Adam McHattie
Video
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
Assembly Editor
Film |
Slammer Ted Byron Baybutt / Chasing The Bear |
|
2020 |
Lab Technical Support
Film |
Eternals Chloé Zhao / Marvel Studios |
|
2020 |
Dailies Lab Manager
Television |
His Dark Materials (S2, Eps1-4) Jamie Childs / Bad Wolf |
|
2019 |
Lab Technical Support
Film |
Black Widow Cate Shortland / Marvel Studios |
|
2019 |
Dailies Lab Manager
Film |
Enola Holmes Harry Bradbeer / Legendary Pictures |
|
2019 |
Senior Dailies Operator
Film |
The Witches Robert Zemeckis / Technicolor |
|
2019 |
Assistant Editor
Film |
Greed Michael Winterbottom / Revolutions Films |
|
2018 |
Assistant Editor
Film |
Lucid Adam Morse / Cameo Post Production |
|
2018 |
Dailies Lab Operator
Film |
Rocketman Dexter Fletcher / Marv |
|
2018 |
Assistant Editor
Film |
Lie Of You Richard Redwine / Cameo Post production |
|
2018 |
Digital Lab Operator
Film |
Paddington 2 Paul King / Marmalade Productions Ltd |
|
2017 |
Edit Assistant
Commercials & Industrials |
BBC Three Edit Assistant Several / BBC Three |
|
2017 |
Editor
Film |
Louis GIlman's 'Tings' Louis Gilman / Gilman Ltd |
|
2017 |
Digital Lab Operator
Film |
Star Wars: Han Solo Chris Lord + Phil Miller / LucasFilm |
|
2016 |
Editor
Film |
After School Special: Drugs Arron Ferguson / Not Moleman Ltd |
|
2016 |
Digital Lab Operator
Film |
Their Finest Lone Scherfig / Pinewood Pictures |
|
2016 |
Digital Lab Operator
Film |
Doctor Strange Scott Derrickson / Marvel Studios |
|
2016 |
Digital Lab Operator
Film |
The Mummy Alex Kurtzman / Sarcophagus Films Ltd |
|
2016 |
Digital Lab Operator
Film |
The Commuter Jaume Collet-Serra / Commuter Productions Ltd |
|
2015 |
D.I.T.
Film |
Billionaire Ransom Jim Gillespie / Pinewood Pictures |
|
2015 |
Digital Lab Operator
Film |
Florence Foster Jenkins Stephen Frears / BBC Films |
|
2015 |
Digital Lab Operator
Film |
Star Wars: Rogue One Gareth Edwards / Lucasfilm |
|
2015 |
Digital Lab Operator
Film |
Jason Bourne Paul Greengrass / The Kennedy/Marshall Company |
|
2015 |
D.I.T.
Film |
Mindhorn Sean Foley / Scott Free Productions |
Education
Year | Qualification | Where |
---|
Equipment
My Equipment/Kit: Adobe Suite, Avid Pro Tools, BMPCC4K with Metabones Micro 4/3 to EF Speedbooster, DaVinci Resolve, Samyang Cine Lenses (14mm, 35mm, 50mm, 85mm)
I can use: DaVinci Resolve, Avid Pro Tools, Adobe Suite, Bmpcc4K With Metabones Micro 4/3 To Ef Speedbooster, Samyang Cine Lenses (14Mm, 35Mm, 50Mm, 85Mm), Pomfort Silverstack, Filmlight Daylight, Osd Colorfront
About me
I started my career back in 2006 as a Runner for Media House, learning the ropes in a Post-Production environment, picking up skills and improving my knowledge of the processes involved. It wasn’t long before I was in the VT department, dubbing, transcoding and studying the technical side of film-making.I left my staff role in February 2010 to work in production, wanting more knowledge and more experience so that I could fully realise my potential, using the skills and understanding I had gained to help any production run smoothly.
Due to my knowledge of post-production I naturally gravitated towards the role of D.I.T. learning about Cameras and their impact on workflows, but by proxy also picking up experience within the camera department.
This dynamic/varied mindset allowed me an opportunity to work at Pinewood Digital, assisting the team on larger feature productions, improving my knowledge of both cameras and post production tools.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Director |
---|---|
Job Titles | Video Editor, Post-Production Management / Support, Colorist, Writer, Director, Camera Operator, Camera Supervisor, Post Production Assistant |
Years in industry | 6+ years |