Anna Sulley
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2021 |
Foley Artist / Sound Associate (Binaural SD and Voice Recording)
Voiceover |
Deadhouse David Rosenberg Glen Neath / Darkfield / BBC R4 |
|
| 2021 |
SFX's Editor / Foley Supervisor / Foley Recordist
Television |
The Inside Man Twist and Shout |
|
| 2021 |
Foley Supervisor / Foley Editor
Film |
The War Below J.P. Watts / Vital Pictures |
|
| 2021 |
Sound Designer
Online & Multimedia |
Laika Trailer Passion Pictures |
|
| 2020 |
Dialogue Editor
Online & Multimedia |
As Dead As It Gets - Interactive App Simon Ellis / Wellington Films |
|
| 2020 |
Foley Supervisor / Recordist / Lead Foley Editor
Film |
Medulsa Deluxe Thomas Hardiman / Emu Films |
|
| 2020 |
Dialogue Editor
Film |
The Owners Blue Light, XYZ Films |
|
| 2020 |
Supervising Sound Editor / Sound Designer
Film |
A Serial Killers Guide to Life Forward Motion |
|
| 2019 |
Sound Effects Editor
Film |
Game of Thrones: The Last Watch Jeanie Finlay / HBO, Glimmer Films |
|
| 2019 |
Sound Effects Editor / Foley Artist
Film |
DAU. Degeneratsiya Phenomen |
|
| 2019 |
Foley Supervisor & Mixer
Television |
Waffle the Wonder Dog Darrall Macqueen |
|
| 2018 |
Foley Supervisor / Artist
Film |
Tarzan and Jane Netflix |
|
| 2018 |
Foley Supervisor / Foley Artist
Film |
Kong: King of the Apes Netflix |
|
| 2016 |
Sound Designer
Event |
Toyota Safety VR project Ignition |
|
| 2014 |
Sound Designer
Film |
Luna Dave McKean / Baker Street |
|
| 2014 |
Sound Designer
Voiceover |
Various Games Trailers Maverick Media |
|
| 2014 |
Dialogue Editor
Film |
Nativity 3, Dude where's my Donkey Debbie Isitt / Mirrorball Films |
|
| 2014 |
Foley Recordist and Artist
Television |
Siblings Dan Zeff / Bwark Productions |
|
| 2013 |
Dialogue Editor
Television |
Plebs Rise Films |
|
| 2013 |
Supervising Sound Editor / Sound Designer
Film |
Bula Quo Stuart St. Paul / INDY UK Films Ltd |
|
| 2012 |
Sound Effects Editor
Film |
Papadopoulos & Sons Marcus Markou / Double M Films |
|
| 2009 |
Sound Effects Editor
Television |
Desperate Romantics BBC |
Education
| Year | Qualification | Where |
|---|---|---|
| 1995 | BA Hons Media Studies | Birmingham City University |
Equipment
My Equipment/Kit: Pro Tools Ultimate 2019, 5.1 Genelec speaker set up, Iris, Ableton live, RX7 Advanced, EdiCue, Conformizer, Kraken, Revoice Pro and numerous other sound design and dialogue restoration plug ins.
I can use: For sfx field recording and location foley I own sound devices 744T, MixPreD, MKH 30, 40, 30. KMR81D, Crown PZM, Lom, Line Audio, various contact and creative mics.
About me
A diligent and friendly individual with over 14 years solid experience in post production sound. Creative, flexible and client-focused, adapts easily to the varying schedule times of different projects and is very well-equipped to rise to any challenge. Has proven freelance and staff experience across a wide range of DAWS and kit in a host of post production companies and integrates well into any project environment.Referees:
http://www.linkedin.com/profile/view?id=59489471
Additional information:
I am a Supervising Sound Editor, Dialogue Editor, Sound Designer and Foley Mixer/Supervisor.
Home studio, London based.
Skills
| Secondary Job Title | Sound Designer |
|---|---|
| Job Titles | Dubbing Editor / Mixer, Sound Designer, Sound Editor, Sound Operator / Engineer |
| Years in industry | 6+ years |
| Organisations / Memberships | AMPS (UK) |