Sean Browne

Overview
- Ethnicity
- White / European Descent
- Age Range
- 35 - 45
- Height
- 6' 0" (1m 83cm)
- Weight
- 12st. 6lb. (79kg)
- Hair Colour
- Brown
- Eye Colour
- Green
- Build
- Medium
Files
-
video fileSean Browne Showreel
Agent
-
Zoe Nathenson AgencyAgent
-
+44 208 883 7554Contact
- Website
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2023 |
Mark Ross
Television |
THE FREELANCER Neeraj Pandey / Friday Storytellers Ltd / Disney Hotstar |
|
2023 |
Sergeant Gabriel Smailes
Video |
MET POLICE LEADERSHIP TRAINING FILMS Nicholas Goulden / Cube Video Limited |
|
2022 |
Joe the Lighting Designer
Film |
APARTMENT 7A Natalie Erika James |
Paramount / Platinum Dunes / Sunday Night |
2022 |
Mark
Film |
DATELESS Josef Barr / Squire Studio |
|
2022 |
C.S. Lewis (Lead)
Theatre |
FREUD'S LAST SESSION Peter Darney / Nearly There Productions |
Kings Head Theatre |
2021 |
Matthew
Film |
BUMP Rory Keenan / Jokers Pack Production Ltd |
|
2020 |
Michael Roberts
Television |
AMERICAN MONSTER Bill Thomas / Arrow Media International Ltd |
|
2020 |
Official / Captain / Forman / Peter Polllock
Theatre |
SPY PLAYS : LONDON / BUDAPEST Julie Addy & Peter Darney / Above The Stag Theatre |
Above The Stag Theatre |
2020 |
Narrator
Commercials & Industrials |
GENESIS LUXURY CARS Dan Difelice / Tony Peterson Film GMBH |
|
2020 |
Dad
Commercials & Industrials |
MORRISONS Neil Gorringe / Moxie Pictures |
|
2020 |
Woodsman
Commercials & Industrials |
ARLA SCANDINAVIAN BUTTER Jonathan Herman / Being There Tm |
|
2020 |
Howell Drover
Commercials & Industrials |
BPTC CIVIL LAW FILMS Nick Goulden / Keen City |
|
2019 |
Dr Joel Summers
Television |
EMMERDALE Various Directors / ITV |
|
2019 |
Gregg (Lead)
Film |
I'LL MEET YOU THERE Gregg Masuak / Tate Modern |
|
2018 |
Michael Starkwedder (Lead)
Theatre |
Agatha Christie's THE UNEXPECTED GUEST Brian Blessed / The Mill at Sonning |
The Mill at Sonning |
2018 |
Don Henley
Television |
EAGLES - BREAK-UP OF THE BANDS Matthew Thompson / ITV |
|
2017 |
Frances
Theatre |
GOODY Jamie Firth / Boondog Theatre |
Winner Greenwich Theatre Partnership / LET Award 2017 |
2017 |
Iago
Theatre |
DON WARRINGTON MASTERCLASS Don Warrington / Theatre Royal Haymarket |
Theatre Royal Haymarket |
2017 |
Duke of Norfolk
Television |
QUEENS Manuel Carballo & Jose Luis Carbello / Crystal Forest |
|
2016 |
Mark (Lead)
Film |
CHROMA Teddy Powell / Playback and Scratch Ltd |
|
2016 |
Doll Man
Commercials & Industrials |
Dogs Trust Pete Riski / Rattling Stick |
|
2016 |
Millenium Falcon 'Pilot'
Commercials & Industrials |
Fiat / Star Wars Cinema Spot OneTWO Media |
|
2016 |
Michael
Film |
FERRIED Mark J. Blackman / Twice Cut Films |
|
2015 |
Hayden Connor
Television |
DOCTORS Various Directors / BBC |
|
2015 |
David Beckham (Lead)
Theatre |
THE THREE LIONS Philip Wilson / Jenny Topper & PBJ Management |
|
2015 |
Albert Donaghue
Film |
THE FALL OF THE KRAYS Zackery Adler / Torn Pictures Productions |
|
2014 |
DB/BD
Commercials & Industrials |
HAIG CLUB WHISKEY Guy Ritchie / Independent Films |
|
2014 |
Johnny Cattermole
Television |
CORONATION STREET Tim Finn / ITV |
|
2014 |
Hero
Commercials & Industrials |
E-Harmony Nick Jones / Generator Films |
|
2014 |
Bill
Commercials & Industrials |
O-Power Nick Goulden / Keen City Productions |
|
2014 |
Man
Commercials & Industrials |
FA CUP PROMO Stephen Parker / Chrome Productions |
|
2014 |
Wealthy Man
Commercials & Industrials |
Rosland Capital Gold Sandra Money / MWP |
|
2014 |
Guy
Video |
The Actions / Counting All Days Mark J. Blackman / Jokers Pack Productions |
