Matthew S. Jones
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2021 |
1st Assistant Sound (2nd Unit, Dalies)
Television |
Endeavour (Season 8) Shaun Evans / Mammoth Screen/ITV |
|
| 2021 |
Sound Recordist
Film |
Magnanimous Anton Inwood / ACI Films |
|
| 2021 |
Sound Recordist
Commercials & Industrials |
Brewdog Gold Can Giveaway Cowshed Social |
|
| 2021 |
Sound Recordist
Film |
Footprints on Water The Production Headquarters |
|
| 2020 |
Sound Recordist
Television |
Quick Little Build Mark O'Brien / Raise the Roof Productions |
|
| 2020 |
1st Assistant Sound
Film |
Father Christmas is Back Phillipe Martinez and Mick Davis / MSR Media |
|
| 2020 |
1st Assistant Sound
Film |
Miss Willoughby and the Haunted Bookstore Brad Watson / MSR Media |
|
| 2020 |
1st Assistant Sound
Film |
Serena's Game Liza Bolton / 365 Flix |
|
| 2020 |
1st Assistant Sound
Film |
Let There Be Love Mick Davis / 365 Flix |
|
| 2020 |
Sound Recordist
Commercials & Industrials |
Born To Survive Matt Edge / BT Sport |
|
| 2019 |
Sound Recordist
Commercials & Industrials |
Dacia - Men's Health Promo Gene Limbrick / Hearst Media |
|
| 2019 |
Sound Recordist
Commercials & Industrials |
Tiny POP Cookie Monster's Food Truck Promo The Film and TV Company |
|
| 2019 |
Sound Recordist
Commercials & Industrials |
Tiny POP PJ Masks at Hamley's Toy Shop The Film and TV Company |
|
| 2019 |
Sound Recordist
Film |
Rooftop Hope Hayley Dickinson / The National Production Company |
|
| 2019 |
Production Sound Mixer (Dalies)
Film |
Going Country Philip Stevens / Urban Apache Films |
|
| 2019 |
1st Assistant Sound, 2nd Unit (Dalies)
Television |
Bridgerton Netflix |
|
| 2019 |
2nd Unit Sound Recordist (Dalies)
Television |
Get Even Andrew Gunn and Josh Dynevor / CBBC |
|
| 2019 |
Boom Operator (Dalies)
Film |
G-Loc Tom Paton / Goldfinch Studios |
|
| 2019 |
1st Assistant Sound
Film |
Shooting Paul Phillipe Martinez / 365 Flix |
|
| 2019 |
1st Assistant Sound
Film |
Miss Willoughby Mick Davis / Goldfinch Studios |
|
| 2019 |
1st Assistant Sound
Film |
Mister Mayfair Phillipe Martinez / 365 Flix |
|
| 2019 |
Sound Recordist
Television |
Snow on the Road Philip Stevens / Urban Apache Films |
|
| 2019 |
Sound Recordist (2nd Unit)
Film |
The Intergalactic Adventures of Max Cloud Martin Owen, 2nd Unit Director Sally Collett / Goldfinch Studios |
|
| 2018 |
Sound Recordist
Commercials & Industrials |
AGCO Internal Content Lee Kemp / Vermillion Films |
|
| 2018 |
Sound Recordist
Film |
She Summoned Him Chris Sanders / Black Coppice Films |
|
| 2018 |
Sound Recordist
Film |
Queen of Shadows Sara Kingdom / Grey London Films |
|
| 2018 |
Production Sound Mixer
Commercials & Industrials |
POP TV Xmas LOLidays Scott Pickup and Ed White / The Film and TV Company |
|
| 2018 |
Sound Recordist
Online & Multimedia |
BravoLotto Third Eye Deer |
|
| 2018 |
Boom Operator
Film |
Deus Steve Stone / Goldfinch Studios |
|
| 2018 |
Production Sound Mixer
Film |
On The Shoulders Of Giants Philip Stevens / Urban Apache Films |
|
| 2018 |
Sound Recordist
Television |
Hunting in Packs Chloe Sosa-Sims / Fathom Media |
|
| 2018 |
Sound Recordist
Television |
Red Arrows: Kings of the Sky Jamie Simpson / Shiver |
|
| 2018 |
Production Sound Mixer
Film |
Bite James Owen / Arthro Films |
|
| 2018 |
Production Sound Mixer
Commercials & Industrials |
Movies4Men World Cup Promo John Scott and Tony Jopia / The Film and TV Company |
|
| 2018 |
Sound Recordist
Film |
Poison Ivy Fan Film Sophie Black / Triskelle Pictures |
|
| 2018 |
Production Sound Mixer
Film |
Their War Max Mason / Chalice Films |
|
| 2018 |
Poduction Sound Mixer
Commercials & Industrials |
POP TV Easter LOL's Sarah Rawlings / The Film and TV Company |
|
| 2018 |
Sound Recordist
Television |
Found Charlie Swinbourne / Wellington Films |
|
| 2018 |
Sound Recordist
Film |
Last is First Michael Tchoubouroff / Weeble Films |
|
| 2018 |
Sound Recordist
Film |
She Lived on Franklin Avenue Ben Simpson and David Campion / Black Math Pictures |
