Wolf's Child WildWorks Theatre Company |
Fellbrigg Hall, Norwich |
2022 |
Director
Theatre |
Wald/Forest Bare Theatre Collective and Theater Lindenhof |
Melchingen |
2022 |
Milan
Film |
An Unquiet Sky Jacob Fitzgibbon |
Nottingham |
2022 |
Eve
Film |
Foley A Deux George King |
Bristol |
2023 |
Rebecca
Film |
Tuk Tuk Joel Vargas, Lane Casting |
|
2023 |
Catherine
Theatre |
One Minute by Simon Stephens Demi Leigh, Working Actors Studio |
Kings Head Theatre |
Education
Year | Qualification | Where |
---|---|---|
2020 | MA Theatre Lab | Royal Academy of Dramatic Art |
2016 | BA Acting and English Literature Studies | University of East Anglia |
2014 | Rapier and Dagger Beginners Course and Unarmed Combat Beginner Course | BASSC |
About me
I am originally from a working class family from Cornwall, but moved to London in 2017. I have a BA in English and Drama and a MA in Acting from the Royal Academy of Dramatic Art. I specialise in Stanislavsky, Brecht and Meisner acting techniques as well as physical theatre.License & Passport
Passport: | Yes |
Skills
Dance Styles | Hip Hop |
---|---|
Additional Skills | Acting |
Athletics | Stage Combat, Yoga |
Highlights
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Becoming a student at the Royal Academy of Dramatic Art on the MA Theatre Lab course.
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Performing in a drag race as part of RADA's MA Theatre Lab course at JuJu's Bar on Brick Lane. It was an incredible project of self exploration, politics and pushing self-created creative barriers.
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Really enjoyed studying in depth the theories of Stanislavsky and applying his approach to Shelagh Delaney's 'A Taste of Honey'. This was part of RADA MA Theatre Lab's 'Approaches to Acting'.
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Intensive corporeal mime training at RADA Studios for the past three days which was so enjoyable and challenging. I have learnt a whole new way of moving my body and expressing myself through physicality.
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Exploring Epic Theatre and Brecht's approach to acting and the purpose of theatre. We applied this practice to Brecht's 'Mother Courage and All Her Children', in which I played Kattrin.