Josh Bloomer

Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
1st AC, A Cam
Film |
Serena's Game Liza Bolton / HFG Studios, SPI International, Goldfinch, 365 Flix, MSR Media, The Club Productions |
|
2020 |
2nd AC Additional Camera (Dailies)
Film |
The Batman Matt Reeves / DC Films, Warner Bros. Pictures |
|
2020 |
2nd AC, Additional Camera (Dailies)
Television |
The Witcher, Season 2 Stephen Surjik / Netflix |
|
2020 |
2nd AC
Film |
Three Pints and A Rabbi Richard Perry / Richard Perry Pictures |
|
2020 |
1st AC / Focus Puller - B Cam.
Film |
Let There Be Love Mick Davis / MSR Media, HFG Studios, SPI, Goldfinch, 365 Flix |
|
2019 |
2nd AC
Film |
G-Loc Tom Paton / Goldfinch Studios |
|
2019 |
1st AC / Focus Puller, A Cam.
Film |
Shooting Paul Phillipe Martinez / HFG Studios, SPI International, Goldfinch, 365 Flix, MSR Media, The Club Productions |
|
2019 |
Camera Trainee (Dailies)
Film |
No Time To Die Cary Fukunaga / Eon Productions, Universal Pictures |
|
2019 |
1st AC, A Cam
Film |
Rat on A Highway Vivek Chouhan / Roth Productions LTD |
|
2019 |
2nd AC
Film |
Miss Willoughby Mick Davis / MSR Media, HFG Studios, SPI, Goldfinch, 365 Flix, Miss W Productions LTD |
|
2019 |
2nd AC (A Cam.)
Film |
Commando 3 Aditya Datt / Reliance Entertainment |
|
2019 |
Focus Puller / 1st AC
Television |
The Jewish Enquirer Gary Sinyor / Magnet Films |
|
2018 |
2nd AC
Film |
Six Days of Sistine Richard Perry / Richard Perry Pictures |
|
2018 |
2nd AC / Clapper Loader
Commercials & Industrials |
Samsung - GDPR Human Ready Carly Cussen / Creative Blood |
|
2018 |
2nd AC / Clapper Loader
Film |
A Boy, a Man and a Kite Adam Matalon / BMK Productions UK Ltd |
|
2018 |
Lighting Cameraman
Commercials & Industrials |
Myriorama Promo Jantien Abma / Laurence King Publishing |
|
2018 |
2nd AC / Clapper Loader
Commercials & Industrials |
P&O Ferries Sam Strickland / Strickland Coburn Productions |
|
2018 |
Camera Assistant
Video |
Spragga / The King of The Throne Andy Oury / Buttercuts Records Ltd |
|
2018 |
2nd AC / Clapper Loader
Film |
Haircut Koby Adom / Joi Productions Ltd |
|
2018 |
Camera Assistant
Video |
DYGL / Bad Kicks Toto Vivian / DYGL |
|
2018 |
Movi Operator
Film |
Lily Audrey Gagneux / Katie Organ |
|
2017 |
2nd AC/Clapper Loader
Commercials & Industrials |
There's No Vaccination Against Tom Clarkson / Crossfire Productions |
|
2017 |
Camera Assistant
Video |
King Krule / King Krule on The Moon James Humby / Molten Jets |
|
2017 |
2nd AC/Clapper Loader
Commercials & Industrials |
Google, Be Internet Legends Simon Waldron / Lonely Leap |
|
2017 |
2nd AC/Clapper Loader
Film |
The Arrival Annetta Laufer / Joi Productions Ltd |
|
2017 |
2nd AC/Clapper Loader
Film |
The Tide Harjinder Grewal / Joi Productions Ltd |
|
2017 |
ENG Camera Operator
Performing Arts |
McLaren Autosport Awards Giles Burris, Andy Spellman / Duck and Weave Ltd |
|
2017 |
2nd AC/Clapper Loader
Commercials & Industrials |
Huawei ABC KSPs Nick Bacash / Bisqit |
|
2017 |
2nd AC/Clapper Loader
Commercials & Industrials |
Beagle Street - Proud Dad Ian Sciacaluga / Space City Productions |
|
2017 |
2nd AC/Clapper Loader
Film |
Ivan Harlow Sam Strickland / Strickland Coburn Productions |
|
2017 |
2nd AC/Clapper Loader
Film |
Mark and Monica Ronaldo Tavares / RTS |
|
2017 |
Camera Trainee
Film |
Ghost Stories Jeremy Dyson, Andy Nyman / Warp Films |
|
2017 |
2nd AC/Clapper Loader
Film |
Dead to The World DDTW |
|
2017 |
2nd AC/Clapper Loader
Film |
In My Mind Hayden Munt / Pentire Street Productions |
|
2017 |
2nd AC/Clapper Loader
Commercials & Industrials |
Common Ground Paul Mason / Punk Creative |
|
2017 |
Camera/Editor
Commercials & Industrials |
Sarah Hyndman Launch Laurence King Publishing |
|
2017 |
Editor
Television |
Various Nickelodeon Content Nickelodeon UK |
|
2017 |
Camera/Editor
Commercials & Industrials |
Carfest for BBC Children in Need Giles Burris / Duck and Weave |
|
2017 |
Camera Trainee
Television |
Beyond Reasonable Doubt Various / Nutopia Productions |
|
2016 |
Camera Trainee
Film |
Knock Down Ginger Henry Napier-Brown / Rooted Productions |
|
2016 |
Camera/Editor
Commercials & Industrials |
Women in Leadership ONS Office for National Statistics |
|
2016 |
Camera/Editor
Television |
Motor Sport CH4 Hayfisher Productions |
|
2013 |
Creative Studio Assistant
Commercials & Industrials |
Kilford [Artist] Kilford [Artist] |
|
2011 |
Camera/Editor
Event |
Soul Family @ Ronnie Scott's London Natalie Williams |
Education
Year | Qualification | Where |
---|---|---|
2013 | Media Arts | Royal Holloway, University of London |
Equipment
My Equipment/Kit: Standard 2nd AC Tools and Equipment
I can use: Standard 2Nd Ac Tools And Equipment
About me
I work primarily as a 2nd AC (starting to accept some step up 1st AC work) on a range of projects including feature films, TV series and commercials. I am experienced on 16mm, 35mm and digital cinema cameras. From 2014-16 I was a staff shooter/editor for Hayfisher Productions, specialising ion motorsport TV. Before that I completed a 3 year film course at Royal Holloway, University of London.Referees:
Paul Snell
https://www.imdb.com/name/nm2508013/
removed
Dean Murray
https://www.imdb.com/name/nm2781318/
removed
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Camera Technician |
---|---|
Job Titles | Camera Operator, Camera Trainee, Cinematographer, 2nd Assistant Camera - Clapper / Loader, Videographer, Camera Supervisor, Camera Assistant |
Years in industry | 3 to 6 years |
Organisations / Memberships | BECTU (UK) |