|
| 2017 |
Production Sound Mixer
Television |
Angel of Death Tony Jopia / The Film and TV Company |
|
| 2017 |
Sound Recordist
Film |
In Flagrante Clive Watson / WDP Films |
|
| 2017 |
Boom Op
Film |
Posies Kel Webster / Little Seagull Films |
|
| 2017 |
Production Sound Mixer
Film |
Lapwing Phil Stevens / Urban Apache Films |
|
| 2017 |
Sound Recordist
Film |
Bubble Girl Holly Wilkinson |
|
| 2017 |
Production Sound Mixer, Foley Artist
Film |
Pointless Time Travel Steve Young |
|
| 2017 |
Sound Mixer
Film |
Mogue Molly Maria Venner / Maverick Television |
|
| 2017 |
Sound Recordist
Film |
Lockerbilly Michael Tchoubouroff / Weeble Films |
|
| 2017 |
Sound Recordist
Film |
The Past Whispers Jane Hearst / Maverick Television |
|
| 2016 |
Sound Recordist
Film |
The Turn Martin Harries |
|
| 2016 |
Sound Recordist
Film |
The Cost of Fame Jody Wiltshire |
|
| 2016 |
Boom Op
Film |
Broken World Charlotte Gorick |
|
| 2016 |
Boom Op
Film |
Immort Jacob Redfern |
|
| 2016 |
Composer/Boom Op
Film |
Descent Angelin Selvanathan / Extant Films |
|
| 2016 |
Composer
Film |
Revenant Josie Rafter / Gaslight Productions |
|
| 2015 |
Composer
Film |
Schafer Lewis Adams / Golden Gecko Films |
|
| 2015 |
Composer/Sound Designer
Film |
A Close Game Stephanie Darby / Fen River Productions |
|
| 2015 |
Composer/Sound Designer
Film |
Lucky Like Hazel Donnely and Michelle Walsh / New Media Lincs |
|
| 2015 |
Composer
Commercials & Industrials |
WBLA New Media Lincs |
Education
| Year | Qualification | Where |
|---|---|---|
| 2016 | Audio Production | Lincoln University |
Equipment
I own and can operate: Sound Devices 664, Tentacle Timecode, Ambient Boom Poles, Panamic Boom Pole, Wisycom MTB40s, Audio Ltd. Antenna Distro, Betso Sharkie Active Antenna, Micron Explorer, Sony UWP-D, Sennheiser G2, Tram Tr-50, Sanken Cos-11, Sennheiser MKH70, Schoeps CMC6/MK41, Rode NTG-3, Sennheiser MKH416
About me
Midlands based sound recordist and 1st AS.I have experience working on a wide variety of productions, from TV to feature films, shorts, documentaries, promos, commercials and corporate shoots.
I also have a wide range of equipment available and my own transport.
Referees:
Available on request.
Additional information:
My Kit List is:
Mixers/Recorders:
Main – Sound Devices 664
Backup – Zoom F8 with F-Control Mixing Surface, Zoom H6n
Microphones:
Schoeps CMC6/MK41
Sennheiser MKH 8060 Shotgun Microphone
Sennheiser MKH70 Shotgun Microphone x3
Sennheiser MKH416 Shotgun Microphone
Rode NTG-3 Shotgun Microphone x2
Sennheiser e912 Boundary Microphone
Behringer B-5 Condenser Microphone Rode NTG-1 Shotgun Microphone
Wireless:
Lectrosonics and Micron are used for wireless booms and radio mics, all with Sanken Cos-11’s, DPA 4061’s or Tram Tr50’s. When range is an issue, they are used in conjunction with Betso Sharkie Antenna and an Audio Ltd Distribution System. Currently, up to six channels of wireless are readily available.
IEM’s are handled via a Sennheiser G1/G2 system, with 4 units available alongside Sony headphones.
Camera hops are available through Sennheiser G2’s or Sony UWP’s. Up to 3 units are available.
All wireless systems operate on Lectrosonics block B1, Ch.38 and Ch.70
Timecode:
Timecode is provided via Tentacle Timecode Systems, with up to 3 units available.
Miscellaneous:
Panamic and Ambient Boom Poles
Rycote Windshields and microphone mounts
Sound Mats/Carpets
Van Damne XLR Cables
RF Explorer
Various Microphone Stands
Skills
| Secondary Job Title | Boom Operator |
|---|---|
| Job Titles | Boom Operator, Boom Operator (Assistant), Foley Artist, Production Sound Mixer, Sound Assistant, Sound Engineer, Sound Mixer, Sound Operator, Sound Recordist, Sound Playback, Sound Supervisor |
| Years in industry | 3 to 6 years |
| Languages Spoken | English |
| Driving Licences | Standard |
| Licenses | CRB Checked, Public Liablity Insurance |
| Organisations / Memberships | BECTU (UK) |