|
2014 |
Hero
Commercials & Industrials |
Philip Hue Tap Jon Hollis / Nice Shirt Films |
|
2014 |
Football Fan
Commercials & Industrials |
Sony World Cup Samuel Abraham / Blink Productions |
|
2014 |
Model
Modeling |
Qutenza Soulla Petrou / Grace Communications |
|
2013 |
Philip
Theatre |
The Shape of Things Samuel Miller / Arcadia Productions |
The Arcola |
2013 |
David Beckham (Lead)
Theatre |
THE THREE LIONS Philip Wilson / Pleasance / PBJ Management |
Edinburgh Pleasance |
2013 |
Max (Lead)
Film |
Reality Mine Nick Goulden / Keen City Productions |
|
2013 |
Yuppie
Film |
JOB Alex Mousefall / Spitting Feathers Films |
|
2013 |
Thomas (Lead)
Film |
Luger George Oliver / London Film School |
|
2013 |
Lead
Commercials & Industrials |
Need for Speed : Rivals Stuart Aitkin / Jen Lane Productions |
|
2013 |
Robin Hood
Voiceover |
Robin Hood Bingo Tribal Productions |
|
2013 |
Photojournalist (Lead)
Video |
Tony Mortimer ft. Julian Lennon / RAIN IN ENGLAND David Rosseau / Gas & Electric |
|
2013 |
Howard the Producer
Film |
Indiegogo Promo Nick Gouden / Keen City Productions |
|
2013 |
Lead
Commercials & Industrials |
Vignale Matthew Mood / Imagination Ltd |
|
2013 |
Jogger
Video |
Olaruf Arnald / This Place Was A Shelter Chyssanthi Kouri / Kouri Films Ltd |
|
2013 |
Kuga
Voiceover |
Smart Drive Josef Barr / Imagination Ltd |
|
2013 |
Driver
Commercials & Industrials |
Peugeot -'Garys Cat' The Sniper Twins / Smuggler Productions / Havas Media |
|
2012 |
Jay Gatsby
Theatre |
The Great Gatsby Musical Linnie Reedan / Ruby in the Dust Productions |
Kings Head |
2012 |
Matt
Television |
Rock & Roll Detective Mike Unwin / Music Vault Films |
|
2012 |
Story-teller
Voiceover |
Ford - 'We Go Furthur' Amyra Bunyard / Square Zero |
|
2012 |
V.I.P.
Television |
BGT7 LWT |
|
2012 |
Best Mate
Commercials & Industrials |
Google+ Russell Tickner / The Mill |
|
2012 |
Man
Film |
Peep Karen French / Natural Shocks |
|
2012 |
Soldier
Film |
Heart of Jade Karen Borger / Bellafigura |
|
2012 |
Cole Stuart (Lead)
Film |
The Thompsons Mitchell Altieri & Phil Flores / Snowfort Pictures/Afterdark/Lionsgate |
|
2012 |
Warren
Television |
Eastenders Piotr Szkopiak / BBC |
|
2012 |
Scott (Lead)
Film |
Facial Mark J. Blackman / Jokers Pack |
|
2012 |
Model
Modeling |
Hilton 'Skylounge' Troy House / Pink Productions |
|
2012 |
Stuart
Television |
Persona Paul Frankl / App Media |
|
2012 |
Beau (Lead)
Film |
Awoken James Kermack / Matthew Bartlett / Nothin or Double Films |
|
2012 |
Ned (Lead)
Film |
Hunting Bears Cheryl Ford / LFS |
|
2012 |
Hero
Commercials & Industrials |
Sony PS Vita Philippe Andre / Goodgate/Deutsch Productions |
|
2012 |
Max (Lead)
Film |
Lily Antonia Pollak / Met Film School |
|
2012 |
Irish Football Fan
Commercials & Industrials |
PC World Huse Monfaradi / Agile Films |
|
2012 |
Young Dad
Modeling |
First Choice Keith Worthington / Red Engine |
|
2012 |
Tom
Commercials & Industrials |
Canon Julian Kemp / Still Moving Ltd |
|
2012 |
Hero
Commercials & Industrials |
Voke Paul O'Brien / Gutsy TV |
|
2012 |
Robin Hood
Commercials & Industrials |
Robin Hood Bingo Elliott Naftalin / Tribal Productions |
|
2012 |
Director
Online & Multimedia |
Freederm MTV 'Be the Star' Elliott Naftalin / Bray leino |
|
2011 |
Hero's Mate
Online & Multimedia |
'Wolf In London' : Eristoff Andrea Colomb / Pd3 |
|
2011 |
Morris Horn (Lead)
Film |
Little Things Remind Me Alina Gavrielatos / Gavrielatos & Colomo Productions |
|
2011 |
Arthur Holmwood
Theatre |
Dracula Guy Retallack / Gellin Theatre Co. |
|
2011 |
Bartender
Commercials & Industrials |
