Lorenzo Russo Rainaldi

Documents
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document filePortfolio L Russo Rainaldi
Other
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My Contact Number:
07429250736
Links
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
Set designer
Theatre |
Die Zauberflöte D. Livermore / Royal Opera House of Muscat |
|
2019 |
Set and costume designer
Theatre |
The Elixir of Love G. Raghu / Norwich Into Opera Festival |
|
2019 |
Set designer assistant of Davide Livermore
Theatre |
Elena D. Livermore / Greek Theatre of Syracuse |
|
2019 |
Set designer assistant of Leslie Travers
Theatre |
Manon Lescaut D. Pountney / Teatro alla Scala |
|
2018 |
Set and costume designer
Theatre |
Little by Little M. Strachan / Etcetera Theatre |
|
2018 |
Set and costume designer
Theatre |
In the wake of M. Strachan / Lion & Unicorn Theatre / Bread & Roses Theatre |
|
2018 |
Set designer assistant of Leslie Travers
Theatre |
Francesca da Rimini D. Pountney / Teatro alla Scala |
|
2017 |
Costume designer
Film |
Forget Me Not R. Taylor / MET Film School Student Production |
|
2017 |
Set and costume designer
Theatre |
The Weir V McFarlane / Twilight Stage Company and White Bear Theatre |
|
2016 |
Set designer assistant of Gary McCann
Theatre |
Illuminations S. Leslie / Aldeburgh Festival |
|
2015 |
Associate set designer and graphic designer
Theatre |
Le Belle Addormentate Teatro Ristori |
|
2014 |
Internship as 2nd set designer assistant of William Orlandi
Theatre |
Il barbiere di Siviglia L. Mariani / Rome Opera House |
|
2014 |
Internship as 2nd set and costume designer assistant of ULTZ
Theatre |
Ariodante R. Jones / Festival d’Aix-en-Provence |
Education
Year | Qualification | Where |
---|---|---|
2015 | Postgraduate Master's Degree in Set and Costume Design for Opera | Verona Opera Academy |
2012 | Master's degree in Architecture | Sapienza, University of Rome – School of Architecture |
Equipment
My Equipment/Kit: Laptop computer
I can use: Laptop Computer
About me
When I was five years old I have watched my first opera on tv and I have loved it since then. As time went by it has been natural to me to combine my passion for live theatre with the one I have for architecture, thus beginning to dream about becoming a theatre designer. And after many years dedicated to studies and professional training, I moved to London in early 2016 to start my career.Additional skills:
designing set and costumes, model making, computer-aided drafting, 3D virtual modelling, rendering, photo editing, conducting surveys in theatres and storages, providing technical data to workshops in charge of building the set, overseeing the making of set and props, shopping for set decors, props and costumes, setting the rehearsals rooms, taking notes during meetings and rehearsals, being in charge as designer assistant if the designer couldn’t attend the rehearsals and working remotely with him.
Skills
Secondary Job Title | Costume Designer |
---|---|
Job Titles | Costume Designer, Props Master, Props Buyer, Set Artist / Designer, Theatre Technician |
Years in industry | 3 to 6 years |