Natasha Arancini

Overview
- Ethnicity
- White / European Descent
- Age Range
- 21 - 27
- Height
- 5' 7" (1m 69cm)
- Weight
- 8st. 3lb. (52kg)
- Hair Colour
- Red
- Eye Colour
- Blue
- Build
- Slim
Images
Files
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video file (mov)Showreel 2022
-
sound file (mp3)Commercial VO Reel - British
-
sound file (mp3)Corporate VO Reel - British
-
sound file (mp3)Commercial VO Reel - North American
-
sound file (mp3)Corporate VO Reel - North American
-
sound file (mp3)Commercial VO Reel - Australian
-
sound file (mp3)Corporate VO Reel - Australian
- Show All 7 Files
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2021 |
Support
Film |
Random Players Phillip Hockley |
|
2021 |
Lead
Commercials & Industrials |
Remington TVC Remington |
|
2021 |
Lead
Commercials & Industrials |
Afterpay TVC Aaron Stoller / Biscuit |
|
2021 |
Support
Film |
Beneath The Surface Scott Jeffrey / Proportion Productions |
|
2021 |
Lead
Film |
The Lizard Man Empire Studios |
|
2021 |
Support
Film |
Octopus Pot Mykel Shannon Jenkins / Painted Black Productions |
|
2019 |
Featured
Commercials & Industrials |
Qantas Frequent Flyer Mastercard TVC Finch |
112 Cascade Street, Paddington, New South Wales, 2021, Australia |
2018 |
Featured
Commercials & Industrials |
Bank of Melbourne "Waddle" TVC Goodoil Films |
120 Hargrave Street, Paddington NSW 2021 |
2018 |
Lead
Film |
Killer Service Deakin University |
Deakin University |
2018 |
Guest Star
Online & Multimedia |
Monkey Man Bamyasi Media |
Bamyasi Media |
2018 |
Lead
Theatre |
Blue Stockings Heidelberg Theatre Company |
Heidelberg Theatre Company |
2017 |
Lead
Film |
Versus Dir. Nigel Ang |
|
2017 |
Support
Film |
Rectify Dir. Chris Kang |
Ozzywood FIlms |
2017 |
Support
Film |
Postal Swinburne University |
|
2017 |
Series Regular
Television |
MyTV RMITV |
|
2017 |
Lead
Theatre |
Caravan PEP Productions |
|
2016 |
Support
Film |
Travesty Red Box Films |
|
2016 |
Co-Star
Television |
A Class Act Australian Institute for Performing Arts |
|
2010 |
Ensemble
Theatre |
Sweet Charity PC Productions |
|
2009 |
Ensemble
Theatre |
Cabaret PC Productions |
Education
Year | Qualification | Where |
---|---|---|
2020 | Advanced Scene Study | Howard Fine Studios Australia |
2020 | Audition Course | Maura Fay Casting |
2019 | Salsa Classes | Spin City Dance |
2019 | Private Voice Lessons | Stephen Costan |
2018 | Salsa Classes | The Salsa Foundation |
2017 | Uta Hagen Technique and Scene Study | 16th Street Actors Studio |
2017 | PEM Skype Classes | Penderkamp Emotional Method |
2016 | Bachelor of Laws and Bachelor of Commerce | The University of Western Australia |
2016 | Intermediate Scene Study | Beverly Hills Playhouse |
2016 | Audition Technique | Matthew Barry Teaches |
2016 | Alexander Technique in Acting | Alexander Techworks |
2015 | Acting and Musical Theatre | Australian Institute for Performing Arts |
2014 | Improvisation 1 & 2 | The Second City |
2013 | Ongoing Voice Lessons | Cleaver Academy of Voice |
About me
Natasha Arancini is a natural born actor, having had a flair for the dramatic ever since she was yanked from the womb exclaiming ‘to be or not to be.’Her dreadful sense of direction led her to take a rather expensive detour through a Law/Commerce degree on her way to the world of acting. Since graduating (and getting her bearings), Natasha moved from the tiny town of Perth, to the Australia’s east coast to pursue acting full time. She has trained extensively across the USA and Australia (Howard Fine, Beverly Hills Playhouse, The Second City, etc) and continues to take class whenever they are available. A ballet teacher once likened her quest to absorb knowledge to a sponge.
She has appeared in numerous short films and web series, most recently in Bamyasi Media’s ‘Monkey Man,’ but equally loves taking to the stage in a well crafted play. Her work also includes commercials for brands such as Qantas and Bank of Melbourne. Since moving to Sydney, she also endeavoured to learn the ins and outs of the behind camera roles with the aim of not only improving her screen craft, but producing her own work. She can now often be found behind the camera, operating sound, lighting scenes, writing scripts, in the editing lair or sourcing costumes. And to top it all off she decided becoming a licensed drone pilot would be good fun as well.
She is sassy, energetic, often gets labelled ‘assertive’ (whether that is good or bad is yet to be determined), and has a signature red mane which can inflate to sizes well beyond what Hagrid could have ever dreamed. She loves to learn and get involved, helping out on a project in whatever way she can.
Skills
Native accent | Australian |
---|---|
Languages Spoken | English |
Accents (UK) | English, standard, London, RP |
Accents (International) | Australian, Irish |
Accents (North American) | Californian, General American, Southern American |
Dance Styles | Ballet, Contemporary, Jazz, Latin American |
Vocal Types | Mezzo-Soprano |