Heineken 'sunrise' Frederik Bond / Sonny Productions |
|
2011 |
James Huwson
Commercials & Industrials |
Numerol Ben Hume Paton / Toast |
|
2011 |
Love Interest
Commercials & Industrials |
Iceland 'Christmas' Dominic Cyriax / Thomas Thomas Films |
|
2011 |
Meticulous Bartender
Commercials & Industrials |
Grolsch 'Love Every Detail' Tom King / Gas & Electric |
|
2011 |
Young Father
Commercials & Industrials |
LastMinute.Com Laura Borgio / Crinan Campbell / Adjust Your Set |
|
2011 |
Bobby Honeywell
Theatre |
A Rude Awakening Olivia Rowe / New End Theatre |
New End Theatre |
2010 |
Man (LEAD)
Theatre |
This Is How It Goes Clifford Dean / English Theatre of Hamburg |
English Theatre of Hamburg |
2010 |
Ian
Film |
Green Means Stop Will Middleton / Breadcrumb Films |
|
2010 |
Him
Film |
Two People John Hardwicke / Tamana Bleasdale |
|
2010 |
Lead
Commercials & Industrials |
Nestea Avi Gustavo / Gustavo Productions |
|
2010 |
Morris Horn (LEAD)
Film |
The Ghost of Morris Horn Alina Gavrielatos / Gavrielatos & Colomo Productions |
|
2010 |
Fighting Game Player
Modeling |
Sony Playstation Ian Hambleton / Studio Output |
|
2010 |
Guy
Commercials & Industrials |
3 Ireland Mobile 10th Planet |
|
2009 |
Schizophrenic
Commercials & Industrials |
Invega Zaheer Ahmad / ESA Films |
|
2009 |
Ben
Commercials & Industrials |
Dot.Tel Train Meeting Victoria Pile / Sneezing Tree Films |
|
2009 |
Paul
Film |
Manali Cream Navdeep Kandola / B3 Media |
|
2009 |
Lead Male
Commercials & Industrials |
Vauxhall Astra Phil Hawkins / Square Zero |
|
2009 |
Bad Boy
Modeling |
Footlocker Darren Rees / Rees Shots |
|
2009 |
Football Fan
Modeling |
Carlsberg Garry Simpson / Vue |
|
2009 |
Rockstar
Commercials & Industrials |
The Sims 3 Neil Bennett / Signal TV |
|
2009 |
Guest
Commercials & Industrials |
Ferrero Rocher Gregg Masuak / Toast TV |
|
2009 |
Kieron (Lead)
Film |
Controlling Woman Nick Goulden / Keen City Productions |
|
2009 |
Steve
Commercials & Industrials |
Shell Fleet Card Zaheer Ahmad / ESA Films |
|
2008 |
Guy
Online & Multimedia |
Mobile Messenger Flash Banner Chris Kelly / Big Balls Films |
|
2007 |
Footballer
Commercials & Industrials |
Courage Best Idents Edwin Pennicott / Milky Films |
|
2006 |
Romeo
Video |
Hush / For All The Right Reasons Ben Hilton / Low Fat Films |
|
2005 |
Citizen/Pleubian
Theatre |
Julius Caesar Deborah Warner / Barbican International Theatre Events |
|
2005 |
Buff
Theatre |
SubUrbia Mark J. Knight / Let-It-Play Productions |
|
2004 |
Liam
Theatre |
Personals Mark Pollard / The Actors Circle |
London/Ireland |
2002 |
Andy Walden
Television |
Red Cap Justin Chadwick / BBC |
|
2002 |
Danny Green
Television |
Harry & Cosh Daniel Peacock / Two Hats Productions |
|
2002 |
Hero
Commercials & Industrials |
N.D.C. - Milk Simon Delaney / Toy Town Productions |
|
2000 |
Office Colleague
Commercials & Industrials |
Sky/Dot TV - Pacman Paul Evans / BSkyB |
|
1999 |
Steve
Commercials & Industrials |
Beginners Luck James Callis / UK Film |
|
1998 |
Various
Television |
Love Bites Various / London Weekend Television |
|
1998 |
Lysander
Theatre |
A Midsummers Nights Dream Andrew Dean / FYT |
Education
Year | Qualification | Where |
---|---|---|
2009 | Post Graduate Acting | Zoe Nathenson Screen Acting Courses |
About me
I am a versatile Actor who has been working in the film & theatre industries for over 10 years and as a member of Boondog Theatre Company was recently part of the 2-person show 'Goody' that won the Greenwich Theatre Partnership / LET Award 2017.https://www.spotlight.com/interactive...
