Blai Escayola
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document fileBlai Escayola C.V.
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Sound Recordist
Commercials & Industrials |
Guardium, Knight in shining Simon Cole / Mad Cow Films |
|
| 2019 |
Sound Recordist
Commercials & Industrials |
Aviva Digital Garage Richard Prendergast / Submotion |
|
| 2019 |
Sound Recordist
Film |
Kathaputali Veemsen Lama / Prithvi Rana Productions |
|
| 2018 |
Sound Recordist
Commercials & Industrials |
Twiter, Women in Football campaign Two Doors / Fat Lemon |
|
| 2018 |
Sound Recordist
Film |
Sylvia Richard Prendergast / Buckhart Productions, Submotion |
|
| 2018 |
Sound Recordist
Commercials & Industrials |
Buzz Bingo Alex Turner / Fat Lemon |
|
| 2018 |
Sound Recordist
Commercials & Industrials |
"Don't Blow It Greg" BBC 1 Radio Show Jim Owen / Fat Lemon |
|
| 2018 |
Sound Recordist, Sound Designer
Film |
Now That's What I Call a Show Sameer Majnun / Majnun Films Ltd |
|
| 2018 |
Sound Recordist
Film |
Patients of a Saint Russell Owen / Nubian Film Production Ltd |
|
| 2018 |
Sound Recordist
Film |
His Wives Shahid Kamal / Independent |
|
| 2018 |
Sound Recordist, Sound Editor
Film |
Driftwood Ralph Martin Fleischer / Real Mode Form Productions |
|
| 2018 |
Sound Recordist, Sound Editor
Commercials & Industrials |
"Treat Me Well" Mencap Campaign Tim Butcher / Mencap |
|
| 2018 |
Sound Recordist
Film |
Chasing Ghosts Aoun Khan / BULLEIGHT FILMS LTD |
|
| 2018 |
Sound Recordist
Film |
Ex Audio Helen Mulligan / Indigo Productions |
|
| 2017 |
Boom Operator
Film |
Criminal Audition Samuel Gridley / Mordue Pictures |
|
| 2017 |
Sound Recordist
Film |
Dalstonian Will Webb / Mountain Way Pictures |
|
| 2017 |
Sound Recordist
Film |
Man Of The Hour Linda Ludwig and James Curle / Inquisitive Pictures |
|
| 2017 |
Sound Recordist
Film |
Happy Birthday, You Loser Bob Denham / Forerunner Studios |
|
| 2017 |
Sound Recordist
Film |
Pull Simeon Qsyea / Independent |
|
| 2017 |
Sound Designer
Film |
The Rizen Matt Mitchell / Lost Eye Films |
|
| 2017 |
Sound Recordist
Video |
Goldie / Castaway Lyle Lindgren / Prettybird |
|
| 2017 |
Sound Recordist
Film |
Civilian Andis Cildermanis / Independent |
|
| 2017 |
Sound Recordist
Video |
Goldie / I Adore You Lyle Lindgren / Prettybird |
|
| 2016 |
Sound Designer
Film |
Eve Ravensbourne |
|
| 2016 |
Sound Designer
Commercials & Industrials |
A weekend with Momentum Adventure and KTM Freeride E-XCs Momentum Adventure |
|
| 2016 |
Location Recordist
Film |
UK Interviews Vlad Tv |
|
| 2015 |
Sound Designer
Film |
Tremble and Quake Garth Twa / First Dog in Space Films |
Education
| Year | Qualification | Where |
|---|---|---|
| 2016 | Sound Design | Ravensbourne College |
| 2008 | Electronic Music Producer | SAE |
Equipment
My Equipment/Kit: (X2) Audio Ltd A10-TX transmitter (with build-in timecode-enabled recorder and phantom power), (X2) Line Audio CM4 Cardioid microphone (matched pair for stereo setup), (X5) Sennheiser G3 wireless system, Adam S2A + Sub 8 Monitors, Ambient QXS-5100 Carbon Fibre Boom Pole, Audio Ltd A10-RX two-channel digital diversity receiver, iZotope RX, Pro Tools 11, Sanken COS 11D Lavalier Microphones, Sennheiser 416 shotgun microphone, Sennheiser MKH 50 Super-Cardioid Microphone, Sound Devices 664 field mixer and recorder, Sound Devices 833, Ultrasync One Timecode sync box, Zoom H6 Handheld recorder
I can use: Ultrasync One Timecode Sync Box, Audio Ltd A10-Rx Two-Channel Digital Diversity Receiver, (X2) Audio Ltd A10-Tx Transmitter (With Build-In Timecode-Enabled Recorder And Phantom Power), (X2) Line Audio Cm4 Cardioid Microphone (Matched Pair For Stereo Setup), Sennheiser Mkh 50 Super-Cardioid Microphone, Sanken Cos 11D Lavalier Microphones, (X5) Sennheiser G3 Wireless System, Ambient Qxs-5100 Carbon Fibre Boom Pole, Sound Devices 664 Field Mixer And Recorder, Adam S2A + Sub 8 Monitors, Zoom H6 Handheld Recorder, Sound Devices 833, Sennheiser 416 shotgun microphone, Pro Tools 11, iZotope RX
About me
I am a freelance Sound Recordist and Sound Designer. I have experience in a wide variety of areas within location recording and sound post-production, ranging from film and documentaries, to commercials, branded content and VR.Referees:
Available on request
Additional information:
I am a union member with Public Liability and equipment insurance. I have an Ofcom PMSE licence to use radio microphones legally, and full UK driving licence. I am highly professional on set while keeping a good rapport with cast and crew. I am pro active and I always strive to overcome sound issues with a positive attitude. I pay great attention to detail to record the best sound possible on every location.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Boom Operator |
|---|---|
| Job Titles | Boom Operator, Sound Designer, Sound Editor, Sound Mixer / Recordist |
| Years in industry | 3 to 6 years |
| Organisations / Memberships | BECTU (UK) |