Alessandra De Palma
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2018 |
Costume Supervisor
Film |
Carnaby International Sales & Distribution PLC |
|
2019 |
Production Designer
Film |
Pip Swallow |
|
2019 |
Production Designer
Film |
Imoje Michale Aikhoje |
|
2018 |
Production Designer
Film |
Hidden Art Film Ltd |
|
2018 |
3rd AD
Film |
Zenith Production |
|
2019 |
Production Designer
Film |
MET Film School |
|
2019 |
Production Designer
Film |
Glen Delhaye |
|
2018 |
Costume Designer
Film |
Javan Ng |
|
2019 |
Production Designer
Film |
Bohemia Junction Ltd |
|
2019 |
Production Designer
Film |
Soul Rebel Films |
|
2019 |
Production Designer, Costume Designer
Film |
Pattern Maker Films |
|
2019 |
Production Designer
Film |
Petetom Productions |
|
2019 |
Production Designer
Film |
MET Film School |
Education
Year | Qualification | Where |
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Equipment
My Equipment/Kit:
I can use:
Skills
Secondary Job Title | Costume Designer |
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Highlights
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Production Designer who has experience on short films and feature films. Adept at prop making, set surveying and researching, costumes supervision. Versatile adaptable to the needs of the department being able to run errands quickly, taking to tasks with a professional and methodical attitude. London based.
SKILLS
Sketching, drawing, painting, wallpapering, sculpting
• Making small props in clay and polymer clay
•Designing and decorating sets and set elements for short films and feature film
• Maintaining resource documents and filing systems.
• Coordinating build-outs and the disassembly of the sets
• Purchasing props and materials while adhering to strict budgets
• Providing scenic design consultation, colours scheme development and art direction for various
operas.
• Working with DoP, Director, DP's and Actors to collaborate ideas, create solutions, and assure the
safety of others on set
• Furnishings, wallpaper, lighting fixtures, and many of the other objects that will be seen in the film.
• Maintaining a set dressing budget separate from the set budget or the prop budget and answers
directly to the production
• Purchasing of costumes, fabrics, make-up, and accessories, as needed and within specified budgets.
• Creating costume ideas to fit the production’s design concept and budget researching suitable
costume styles, fabrics and designs.
• Attending production meetings and dress rehearsals for all productions.
• Dressing cast members, maintaining an organised wardrobe for the duration of the production