http://www.imdb.com/name/nm3631408/
https://twitter.com/SeanBrowne82
c/o Zoe Nathenson Agency
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Additional skills:
Martial Arts
Fire Staff
Horse Riding
PADI Open Water Scuba Diving License
Fire Arms
Additional information:
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REVIEW FOR ‘FACIAL’ (Short Film)
“It’s a situation ripe with personal investment due in large part to Browne, who gives a heartening performance with Scott (Browne) coming off as the antagonist, and right or wrong, a good bit of viewers will still see his side as reasonable… ‘Facial’ struck a nerve, something that doesn’t always happen. And for that (director) Blackman and Browne should be commended. They’ve navigated very murky waters with this effort, and in the process offered each viewer an opportunity to question their own personal perceptions of love, lust, sex and trust. (9/10)”
- The Conduit Speaks
REVIEW FOR 'THE THOMPSONS' (Feature Film):
"Sean Browne, who we recently saw on stage in The Great Gatsby Musical, pops up in the supporting role of Cole Stuart - the ruggedly handsome brother of Riley. After seeing him play such a charmer on stage it's fun to see him play the complete opposite in this movie. He makes quite the impression and we'd like to see him take on even meatier roles in the future."
- Entertainment Focus
REVIEWS FOR 'THE GREAT GATSBY' (Kings Head Theatre) :
"Sean Browne understands Gatsby, and renders his uncertainty to perfection."
- The Telegraph
"The multi-talented cast, led by Sean Browne as Jay Gatsby and Matilda Sturridge as Daisy Buchanan, drape Fitzgerald's characters in credibility and finesse. The chemistry shared between Browne and Sturridge as the misconstrued lovers is incredulous as the audience cannot resist but to succumb to their passion. Browne, a seasoned performer, is utterly mesmerizing as the great Jay Gatsby who he embodies by way of a steady endearment of character."
- Plays To See
"Sean Browne's Gatsby is suitably enigmatic, a blend of courtesy and dishonesty."
- Evening Standard
"The show's strengths are undoubtedly within its casting. As Gatsby, Sean Browne evokes the coolness and sham-mystique of the protagonist skilfully. Browne nailed the nervous under-statement that evolves into defiance superbly."
- The Public Reviews
"Sean Browne in the role of the mysterious party host Jay Gatsby is the most devastatingly handsome actor to grace the Off-West End stage. Browne is also one of the best cast actors, completely capturing Gatsby's mysterious, charming air from the start"
- Hub Pages
"Exchanges with the enigmatic, mesmeric Jay Gatsby (Sean Browne) form some of the finest dramatic moments in the production."
- Extra Extra
"The devilishly handsome Sean Browne and the beautiful pale-as-alabaster Matilda Sturridge combining perfectly and sending sparks flying across the stage as the thwarted lovers Gatsby and Daisy.
Sean Browne's Gatsby is deliciously cool. He underplays it marvellously, proving Gatsby's strength through restraint."
- Entertainment Focus
"The cast, led by the terrific Sean Browne as Gatsby, is the main strength of the piece.
…Browne's charismatic and charming Gatsby."
- Remote Goat
"Jay Gatsby was played with the right mix of tragedy and charm by Sean Browne."
- The Upcoming
"…which leaves Jay Gatsby himself, given an enigmatic build up before we first see him. What does Sean Browne make of him? His Gatsby is firm-chinned, good-looking, urbane and restrained but with something behind the eyes that makes him enigmatic, makes you think twice about his claims and the rumours that circulate about him."
- British Theatre Guide
"It takes a while to get used to Sean Browne's laconic Gatsby, but he's a charismatic presence."
- Timeout
"Sean Browne's Jay Gatsby, enigmatic and discreetly conflicted, cuts a handsome figure."
- The Times
REVIEWS FOR 'THE THREE LIONS' (Pleasance Theatre, Edinburgh Festival) :
“What elevates it into the premier league is its classy cast whose knockabout is as perfectly timed as a Beckham free kick… It is Sean Browne’s squeaky, relentlessly literal Beckham who steals the best lines, though, and with a shy smile emerges as man of the match.”
- The Independent
“David Beckham wears the expected strip of a charming, fashion obsessed geezer...and he gets the lions share of the laughs. Director Philip Wilson has bagged a premier-league cast – Sean Browne’s Becks (is) a smartly impersonated hoot throughout.”
- The Telegraph
“The impersonations are peerlessly good, but the characterisation stays just the right side of caricature...Sean Browne’s Beckham is high-pitched, earnest, a literal-minded amiable chap..."
- The Times
“Philip Wilson’s production is blessed with a terrific central performance by Sean Browne, who captures Beckham’s voice, as well as his kindly eyes, exceedingly well and has fun with this characters habit of taking every statement punishingly literally.”
- Evening Standard
“A production by Philip Wilson that scores one fabulous satirical bullesye in Sean Browne’s bearded, beaming mannequin of a Beckham... Browne has a clever knack of making Beckham at once charming and amazingly thick.”
- WhatOnStage.com
“Browne captures Beckham strange mix of limited intellectual prowess and boundless likeability.”
- Time Out
“The impressions of each man were skilfully executed and the talents of the cast shone throughout.”
- The Fringe Review
“Sean Browne, meanwhile, bears an almost frightening resemblance to Beckham.”
- Fest Mag
“Sean Browne's Becks is a sharply dressed vision of perfect poise and sleekly applied hair products. His use of physical language is excellent, too. The body language all round, particularly from Browne adds another layer to the play.
It's a great script, but delivered with a solid understanding of timing and material.”
- The Stage
“An extremely strong cast has been assembled…Sean Browne is so like David Beckham it is uncanny. He plays him as we might imagine, slow on the uptake but unexpectedly displaying flashes of insight.”
- One4Review
“This play is that rare delight: a near perfect production. The acting is faultless and compelling. A must-see”
- ‘Top 5 Shows to See at the Edinburgh Fringe Festival’ (No.1)
REVIEWS FOR NEIL LABUTES 'THIS IS HOW IT GOES' (English Theatre of Hamburg) :
"Sean Browne is not only brilliant, he is unnerving."
- The Express
"Browne is charming, audience bequiling, excellent. He gently forces the viewer to trust and sympathise with him, using friendly, youthful charm. This way his double-act/cross is truly shocking since the audience has been taken in by his narration willingly."
- The Abendblatt
"Browne is marvellous as he casts a look into the chasms of the human soul."
- The Post
REVIEWS FOR NEIL LABUTES ‘THE SHAPE OF THINGS’ (Arcola Theatre) :
“Sean Browne, seen previously as the debonair and charming Gatsby, plays another sexy and edgy American, though this one has a playful boyishness and more of a temper, as well as plenty of stage presence.”
- Entertainment Focus
“Sean Browne strikes just the right notes as the jovial, muscle-bound, dangerous and not very bright jock reluctantly heading for the alter.”
- Reviews Gate
“Sean Browne as Philip is brawny with a subtle taste for power games - his scene with Adam is as disturbing as it is thrilling.”
- The Other Bridge Project
“Sean Browne and Harrie Hayes provide strong performances as troubled couple Philip & Jenny. Browne has a rich bass that suits the dominance of his brooding nature.”
- British Theatre Guide
“Browne and Hayes offer perfectly pitched performances, letting slip just enough doubt and insecurity to convey that Philip and Jenny’s superficially romantic idyll is built on sand.”
- Remote Goat
“An excellent cast. Harrie Hayes and Sean Browne in the supporting roles of Jenny and Philip, also mix tenderness with gaucheness. With apposite brashness, when alpha male Philip’s masculinity seems under threat he reappears in his next scene juggling an American football.”
- One Stop Arts
License & Passport
Passport: | Yes |
Driver's License: | Yes |
Skills
Languages Spoken | English |
---|---|
Accents/Dialects | American - General, Australian, Eastern European, English - Cockney, English - England North East (Tyneside, Geordie), English - England North West (Liverpool, Manchester, Lancashire, Cheshire), English - General, English - London, English - Northern England, English - Received Pronunciation, English - Southwest England, English - West Midlands (Shropshire, Birmingham, Brummie), English - Yorkshire & Humber, German, Irish, Irish Eastern (Leinster, Dublin), Midwest American, New York, Northern Irish, Polish, Russian, Scottish, Scottish (Glaswegian), Scottish (Lowland, Broad Scots), South African, Southern American, US South (Deep South, Dixie, Delta), US West Coast (California, Portland), Welsh |
Dance Styles | Contemporary |
Musical Skills | Guitar |
Organisations / Memberships | Equity (UK) |